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The Grandmother in the Princess and the Goblin by George MacDonald
The characterizations of women have, throughout history, been one of the most problematic subjects in literary tradition. An extraordinary dichotomy has existed with women as being both the paragon of virtue and the personification of evil. Ancient Greeks feared women, and poets such as Hesiod believed the female sex was created to be the scourge of the gods and the bane of men (Fantham 39). Romans, on the other hand, incorporated tales of brave and virtuous women as an intrinsic part of their legendary history (219). Many Catholic saints, revered for their piety, were notoriously misogynistic (Dollison 106), and yet the church counted legions of holy women in the rosters of saints alongside their male counterparts. Despite much historical controversy as to the precise nature of women, none of this confusion seems to seep into the writings of George MacDonald, and there appears to be no conflict to MacDonald’s regard towards women in his female characters in The Princess and the Goblin. The character of the Grandmother in particular is one of the most complimentary fabrications of the figure of the mature female in literature. MacDonald created this fascinating construct of femininity by steeping the Grandmother not only in the arcane feminine symbols such as spinning, pigeons, and the moon, but also in his own concept of the ideal woman, as wise and compassionate as she is mysterious.
The introduction of the Grandmother is achieved with the immediate presence of one of the most intrinsically feminine symbols available. Upon wandering up the unknown tower, the young Princess Irene arrived at a door, and when she opened it she found “...
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...ology. New Jersey: Gramercy Books, 1979.
Dollison, John. Pope-Pourri. New York: Simon & Schuster, 1994.
Fantham, Elaine, et al. Women in the Classical World. New York: Oxford University Press, 1994.
“Life Outline, A.” The Golden Key. 6 Oct. 2002. <http://www.ev90481.dial.pipex.com/life_outline.htm>.
MacDonald, George. The Princess and the Goblin. London: Penguin Group, 1996.
“Obituary.” The Manchester Guardian. 20 Sept. 1905. The Golden Key. 4 Oct. 2002. <http://www.ev90481.dial.pipex.com/obituary.htm>.
Walker, Barbara G. The Woman’s Dictionary of Symbols and Sacred Objects. New York: Harper & Row, 1988.
Willard, Nancy. “The Goddess in the Belfry: Grandmothers and Wise Women in George MacDonald’s Books for Children.” For the Childlike: George MacDonald’s Fantasies for Children. Ed. Roderick McGillis. New Jersey: The Scarecrow Press, 1992.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
...in their family to become sick and possibly die. Many people were accused of witchcraft. More than twenty people died all together. One person was flattened to death because he was accused of witchcraft. When people were accused they had to go to jail, which the conditions were terrible. Then, they had to get a trial from the Court of Oyer and Terminer. After an accused witch had their trial, and went to jail, they would be carted off to Gallows Hill. This was the hill where all the witches were hanged. After a witch was hanged, later that night, their family would usually take the body down and give it a proper burial. The Salem Witchcraft Trials were one of the most terrible times in the history of America. As you can see the chaotic Salem Witchcraft Trials of 1692 were caused by superstition, the strict puritan lifestyle, religious beliefs, and hysteria.
Fantham, Elaine, Helene Peet Foley , Natalie Boymel Kampen, Sarah B. Pomeroy, and H. Alan Shapiro.Women in the Classical World. Oxford: Oxford University Press, 1994.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
The history of the trials began in the New England village of Salem, Massachusetts, late 1692.Two young girls, bored with their restrictive lifestyle and repressive routines, became interested in the folksy customs of Tituba, the family’s black slave. The malignant phenomenon began with Elizabeth Parris and Abigail Williams, the daughter and niece local Puritan minister Samuel Parris'. At first Tituba, the family's black slave, introduced the girls to simple spells and tricks (Starkey 30). As news spread to the village girls about the unfamiliar excitement, a major contrast to the boredom and humdrum of village life, Tituba’s audience numbers began to swell (31). Betty and Abigail decided to try an old fortune telling trick of breaking an egg in a glass of water to discover the occupation of their future husbands. Despite the seeming innocence of the trick, Abigail’s egg formed a coffin shape and both girls, frightened by the haunting results, began thrashing and having hysterical fits. More girls, including Ann Putnam (12) and Elizabeth Hubbard (17), began falling ill, having fits, hiding, and chanting. Suspicions of witchcraft and evil immediately arose. As m...
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
The Salem witch trials, an event in colonial Massachusetts between 1692-1693 occurred in present day Danvers, Massachusetts, once known as Salem Village. This paper will validate Salem’s witch trials having a very immense influence on the U.S. today; such as the trial’s religious, philosophical, political, and ethical impact on our nation today. Life in Salem Village was harsh, farming was difficult, an epidemic of smallpox was killing families, and all misfortunes were seen as the Devil's work. Puritan lifestyle was a strong influence for the trials; they had a strong belief in the devil and witchcraft and made up a great number of the Massachusetts population. Salem was divided into two parts, Salem Village and Salem Town. Residents from both living areas were abundantly different. The people of Salem Village were commonly pauper farmers at a disadvantage by living in rocky terrain while those living in Salem town were mostly wealthy merchants.
The year 1692 and early 1693 saw the prosecution and execution of nineteen witches, an old man stoned to death, several accused witchcrafts dying in jail and close to 28 being cast out of the infamous Salem Village (present day Danvers, Massachusetts) on the belief they possessed power to sway people into doing what they wanted (Goodbeer, 2011, p. 2). Early 1692, the daughter; Elizabeth and niece; Abigail Williams of first Salem Village ordained minister; Reverend Parris experienced and had frightening episodes of screaming, uttering voices and throwing things around. Another girl Ann Putnam also experienced the same and under magistrates Jonathan Corwin and John Hawthorne influence, the girls blamed their conditions on three women: Tituba, Sarah Good and Sarah Osborne for performing witchcraft on them (Goodbeer, The Salem Witch Hunt , 2011, p. 14).
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
The Salem witch trials happened in Colonial Massachusetts between 1692 and 1693. More than 200 people were suspected of being involved with witchcraft or the “Devil's magic” and more than 19 were executed. Ultimately, the society confessed the trials were an inaccuracy and remunerated the families of those who were found guilty. Since then, the tale of the trials has become indistinguishable with fear and discrimination, and it remains to lure the general mind more than 300 years later. These rare trials intensely change the way that people look at their world. These witchcraft trials in Salem during the summer of 1692 did just that. The misfortune of Salem, which saw nineteen alleged witches hanged and some more accused witches die in prison, caused colonists to reconsider both their association with the supernatural world and the sort of procedural devices necessary to protect accused persons. It is commonly assumed that madness similar to that seen 308 years ago in Massachusetts could never again poison our justice system.
1Fantham, E., with H. P. Foley, N. B. Kampen, S. B. Pomeroy, and H. A Shapiro, Women in the Classical World. New York and Oxford: Oxford UP, 1994.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.