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Compare contrast role of women in roman and greek society
Gender roles in ancient greece and rome
Compare contrast role of women in roman and greek society
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It is said in one legend that the goddess Artemis was born a full day before her brother, Apollo, on the island of Ortygia. The legend also says that immediately after she was born she helped her mother, Leto, cross the straits over to Delos where Artemis helped her mother give birth to her brother. In Greek mythology Artemis is the daughter of Zeus and Leto as well as the goddess of the hunt, wild animals, virginity and childbirth. In Roman mythology there is a goddess named Diana who was the daughter of Jupiter and Latona and was the goddess of the hunt, wild animals, virginity and childbirth. Artemis and Diana are Olympian goddesses, but there place and purpose in the Greco-Roman Parthenon can be interpreted in many different ways from the seemingly inconsistent, varied and complicated areas of responsibility that these goddesses have. Artemis/Diana’s place in the Greco-Roman Parthenon is to represent the powerful, independent woman and her feminine ideals in the Parthenon. Artemis/Diana can be seen as having the ideals of an independent woman by her natural tendencies as a result of her areas of responsibilities and being the only goddess of the Parthenon to be on the side of woman consistently. This is also evident by the actions she took against Actaeon.
In the story of Actaeon he is walking in the forest when he comes across Artemis, in the Greek version and Diana in the Roman version, bathing in a pool of water in a cave with some nymphs. So struck by her beauty Actaeon says and watches her bath for just a moment. Artemis/Diana quickly notices Actaeon watching her.
“At Once, seeing a man, all naked as they were, the nymphs, beating their breasts, filled the whole grove with sudden screams and clustered round Diana to c...
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...nd can be seen this way from her meeting Actaeon and her killing him as well as the high standard of chastity she holds, her willingness to assist all women and her being a one of a kind goddess. All of these things show that Artemis/Diana’s place in the Greco-Roman Parthenon is to represent the powerful, independent woman and her feminine ideals in the Parthenon.
Works Cited
• A.D. Melville. Ovid Metamorphoses. New York. Oxford University Press. 2008.
• Jean Bolen. Goddesses in Everywoman: Powerful Archetypes in Women's Lives. New York. Harper and Row Publishers. 1984.
• Sarah B. Pomeroy. Goddesses, Whores, Wives, and Slaves: Women in Classical antiquity. New York. Schocken Books Inc. 1995.
• Tobias Fischer-Hansen and Birte Poulse. From Artemis to Diana: The Goddess of Man and Beast. Denmark. Collegium Hyperborem and Museum Tusculanum Press. 2009.
The characterizations of women have, throughout history, been one of the most problematic subjects in literary tradition. An extraordinary dichotomy has existed with women as being both the paragon of virtue and the personification of evil. Ancient Greeks feared women, and poets such as Hesiod believed the female sex was created to be the scourge of the gods and the bane of men (Fantham 39). Romans, on the other hand, incorporated tales of brave and virtuous women as an intrinsic part of their legendary history (219). Many Catholic saints, revered for their piety, were notoriously misogynistic (Dollison 106), and yet the church counted legions of holy women in the rosters of saints alongside their male counterparts. Despite much historical controversy as to the precise nature of women, none of this confusion seems to seep into the writings of George MacDonald, and there appears to be no conflict to MacDonald’s regard towards women in his female characters in The Princess and the Goblin. The character of the Grandmother in particular is one of the most complimentary fabrications of the figure of the mature female in literature. MacDonald created this fascinating construct of femininity by steeping the Grandmother not only in the arcane feminine symbols such as spinning, pigeons, and the moon, but also in his own concept of the ideal woman, as wise and compassionate as she is mysterious.
As a child, I was fascinated by Greek mythology and history, and I made it my business in elementary school to read as much as possible about the subject, including the outstanding stories and the pantheon of gods presented. I thought of them as fantastic, supernatural tales with fitful gods and brave heroes, and I never stopped to consider that the mythologies could be representative of the cultural views and habits of the Greeks, specifically regarding gender roles. One such representaton is Virgil's epic Aeneid, which contains depictions of women in positions of power, and also characterizes these women as irrational, emotional to the point of hysteria, and consequently, unfit rulers.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Grant, Michael, and John Hazel. "Athena." Gods and Mortals in Classical Mythology. Springfield, MA: G. & C. Merriam, 1973. Print.
Frankel, Valerie Estelle. From Girl to Goddess: The Heroine's Journey through Myth and Legend. Jefferson, NC: McFarland &, 2010. Print.
Meyer, Jargen C. “Women in Classical Athens in the Shadow of North-West Europe or in the Light from Istanbul”. Women’s Life in Classical Athens. www.hist.uib.no/antikk/antres/Womens life.htm. Accessed: March 10, 2012
Women have given birth to new generations for centuries and have the common stereotype of being caring and gentle. But in the creation myth, women were given to man as a punishment. In the book of collected Greek tales, " Mythology Timeless Tales of Gods and Heroes", by Edith Hamilton, women take up important roles that shape each story. Although women are usually characterized as being helpful and motherly, Greek mythology, on the other hand, portrays them to cause distress, fear, and anxiety to numerous men. Women’s actions are shown to be influenced with jealousy and vengeance which gives them an evil nature.
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
Greek women, as depicted as in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of man and nothing more. Yet what women in ancient Greece did long ago was by far more impressive than what men did.
The Role of Women in Greek Mythology In learning about the feminist movement, we studied the three articles, discussed and reviewed the different authors perspectives on the topic, and learned how important the role of woman in Greek mythology is. In presenting the feminist theory to the class, we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept. In order to understand the feminist theory, we have to understand the notion that although myths are invented and that they involve fantasy, the concept of mythology does not necessarily imply that there is no truth of history in them. Some of the humans may have lived while some of the events may have taken place. Most importantly, the social customs and the way of life depicted in the myths are a valuable representation of Greek society.
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
...ory of the contest between Athena and Poseidon to claim Athens, in which Athena won and thus being worshipped by people (Hyginus, pp. 264). Therefore, the Parthenon was built to dedicate to Athena, their virgin patron.
Born from the remains of the castration of Uranus, Aphrodite arose from the foam in the sea and became known as the goddess of love to those who worshipped her, described by Hesoid. We see another version of her this goddess’s birth as well, from the gods Zeus and Dione, leaving a double tradition of Aphrodite’s birth and a basic duality in her character. Artemis, the Greek goddess of wild things, was born to Zeus and Leto, and remained a virgin goddess who roamed the forests with her female companions. These two goddesses disagreeing viewpoints on sexual relationships naturally set them up to have a conflicting relationship, yet their well-known trait of revenge in their myths bring a similarity to both the goddess of love and of hunting. Their personalities are compared through their primary functions in Greek mythology and physical characteristics, their behavior in myths that they are involved in, their portrayal in Greek art and literature, and if and how they are worshipped in Greek religion.
Diana was the first Goddess I chose as a personal deity. I fell in love with the fact she was a huntress and a moon goddess. Her story is that she is a Roman goddess and was one of three who swore never to marry. She is the daughter of Jupiter and Latona. She is a twin with Apollo. They were born on the isle of Delos. Her celestial character is her inaccessibility, the fact she prefers to live in the sacred woods and on the mountain tops. Diana is connected to light, the sky and open air. She has no preference toward secular matters such as the fate of mortals, yet she protects mankind by overseeing childbirth. Originally Diana as only the hunting Goddess, she later was added as a moon goddess