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Shakespeares perception of love
Shakespeare's view of love
Shakespeare's view of love
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Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
There are four main couples in the play, but only three couples we could see the development of their love, they are Rosalind and Orlando, Silvius and Phebe, Touchstone and Audrey. Today, I am going to talk about the contrast of love between these three couples.
First, I would like to talk about the love between Rosalind and Orlando. From the beginning of the play, the reader can clearly sense them are the hero and the heroine of the story. Rosalind is beautiful, and Orlando is handsome, the way they fell in love at first sight is traditional, Orlando’s good nature and bravery won her heart in Act 1, Scene 2. However, if it was just like that, it would be a bit boring, therefore, a new dimension was added to this love when Rosalind was banished by Duke Frederick in A1 S3, and decided to disguise as a male- Ganymede and escape to the Forest of Arden. Their love was tested by the new gender of Rosalind.
Before the lovers met again in the forest, Rosalind found poems verses on a tree in A3 S2.
All the pictures fairest lin’d, Are but black to Rosalind
Let no face be kept in mind, But the fair of Rosalind
As the audience will see, the verses are really bad. Orlando probably has seen this kind of courting in the city but does not know how to write quality verses. Nevertheless, Rosalind was extremely excited when Celia told her it was Orlando who wrote it. Shakespeare used the language technique of repetition to present the excitement
… Did he aske for me? How parted he wit thee, and when shalt thou see him again? Answer me in one word.
Even for the briefest moment, Rosalind regretted to dress up like a man. But luckily, using her quick-wit, in Act 3 Scene 3, she cunningly persuaded Orlando into love-counselling by letting him pretend to woo her. She states that love is merely madness and deserves to be whipped. Then she intelligently said about the marks of a love which Orlando did not have.
In Shakespeare’s play, A Midsummer Night’s Dream, love appears to be the common theme of several storylines being played out simultaneously. Although these stories intersect on occasion, their storylines are relatively independent of one another; however, they all revolve around the marriage of Theseus, the Duke of Athens, and Hippolyta, the Queen of the Amazons. If love is a common theme among these stories, then it is apparent that love makes people act irrationally.
In William Shakespeare’s Romeo and Juliet, Romeo’s impulsiveness contributes to the tragedy of the play. There is no doubt that Romeo rushes into love throughout the play. One example of this is when he falls in love with Rosaline. Although Rosaline is not a major role in the play, it shows the sorrow and uncertainty Romeo goes through after not being loved back. Marilyn Williamson said “During the time in which he was infatuated with Rosaline, he was … withdrawn into darkness” (6). The fact that Rosaline never shares the same feelings with Romeo, shows how quickly Romeo is to fall in love. “Out of her favor, where I am in love” (Rom. 1.1.158). Ironically, Romeo falls in love with Juliet during his plan to get closer to Rosaline. He is at a Capulet party when he first sees Juliet and
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander. Helena, hearing about their plans, tells Demetrius, and all four of them end up in the woods where Lysander’s quotation, “The course of true love never did run smooth”(28), becomes extremely evident due to several supernatural mix-ups, authority, and jealousy.
Physical love is portrayed throughout the book as the normal love that everyone needs. For example, on Act 1, Scene 3, lines 65-67 Lady Capulet states "Marry, that “marry” is the very theme I came to talk of. Tell me, daughter Juliet, How stands your disposition to be married?" Even though marriage is supposed to signify emotional connection between two people but in this case, it is a way for families to carry children in their bloodline, which implies physical love. In addition, another example of physical love is in Act 1, Scene 1, lines 199-203 Romeo says about Rosaline. "Well, in that hit you miss. She’ll not be hit With Cupid’s arrow. She hath Dian’s wit. And, in strong proof of chastity well armed from love’s weak childish bow, she lives uncharmed." This quote means that Rosaline has sworn herself to be a virgin for eternity, and Romeo is not happy about that because that is what he was looking for from her. He also claims that he loves her, but in reality he just physically loves her. Finally, a lot of bawdy humour is written throughout the book. For example, in Act 1, Scene 1, lines 18-24 a conversation Sampson and Gregory is heard "'Sampson: Tis all one. I will show myself a tyrant. When I have fought with the men, I will be civil with the maids. I will cut off their ...
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth. Rather, the Lord Chamberlain’s men performed ‘A Midsummer Night’s Dream’ on the London stage.
Romeo and Juliet is one of the most famous love tales, but what if the play is not actually a tale of love, but of total obsession and infatuation. Romeo has an immature concept of love and is rather obsessive. Romeo is not the only person in the play who is obsessed though. Many people throughout the play notice his immaturities about love. Very rarely was true love actually shown in the play. attention. Romeo childishly cries to his friend, Benvolio because Rosaline will not love him back and says " She hath forsworn to love, and in that vow/ Do I live dead that live to tell it now" (I i 219-220). Romeo is stating that he's ready to die for loving Rosaline. This is exactly the same attitude Romeo had towards Juliet a little later in the play. During Scene I, Act ii, Romeo's friend, Benvolio tries to get him to go to the Capulet's party to help him get over Rosaline and meet other women Romeo gets very angry and emotional when he suggests this. “Now Romeo is beloved and loves again, / Alike bewitched by the charm of looks” (II 5-6). The chorus expresses Romeo’s juvenile way...
In act one scene one Romeo appears to be in love with the idea of being in love and focuses his attention on Rosaline who does not return his affection
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
A Midsummer Night’s Dream could have easily been a light-hearted, whimsical comedy. Complete with a magic forest and a kingdom of fairies, it is an iconic setting for amorous escapades and scenes of lovers. But Shakespeare’s writing is never so shallow; through this romantic comedy, Shakespeare postulates an extremely cynical view of love. A Midsummer Night’s Dream becomes a commentary on the mystery of love, and lovers in general emerge shamed. Especially in the episodes among the four young Athenians, the lover is painted as a fickle creature, always changing his or her mind, and love as a passing phenomenon. Love is not an unfathomable, kind emotion, but it is ironically cruel, and by the end of the play, the concept of true love is tinged with doubt.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Shakespeare, William. As You Like It. Comp. Folger Shakespeare Library. New York, NY: Simon & Schuster Paperbacks, 2009. Print.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
In the play Much Ado About Nothing by William Shakespeare, love is a very important and a consistent theme; which the play is based on. The theme if love is important because, from a very young age people feel love. We want to know what love is. Where does it come from? How do I get it? What does it feel like? When will I have it? What do I need to have love? Love is something we wait for. We imagine our first kiss. Our first “I love you.” Our first heartbreak. The truth is love is made up of many things: Pain, Joy, Compassion, understanding, longing, and tears. Shakespeare uses the notion of love to show how important trust and loyalty are in any relationship.
In Shakespeare's As You Like It loyalty is dominant theme. Each character possesses either a loyalty or disloyalty towards another. These disloyalties and loyalties are most apparent in the relationships of Celia and Rosalind, Celia and Duke Fredrick, Orlando and Rosalind, Adam and Orlando, and Oliver and Orlando. In these relationships, a conflict of loyalties causes characters to change homes, jobs, identities and families.