Throughout the semester, we have intensively studied how computer science relates to the world around us, through video games, database systems, and artificial intelligence. But what we have not discussed is how all of these subjects in computer science, like pep8, pseudo code, gates and circuits, relate to our artistic world; dance, music, and live theatre. Listening to a piece of music, or as an audience member watching a dance or theatre performance, one assumes that the entire production, stemmed solely from the creativity of those involved. What most do not realize, is the intensive knowledge of computer science that these artists are required to have to make a production happen. The technical crew of a show raises the curtain on technical and theatrical automation, and a musician uses many different software programs to create digital music. But what would happen if these responsibilities were given solely to an intelligent computer? Or moreover, what would happen if a computer was given the aptitude for the same artistic understanding that is required to do these forms of art? This kind of intelligent environment could expand the expressive potential of the arts and in computer science in many ways, but how will it affect the viewers and performers perception of the traditions of music, dance, and theatre? While intelligence technology often enables new ways of creation, it can also harbor a lack of creativity in the arts, and lacks the “real world” knowledge that an artist, musician, dancer, or choreographer has. Exploring how the arts have affected and contributed to creations in artificial intelligence so far, will help us to understand and predict how it will hinder or benefit the creativity and reality of the arts, as ...
... middle of paper ...
...eport No. 6." (1986): ERIC. Web. 7 May 2014.
Holland, Simon, and Walton, Bletchley, Bucks (England). Inst. of Educational Technology. Open Univ. "Artificial Intelligence, Education And Music: The Use Of Artificial Intelligence To Encourage And Facilitate Music Composition By Novices." (1989): ERIC. Web. 7 May 2014.
Sekiguchi, Toko. "The Android Who Learned To Dance." Time 163.24 (2004): 76. Business Source Complete. Web. 7 May 2014.
Gray, Judith A., and Physical Education, Recreation and Dance, Reston, VA. National Dance Association. American Alliance for Health. Dance Technology. Current Applications And Future Trends. n.p.: 1989. ERIC. Web. 17 May 2014.
Tojo, Satoshi, Keiji Hirata, and Masatoshi Hamanaka. "Computational Reconstruction Of Cognitive Music Theory." New Generation Computing 31.2 (2013): 89-113. Academic Search Complete. Web. 20 May 2014.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
A human being begins from one of the smallest cells in the body. We then, grow and evolve into extremely complex mechanisms made up of individual parts, such as the brain, the bones, and the heart. However, no matter how complex, a human is only one work, with individual parts working together to make it functional. Similarly, a work of art is composed of individual elements collaborating to create the overall work. Beginning with the colors chosen, to the way the artist swipes their brush in specific directions creating distinct textures, the work would not be complete without its most minute component. The same concept can be applied to musical pieces. A great musical work would not be complete without the original combinations of musical instruments, voices, lyrics, and meaning. Two examples of this idea are “Classical Gas” by California Guitar Trio and “Cat’s in the Cradle” by Harry Chapin.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
As a society, we are constantly pairing things together in hopes of enhancing them: apple pie and ice cream, Indians and cowboys, and most relevant to this paper, music and dance. In an art form like ballet, it seems as though music and dance complement each other equally. Truly, it is hard to picture, or perform, a dance without music. However, this may not be the case for music, even if that music is composed specifically for a dance routine. The compilation of the music and the dancing from a scene in the American cowboy ballet Rodeo will be examined to ultimately help us understand they way in which they serve each other as a unit and their ability to function independently.
..., D. (1993). Music and the Mind. MENC, Retrieved August 25, 2003 from MENC, Academic Achievement and Music database.
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.
Composition music theory has a longing history of how it was brought up and the way it has evolved into new cultures. “Musical Composition, the act of conceiving a piece of music, the art of creating music, or the finished product. These meanings are interdependent and presume a tradition in which musical works exist as repeatable entities. In this sense, composition is necessarily distinct from improvisation.” (Crossley-Holland, Peter)
http://www.musicianbrain.com/papers/Schlaug_Music_Child_Brain_NYAS2005.pdf>. " Scientific American Digital: Digital Archive of All Issues from 1993 to Present." Scientific American Digital: Digital Archive of All Issues from 1993 to the Present. N.p., Nov. 2004.
Siegfried, T. "Many Curious Scientists Have Music on Their Minds.” Science News 14 Aug. 2010: Research Library, ProQuest. Web. 12 Apr. 2011.
This is a music lesson plan designed to incorporate technology into music. The idea is to let students learn about their favorite music while learning about today’s technology.
Musical intellectuals can create and reproduce music. Studies shows, that music and mathematics share a connection because they have similar thinking process. A study "showed that when groups of first graders were given music instruction that emphasized sequential skill development and musical games involving rhythm and pitch, after six months, the students scored better in math than students in groups that received traditional music instruction." (Zhan, 2002).Musical intelligence deals with rhythm and u...
John Cage (1912-1992) presents an attractive challenge to a music GSI teaching a class of non-majors. As much an idea man as a pen-on-paper composer, Cage proposed through his writings and artistic approach that all sound, whether deliberate or accidental, whether inside or outside of the concert hall, is in fact a macro-series of musical events. In effect, according to this way of thinking, all ambient sound is music. Considering the way most of us have been brought up to think about music, this is a significant imaginative leap as well as an important door to open for those who might not come across the idea elsewhere.
Summers, Alex. "The Important Role Of Music In Learning."Edudemic. N.p., 19 Apr 2013. Web. 14 Mar 2014.
Dobrian, Chris. "Music and Artificial Intelligence.” In University of California, Irvine Department of Music. UCI.edu,
Music and mathematics are incredible forms of art that have been apart of every day life for centuries and continue to do so. It seems that most people would not consider mathematics to fall under the category of art because generally the stereotypical thoughts of math consist of numbers and equations. However, art is defined as the expression or application of human creative skill and imagination. Math is a skill that humans have developed overtime and it is a prominent factor that is integrated in music. Though it is not literally seen or heard, aspects of mathematics are present in not only the physical sound but also in the theory of music.