Cult Cinema: Take Home Final

580 Words2 Pages

Coming into this course I had no idea what I was getting myself into. It was simply the description of Dr. Bernard’s syllabus that held me interested and wanting to learn more. I was never a big movie follower, so I thought it would be interesting to see some of the films that do hold enormous fan based festivals and conventions. Throughout the past several weeks I have not only experience many films that I have not seen before, but I also gained the knowledge of the meaning behind what a cult film is. In the first few weeks we went over the concept of “cult” and how it is usually done in sets of different types of rituals. The likings and awareness of and for these cult films are relatively small in size due to it’s opposition to mainstream. Cult films have many different spins and twists to them, therefore they come with special followings and groups.
Cult movies first began getting big when they began playing through midnight movies. Midnight movies were done in small theaters showing old favorite and avant-garde films. After realizing what good audience the midnight shows were...

Show More
Related

  • Clue and the Crisis of the American White Male

    2701 Words  | 6 Pages

    In the piece “Cinema/Ideology/Criticism,” Jean Luc-Comolli and Jean Narboni define the critic's job as the discernment of “which films, books and magazines allow the ideology a free, unhampered passage, transmit it with crystal clarity, serve as its chosen language” and which films “attempt to make it turn back and reflect itself, intercept it, make it visible by revealing its mechanisms, by blocking them” (753). Through their examination, seven film categories are outlined. Clue falls into the “E” category, which is defined as “films which seem at first sight to belong firmly within the ideology and to be completely under its sway, but which turn out to be so only in an ambiguous manner” (75...

    Read More

  • Analyzing the Film Food Inc and the Propaganda Message for Positive Change

    1448 Words  | 3 Pages

    Society tends to associate propaganda films with issues such as Nazi Germany and their film messages for their country; however, it is also possible for small independent companies, groups of like-minded people and individuals to use the media of film to incorporate messages for our society (The Independent, 2010). These messages are often in relation to changes that individuals should make in order to improve the standards by which they live their lives and changes to everyday habits that will benefit the individual, the individual’s family, a group of individuals or even a single person (Barnhisel and Turner, 2010).

    Read More

  • Comparing The Lorax Book and Film

    1840 Words  | 4 Pages

    Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.

    Read More

  • The Great Imagination Heist Essay

    584 Words  | 2 Pages

    One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak

    Read More

  • Do the Right Thing Scene Analysis

    1315 Words  | 3 Pages

    Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print

    Read More

  • Divergent: Edifying Social Order and Self constraint

    1025 Words  | 3 Pages

    It is commonplace within films to replicate aspects of society like the formation of cliques, and/or groups that are subsets of the whole population. In these kinds of movies filmmakers indulge in the attributes of these subsection as well as the social orders, which facilitates them. Sociologists, like Norbert Elias, have theorized the creations and replication of social strata within Western society since before the 19th century. Norbert Elias’s infamous works theorized the creation of a unified social control within a civilization and the extrinsic influences of that control on the individuals themselves. An example of his key ideas are inherent in the movie “Divergent” where the presence of an embedded subset group “threatens” the social order and thus becomes a target for eradication.

    Read More

  • The Truman Show vs Rear Window

    1709 Words  | 4 Pages

    Sluyter, Dean 1st ed., ‘Cinema nirvana enlightenment lessons from the movies’ (New York: Three Rivers Press, 2005).

    Read More

  • The Jazz Age

    1605 Words  | 4 Pages

    Watching a movie in the 1920s was a cheap and easy way to be transported into a world of glitz and glamour, a world of crime, or a world of magic and mystery. Some of these worlds included aspects of current events, like war, crime, and advances in technology; while others were completely fictional mysteries, romances, and comedies. Heartbreakers, heartthrobs, comedians and beautiful women dominated movie screens across the country in theaters, called Nickelodeons. Nickelodeons were very basic and small theaters which later transformed into opulent and monumental palaces. When sound was introduced into film by Warner Bros. Pictures, “talkies” took top rank over silent films. “Movies were an art form that had universal appeal. Their essence was entertainment; their success, financial and otherwise, was huge” (1920-30, 3/19/11). Films offered an escape from the troubles of everyday life in the 20s, and moviegoers across the country all shared a universal language: watching movies.

    Read More

  • Religion in American Film

    3859 Words  | 8 Pages

    Stone, Bryan P. Faith and Film: Theological Themes at the Cinema. St.Louis: Chalice Press, 2000.

    Read More

  • Greg Smith It's Just A Movie Summary

    656 Words  | 2 Pages

    In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.

    Read More

  • Analysis Of The Film Scarface

    2327 Words  | 5 Pages

    One can learn from Tony’s mistakes. One can learn that family comes first. Society can also learn that taking shortcuts in life sometimes lead to a dead ends with no u-turns. This film showcases the time line of how a drug lord could rise to power from nothing. This film also shows how that same power one gets from becoming a drug lord could be taken at any time. Studying how to analyze a movie has definitely changed my perspective on how I view movies. I actually look at all the detailing in movies. I look at the camera angles and how they affect the scene. I even start to question why the director did not use a different angle for certain shots. By using film theories and criticism one can generate enough ideas in order to understand the movie better. When a film is being captured the director focuses on certain angles and lights to get the meaning of the scene to the audience. Just like everything in life has a meaning, everything in film also has a comparison meaning. This course has widen my intellect on how movies affect our societies. Movies can play a major role in how we act or how laws are even created. Movies has the same power as music. I say movies has the same power because one can look at a movie and want to become whatever he or she saw in the movie. One major skills that I developed in this course is being able to focus. Before this course, I could not focus on anything at all. I was the type to focus on three or

    Read More

  • Bad Boy Bubby: A Cult Film

    427 Words  | 1 Pages

    A cult film also known as a cult classic, a cult film is known as, obscure or unpopular with mainstream audiences and often revolutionary or ironically enjoyed. These films are known for their dedicated, passionate fan base, an elaborate subculture that engage in repeated viewings, quoting dialogue and audience participation. Bad Boy Bubby is a 1994 Australian-Italian black comedy/drama film directed by Rolf De Heer which is considered a cult film.

    Read More

  • Wong Kar-wai - an Auteur

    1267 Words  | 3 Pages

    Hayward, Susan. A. Key Concepts in Cinema Studies. London: Routledge, 1996. http://www. Stokes, Lisa, and Michael Hoover.

    Read More

  • The Film The Matrix

    1368 Words  | 3 Pages

    The culture and philosophy of Ridley Scott (pp. 231-243. United States: Lexington Books, Inc. Pramaggiore, M., & Wallis, T. (2005). Film: A critical introduction to the film.

    Read More

  • Movie Analysis: The Social Network

    1429 Words  | 3 Pages

    Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..

    Read More

More about Cult Cinema: Take Home Final

Open Document