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Essays about medusa
Essays about medusa
Essay on the story of medusa
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The Story Behind Athena and Medusa
For as long as I can remember, there has been a woman, who goes by Medusa. She is from Athens, Greece. Medusa obeyed all the Greek gods & goddess, all except the goddess of wisdom, which is my official title. I am Athena, goddess of wisdom. Medusa is established as woman who is all about herself. Throughout my tale you will understand why they conceive this opinion.
Every single day Medusa boasted about herself. She expresses to other people that she is the utmost prettiest compared to anyone. A large amount of people have came to me with the question of “can you unburden me from my hearing?” I may be wise, nevertheless I have never figured out the true reason why Medusa does this. The moment when Medusa
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wasn’t busy she would rave about herself, while staring in a mirror. Quite often I would observe her while she participated in her self-satisfaction act. Medusa and her friends attended my party of the Parthenon. The Parthenon is the biggest temple in Greece. It contains the goddess of wisdom, which is me. Around my statue were populous other statues of other gods and goddess in the Greek. All the people who attended my party obeyed me, all except Medusa. As the night went on Medusa laid eyes on all the statues and whispered, “Whoever did this statue did a satisfying job, on the other hand it would be perceived as exponential if I was the statues.” Every picture she gazed upon she addressed that the person did a precise job with the ending piece, though it would look superior if she instead was presented in their place. I watched her as her eyes gazed upon the paintings and sculptures, I also watched her mouth move about how it should be her up there.
Picture by picture and sculpture by sculpture she repeated, “I should be the one up there.”
When she approached the my statue she sighed happily and uttered, “My, this is a beautiful temple. It is a shame it is wasted on Athena for I obtain more beauty than her, perhaps one day people will build an even grander temple to my beauty.”
The women priests in the temple heard what Medusa spoke and they were shocked. The word spread what Medusa spoke through the entire temple and my company started to leave. Citizens of Athens knew I would be furious if anyone compared me to a different
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person. It wasn’t long before my temple slowly became empty, it prevailed that only Medusa was left.
She was occupied by her reflection in the large bronze doors that she hadn’t noticed the accelerated departure of everyone else. While Medusa was gazing, I made my statue form a human form.
“Vain and foolish girl,” I shouted angrily. “Do you really believe you’re prettier than me. While other people continue working, playing or learning, Then there is you Medusa, you just boast about yourself. Medusa there is a deeper meaning to life than beauty.”
“My beauty is all anyone ever needs in life. It’s an inspiration to those around me. I construct a worthier life by simply being so lovely.” Medusa candored.
“Nonsense,” I screamed “One day beauty will fade away. However I will arrange for it to fade away now and all your loveliness will be gone forever.” As I declared those words Medusa turned into a terrible monster. Her hair thickened into hissing snakes and body turned into a snake.
“Are you delighted with what I have done? Now anyone who glances in your eyes will turn into stone and no one will be able to save them,” I snapped quickly. “Even you, Medusa, should you seek your reflection, will turn to rock the moment you lay eyes on your face.” In order for no one to lay eyes on her by accident, I sent her to live with blind monsters, named the Gorgon
Sisters.
Athena is a very intricate and complex character who has a vital role in the epic poem. She is the Goddess of war and battle, a very interesting role for a female to possess. Because she is the Goddess of war, she has...
The extract begins with Medea’s screaming outburst “Aaaah!” (l.117) which outlines her despair through physical sound, which has a great dramatic effect on-stage. She is singing while wailing, and this is emphasized by the use of long vowels, which elongate her words and, hence, highlight her agony. She also uses enjambment which signals a sense of urgency. Her pain is further emphasized in her first sentence in which she relates to “pain” and repeats the word “suffered”, twice: “The pain that I’ve suffered, I’ve suffered so much” (118).
Because of our decision to expose the raw emotions of Euripides’ Medea in our rendition, the costumes will reflect the robust yet simple feelings of Medea. Our costumes convey the internal emotions of the characters throughout the play and adjust with each character’s circumstances. The colors of each character’s costume symbolize different feelings as well. For example, dark green is associated with greed, selfishness, and ambition while gold connects with riches and prestige.
Cixous, Hélène. “The Laugh of the Medusa.” The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1454-1466.
