Atmosphere of Fear and Tension in Rebecca
Shy ladies' companion is staying in Monte Carlo with her stuffy
employer when she meets the wealthy George Fortescu Maximillian
'Maxim' de Winter. Max is still troubled over the death of his first
wife Rebecca, who was killed in a boating accident the year before.
She and Max fall in love and get married. They return to Manderley,
his large country estate in Cornwall. The second Mrs. De Winter meets
the housekeeper Mrs. Danvers and discovers that Rebecca still has a
strange hold on Manderley. The second Mrs. De Winter wants it change
this; she wants to hold her own masquerade ball to introduce herself.
Maxim appears in a hallway, she joyfully rushes into his arms, and
then asks his permission to hold her own fancy dress costume ball to
lighten up the atmosphere.
"I'll design a costume all by myself and give you the surprise of your
life".
While sketching various costume ideas for the ball, Mrs. Danvers
suggest that Mrs. De Winter find inspiration from the large family
painting in the hall at the top of the stairs, a portrait of Lady
Caroline de Winter (one of Maxim's ancestors), dressed in a white
ruffled dress:
"I hear Mr. De Winter say that this is his favorite of all the
paintings".
Unknowingly, the heroine is planning to be dressed up like Rebecca
once was.
She glides down the great staircase to the ballroom, smiling proudly
and radiantly dressed in an exact copy of the lavish white gown. After
she greets him, he turns round and does not seem very impressed with
the dress - but appalled and angry at her for wearing the same kind of
dress worn by Rebecca at the p...
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...ers watches the girl's every move, making sure she doesn't loose
eye contact with her, having her stare at her all the time makes it
scary, bringing tension and fear. Hitchcock keeps her vulnerable
whilst Danvers hypnotizes her into a 'little nightmare'. Danvers is
nearly there, the audience knows it and so does Anderson. She has
nearly got her into her trap. The picture is still a two shot of them
both. Mrs. Danvers is wide eyed as she watches and waits for the girl
to make her move, she moves away and backs off from the girl to give
her room to jump. Music changes yet again, suspense builds, shadows
flicker. Then suddenly she snaps out of it, and in the distance are
loud explosions of flares being let off. There is a final
disappointment on Danver's face. It finishes off with a long shot of
Danvers, silent and still.
The Crucible is dense with the theory of “names” and what they mean to each character. A name could mean a form of identity, or a stature within the village. There is a relation between names and reputation. However, having a good name is irrelevant compared to the truth. How one perceives oneself, and how someone can stick to their moral codes is the most important virtue. Rebecca Nurse and Abigail Williams are polar opposite of each other in the play. Nurse is the embodiment of all goodness, while Williams is the exact “devil” Salem is trying to expel. Through these models of goodness and evil, the truth, while eliciting punishment, is better than preserving a “name” that is carries no substantial meaning to oneself.
In the play, The Crucible, the principle character of John Proctor has a lot in common with Rebecca Nurse, a supporting character. Each, in their own rights, are rather different. John, being a character whose flaws are broadcasted through the entire production. Then, Rebecca, a character whom is seen as angelic with no flaws. Throughout the story comparisons happen between both characters.
beauty than the girl has herself , but here her beauty is much greater than the "poor dress". In
Fear is something me can’t control, it is naturally in us which cause humans to act on their instinct. The beast in the Lord of the Flies by William Golding is represented by fear from the very beginning when the boys first ended up on the island until they were saved by the naval officer. Putting a group of English boys on an island when the last thing they can remember is enjoying their flight on the plane, would instantly cause a sense of unplanned fear. Other concepts like war and innate human evil are based of and caused by fear itself. War begins when two opposing forces fear one another’s power. For example, the constant power struggle between Ralph and Jack because of their fear of each other and what the other was capable of. Innate human evil is the natural evil inside of every human, fear can control your want to oppose to a certain person or idea. The beast in the Lord of the Flies is fear because fear is the cause and drive of the boys basic struggle for survival.
It comes to a point in life when fear controls you and causes harm to you and everyone else in your environment. History repeats itself when fear is involved. In the Salem Witch trials, fear caused people to accuse the innocent of being witches. After World War Two, Americans feared sabotage from Japanese and locked up all the Japanese even if they were innocent. After 9/11, fear caused people to believe all Muslims were evil and could harm you. Being afraid of something can eventually become dangerous to you. In some cases, fear becomes dangerous to other people around you like in Salem.
