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Presentation of love and marriage in As you like it by Shakespeare
Gender and attraction in Shakespeare's As You Like It
Gender and attraction in Shakespeare's As You Like It
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It is present from the beginning of William Shakespeare's play As You Like It, that the qualities within male and female relationships are vastly different. Some of the most vital elements within the play are these bonds between the same-sex relationships and the strength of them to endure hardships. Oliver and Orlando’s strained fraternal relationship is consumed by brotherly resentment, disloyalty and blunt abusive behaviour evident from the outbreak of disagreements that occur between the two men. In distinct contrast, the relationship between Celia and Rosalind is portrayed by Shakespeare to be filled with undeniable devotion, concern and respect between the two women throughout the duration of the play. It is from these relations that we can infer that Shakespeare is intentionally portraying relations between female as the healthier, more productive relationship when compared to the male ones in the play. The polarity between gender relationships is a stark contrast; one that is emphasized and enforced by the decisions and actions undertaken by characters in the play, especially within scenes found in Act One.
In Shakespeare's play, the death of a male figurehead in a noble family traditionally requires the eldest male heir to take his younger siblings under his care and provide for them. Despite the ‘noblesse oblige’ expectation in the society of the play, Oliver continues to disregard his youngest brother’s needs, leaving Orlando to fend for himself. Oliver does not realize the potential harm his negligence is causing Orlando from an intellectually and social standpoint. Orlando’s lack of education will preventing him from integrating into society. The young Orlando becomes resentful of his older brother because Oliver is ...
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...enders as they were in Elizabethan society through common relationship stereotypes; the docile nature of women in relationship versus the aggressive, territorial nature of men. However, with the textual evidence provided in various encounters between individuals of the same-sex, males relationships, especially between brothers, are shown by Shakespeare to be filled with resentment and disloyalty, whereas female relationships are filled with love and honesty.
Works Cited
Shakespeare, William. As You Like It. Ed. Leah S. Marcus. New York: Norton & Company, 2012. Print.
Bevington, David. “As You Like It: Critical Reception.” Internet Shakespeare Editions, University of Victoria, 2010. http://internetshakespeare.uvic.ca/Library/Texts/AYL/intro/ CriticalSurvey/work/
William Shakespeare, As You Like It, dir. Kenneth Branagh (HBO and BBC Films, 2006), YouTube.
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
Thomas Lodge's Rosalynde is an unwieldy piece, the romance is thick, heavy, and conventional. Yet when Shakespeare took it in hand, to rework the tangled web of disguise and romance into As You Like It, he changed much of the emphasis, by both altering and adding characters. Rosalynde is a celebration of love; As You Like It, a philosophical discourse on love..
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Shakespeare, William. Hamlet. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon and Schuster Paperbacks, 2002. Print.
The complexity and effect of father-son relationships seems to be a theme that Shakespeare loved to explore in his writings. In Hamlet, the subject is used as a mechanism to identify the similarities between three very different characters: Fortinbras, Laertes, and Hamlet. They have each lost their fathers to violent deaths, which leads them to seek vengeance. As different as they may seem, they all share the common desire to avenge their father’s deaths. The method they each approach this is what differentiates each of their characters, and allows the audience to discern their individual characteristics. Fortinbras, Laertes, and Hamlet’s intense loyalty to their fathers drives them to individual extreme measures of revenge, exemplifying Shakespeare’s masterful use of describing the human psyche during Elizabethan times.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Many characters undergo a change in William Shakespeare’s play, “As You Like It”. Duke Senior goes from being a member of a court to being a member of a forest and Orlando changes from a bitter, younger brother, to a love-struck young man. The most obvious transformation undergone, is undoubtedly that of Rosalind. Her change from a woman to a man, not only alters her mood, candor, and gender, but also allows her to be the master of ceremonies.
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.” Shakespeare’s Personality. Ed. Norman N. Holland, Sidney Homan, and Bernard J. Paris. Berkeley: University of California Press, 1989. 116-134.
Shakespeare, William. As You Like It. Comp. Folger Shakespeare Library. New York, NY: Simon & Schuster Paperbacks, 2009. Print.
Leach, Robert.As You Like It-A "Robin Hood" Play.English Studies: A Journal of English Language and Literature 82, no. 5 Oct. 2001. p 393-400.
In Shakespeare's As You Like It loyalty is dominant theme. Each character possesses either a loyalty or disloyalty towards another. These disloyalties and loyalties are most apparent in the relationships of Celia and Rosalind, Celia and Duke Fredrick, Orlando and Rosalind, Adam and Orlando, and Oliver and Orlando. In these relationships, a conflict of loyalties causes characters to change homes, jobs, identities and families.
Gender roles are integral to the way people interact within a society. In the Shakespearean era, women were expected to be subservient to their husbands, patient, and sexually chaste. Two of Shakespeare’s characters that completely go against this stereotype are Desdemona and Lady Macbeth. As they are within tragedies, however, their boldness leads to the eventual downfall of both their husbands and themselves. However, the fact that Shakespeare includes such a controversial issue in his works means that he himself was unsure of the stability of the social construct of gender roles.