As many know, Medusa is the woman with the snaked hair and menacing looks but what many don't know is the reason behind her looks. Before, Medusa served Athena, the Greek Goddess of War, as a priestess. She was a woman with irresistible looks whom many men pursued and felt attracted to. Medusa as one of three Gorgon sisters. A Gorgon is a fearsome monster known for having deadly powers.They have "writhing snakes for hair, staring eyes, hideous grins and protruding fangs" From all three sisters, including Medusa, she was the only one born mortal and the only one that had been beautiful during her youth. (The World Book Encyclopedia383) Medusa was
Here the boy lay down, weary both from his zealous hunting and because of the heat, drawn to the beauty of the place and the fountain. While he was eager to slake his thirst, another thirst grew, and while he drank, he was seized by the image of a figure he saw, and he loved a discarnate dream. He thought that which is a shadow is a body. He was enthralled with himself, and, with his face still, he stared at that same face, just like a statue made of Parian marble. Seated on the ground he observed his eyes, twin stars, and his hair worthy of both Bacchus and Apollo, his youthful cheeks and ivory neck, the beauty of his face and its blushing mixed with snowy whiteness, and he marveled at everything for which he himself is remarkable: unsuspecting,
In the beginning she was just an ordinary priestess who loved Athena, but was misunderstood for an atrocious act that was committed against her; making her look like the bad guy. Medusa was once a mortal and lived in Athena’s palace, she lived and served for Athena. But, after Poseidon raped Medusa in Athena’s palace, Athena punished Medusa as the troublemaker. The goddess was upset Medusa, let this happen in her palace, for her punishment Athena transformed her into the iconic image of a snake- like humanoid. She also acquired the power to turn anyone into stone after they looked into her eyes. After she became an outcast from her own home, the Gorgon sisters whose names were Stheno and Euryale took her in and they became the three Gorgon sisters. Many times where they inscribed into historic monuments that detailed their appearance. Yet, they did not capture Medusa’s life as it was. Medusa lived a brutal and cold life after her transformation, her death only added to her misery. She was killed by Perseus, a noble boy who was ordered by King Polydectes to kill Medusa. This was only a trick so the King would be able to have Perseus mother to himself, he hoped Perseus would die trying to kill Medusa. However, after he set out the King did not predict for the gods to help aid Perseus. Athena was one
woman who dedicated herself to the goddess Athena.” Medusa lived the life of a Priestess which
There are multiple implied line on this sculpture. From Apollo’s hand to Daphne’s hand,there is an implied line that forms. Apollo’s legs form a triangle while Apollo’s robe forms an implied line to Daphne’s hand.
Was she a victim or a villain? Was she always ugly or once Beautiful? She was known as the “serpent Goddess” . All stories agree that Medusa was a gorgon- a terrible monster, she had the face of an ugly woman, with living venomous snakes in place of hair. Some stories say she was born that way, the only mortal of three gorgon sisters born to Echidne, a half-woman, half-snake and Typhon, the worst creature in the world. Another story states she was a beautiful woman born to two earth people named Phorcys and Ceto.There are lessons to be learned from Medusa 's stories. One is that beauty can either be a gift or a curse, depending on how a beautiful woman behaves. Her beauty certainly got Medusa into trouble. The second lesson is that Medusa had more power as a gorgon than she did as a woman. This is how she became known as a guardian or protectress, especially for virgins. The curse of being able to turn men into stone proved to be a warning to all men who would force their unwanted attention on women. Finally, she continued to have power even after her death. Her head continued to kill and her blood spawned her children as well as snakes and coral. That power has continued even to modern times. Several books on women 's rights and liberation have used Medusa 's story along with her head as a symbol of rage. Perhaps every woman has a little of Medusa in her both as beauty and
By acknowledging that she is beautiful, she shows that she isn’t someone who is low in self-confidence. It also shows that she isn’t surprised to know that Troilus has fallen in love with her, but rather it is something that migh...
Cixous, Helene. "The Laugh of the Medusa." The Critical Condition: Classic Texts and Contemporary Trends. Ed. David H. Richter. Boston: Bedford Books, 1998. 1453- 66.
On the outer edge were carvings of angels all the way to the top. Each one stacked above the other and all in different poses. Just to the left was the next row of sculptures, this one of people standing one above the other playing instruments. The third row was much like the first, of angels, except every sculpture was different and each looked frozen in time as if it was waiting for the perfect moment to come back to life.
Was she beautiful or not beautiful? And what was the secret of form or expression which gave the dynamic quality to her glance? Was it the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents? (Daniel Deronda Book I, Chapter 1: page 71).
Long ago, in the land of Cyprus, there once was a sculptor named Pygmalion, who became so appalled by the actions of prostitutes that he sought to correct in ivory the flaws he condemned in women of flesh and blood. In other words, Pygmalion’s disgust for women inspired him to create Galatea, a statue of unparalleled beauty. No one was like her, and soon Pygmalion himself became enchanted with his creation. With each stroke of his hammer and chisel, his affection grew. Despite her inanimateness, Pygmalion fell for the perfection of Galatea. Draping her with the finest of clothing, as well as adorning her with the loveliest of jewels, Pygmalion would continuously furnish Galatea with gifts ranging from seashells to flowers. Blinded by love, Pygmalion ignored the dilemma that she was carved in stone, and incessantly kissed her. That is until one day, during the festival of Aphrodite, Pygmalion decided to pray for a girl of the same likeness as his statue in order for his love to be returned. Moved by his passion,