Fear is a driving force in The Lord of the Flies. How does fear in all of its forms influence the boy's attitudes and behaviours?
In the case of Tissot’s The Lady in Pink, her dress is not for public as in “general public” like one might think. Rather this dress is referred to as an “indoor” dress, a dress that would not be worn out on the streets but for entertaining guest. Unlike the pink peignoir of Manet’s Young Lady from 1866 (fig. 2), Tissot’s figure is adorned in the most in-demand fashion of the time. While Manet’s young lady is presented to us in her dressing gown, Tissot’s young lady is in an elaborate gown donned with metallic elements which were made to be seen. Tissot’s lady in pink is not dressed to aid in her own private reflection, but dressed for the viewer’s consumption.
Female attire tended to fall into two categories: tailored suits and ball dresses, reflecting the way of life for the more wealthy. During this time, dresses tended to extend out in the shape of a bell where the end of the skirt was flared. To further describe how these dresses appeared, in an essay by James Laver, he remarks, “It is impossible to put a photograph of a fashionable woman of 1895 beside a photograph of a lamp of the same period without being struck by their close resemblance in every detail. The unmistakable sweep of the Art Nouveau line was completely parallel in the dresses of the time, in particular by the fall and swirl of the skirt.” The characters Gwendolen and Cecily are wearing ball dresses like the ones described in the Victorian era in my sketch. Their dresses are shown to be tighter in the waste (flattering their body shape) and become much wider toward the end. On the shoulders of the dresses, it fluffs up to add a decorative
Fear can motivate people in a positive way and a negative way, it can make you choose between right and wrong. In The Crucible And The Pact, it is shown that fear can influence people into action.
In society hysteria and fear can be the biggest emotional factor to push people to conform. In the novel The Crucible by Arthur Miller the characters Parris and Mrs. Putnam both use hysteria and fear to manipulate others to conform, and fear it being used against them. This is evident in their interactions with others regarding witchcraft. Parris is speaking to Abigail about Betty's mysterious illness that may supposedly be witchcraft. He shows that he understands the power of Hysteria and Fear because “If [Abigal] trafficked spirits in the forest [he] must know it now, for surely [his] enemies will, and they will ruin [him] with it” (Miller 10). Parris knows that If his enemies find out about Betty they will use people's fear of witches to
The most obvious piece of her outfit, and what caught my eye first, is her striped, short-sleeved dress. The best thing about a striped dress is that it’s extremely versatile and comfortable. This Fashionista had the right idea when she picked a dress with curved hemline. Striped dresses can feel monotonous with the wrong silhouette but hers look fun and flirty just through a change in the shape.
Ken Kesey was an American novelist who many consider a link between the 1950s Beat generation and the counterculture of the 1960s. After attending Stanford University, Kesey served as an experimental subject and aide in a hospital where he was introduced to psychedelic drugs. As an author he is known for his literary themes of rebellion against societal oppression and his use of personal experiences with psychotropic and hallucinogenic drugs. These experiences validate his status as a preeminent spokesperson for the counterculture. In One Flew Over the Cuckoo’s Nest, Kesey helps to develop a deeper in the meaning in the novel by using motifs such as laughter, fear, and the fog to represent the struggle for freedom for the mentally impaired in society during this time.
Transition: over the past years the designs and fabric have been adapting to today’s style, and brides have shifted far from the originally appearance of the dress to more fashionable
“The New Dress” is a 1994 short story by Virginia Woolf. The story features Mabel Waring, who goes to a party wearing a yellow colored dress. The dress is newly made purposely for this occasion. The story is about the dress that Mrs. Warning wore and felt that it is not good. My first reaction to the story is that the story is about the dress, and it caused large discomfort to Mabel Waring. The discomfort of Mrs. Waring was not mainly caused by the dress, but the writer used the dress to symbolize the social displacement Mrs. Waring was, that she felt that she was out of place due to her social class. The writer uses some stylistic devices to bring out the message of the story and to make it appealing to the reader. "The New Dress" was the
When you first look at her, you see a refined woman with classy clothes and jewelry, however, if you get to know her better, you could notice that she dresses with all kinds of clothes including tight-fitting, colorful, dark, expensive, soft formal, informal, etc. She tailors her clothes so they fit perfectly. All her clothes are different, and I like how she dresses. I do not like, however, when she dresses with really formal elegant clothes as it gives a bad impression of who she really is. My grandma is tall and thin, has white hair and is very elegant. In other words, my grandmother’s appearance is simply