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Athena's influence on people
Characteristics of greek gods and goddesses
Examples of loyalty in greek mythology
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Through the use of various texts, Artemis, has been shaped as a complex Olympian—often inhabiting spheres of power that seemingly oppose one another. Such contradictions were not inherent to her patrons, but also included the aspects of her personality. The inconsistencies in character are first seen in her birth—where she gains her first patron, childbirth. Yet later on requests to protect her chastity and never marry or have children. This occurs again in her personality which depicts her as very loving and protective of nature, but vindictive against most humans that cross her—intentionally or not. In these inconsistencies the Greek myths depict a goddess formed into a complex and therefore more realistic goddess and person. The powers …show more content…
Though they did nothing but happen to be related to a woman who slighted her mother, Artemis has no care for cutting down three innocent young women. Another illustration of this complex personality is seen in the myth of Callisto, in which a young and devout follower of Artemis is raped by Jupiter, and in doing so loses her purity. Ashamed to tell Artemis of the event Callisto tries to hide what occurred but unfortunately discovers she is with child. When this is discovered rather than try to help or understand what occurred Artemis rejects her: “‘Be off from here! Do not defile these sacred waters!’ and expelled her from her band.” (Ovid Book II lines 453-465). Here Artemis shows little fealty to a follower who was mentioned to be pious and favorited among her maidens. Yet when the rape occurs, from which Callisto is said to have fought with all her might, she is abandoned because of something that is in no way her fault. This incident is confusing in that though she shows little loyalty to her mortal follower, she shows it fiercely to her other parent, Zeus (or Jupiter in this depiction). For even when he rapes her maiden, she does not show anger or blame towards him. This loyalty that Artemis is claimed to have appears conditional and not at all entirely stable, as depicted in Euripides’ Hippolytus, where the protagonist of the same name as the title angers Aphrodite in his vows to be chaste. Taking this as hubris, Aphrodite curses his step-mother to fall in love with him—her subsequent shame drives her to kill herself and leaves a false note incriminating Hippolytus. His father then curses him to death, but is promised by Artemis for his piety to be given tribute by all maidens after his death. Though Artemis seems to be rewarding a follower of hers, but in this play Hippolytus also displays a hate for women in that the idea that he views them and
How much control do women have over their emotions in the Aeneid? In his poem, Virgil frequently shows women in situations where irrational thoughts lead to harmful choices. Specifically, Virgil presents women as being easily influenced by their emotions. Consequently, these characters make decisions that harm both themselves and those around them. Throughout Aeneas’s journey, divinities such as Juno and Venus are seen taking advantage of the emotions of different women, influencing these characters to act in ways that ignore important priorities. Not only does Virgil present women as completely vulnerable to their emotions, but he also shows the problems that arise when these women engage in decisions where they put their own feelings ahead of their people. Virgil explicitly shows women neglecting important responsibilities when he describes passages concerned with Dido’s affair and her death, the Trojan women burning their own ships, Queen Amata’s opposition to Latinus’s proposal and her tragic death.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In The Bacchae, I believe that Euripides uses the relationship of male and female to explore the alluring concept of feminine empowerment in a patriarchal society and to demonstrate the cost this empowerment subsequently has on ordered civilization. In this paper, I will argue that Euripides uses the conflictual relation between the genders to criticize the role of women in Greek society while also showing the consequences of a total feminine revolt. Through developing this conflict, Euripides is demonstrating how the path to the most successful civilization is through a balance of masculine rationality and feminine emotional freedom. I will prove this by analyzing the positions of Pentheus, the Bacchants, and Dionysus throughout the play. The character Pentheus
The power and influence of women is symbolized in Odysseus’ encounter with the dead in Hades. In the Underworld, Odysseus meets more women than men. He meets his mother and then a “grand array of women” (334). They all were “wives and daughters once of princes” (334). All of them are the legendary women who were the mothers of the greatest Greek lineages. This symbolizes how Greek civilization was founded by women; they were the ones who gave birth to the heroes. Similarly, The Odyssey is a story created by women. The plot revolves around the actions of women. Athena orchestrates all the events. The seductresses, such as Circe, the sirens, and Calypso, attempt to stop Odysseus from reaching home. The helpmeets, such as Nausicaa, Arete, and Athena, aid Odysseus in his homecoming. The wise and virtuous Penelope is the object of Odysseus’ quest. Unlike Helen who forsakes her husband, Penelope remains faithful. Unlike Clytemnestra who assassinates her husband, Penelope patiently waits for Odysseus. She becomes a model of female patience and of female intelligence. Her craftiness is the only one which can match up to Odysseus’. The Odyssey presents a wide array of women and demonstrates the influence that women have in the life of a
She is always spoken of respectfully and is remembered for her heroic deeds. She is not degraded like many of the other women Odysseus sees in the underworld. Everyone worships her and speaks about her achievements with great admiration; she is truly admired, but because she is a goddess. Athena has control over men that most women in The Odyssey do not. Women 's lives depend on what men think of them, on the other hand, men 's lives depend on Athena 's opinion of them. Athena is "Zeus ' virgin daughter" and no one has used her in that way. She is too important to be used as being an enjoyment for men; they depend on her for their own welfare. Another woman that plays a big role in this epic is Calypso. Calypso a nymph, a child of Zeus, and lives on an island in the middle of the ocean. One day Odysseus is sent to her by the god of the sea, Poseidon, because Poseidon was mad at Odysseus for blinding his son, the Cyclops. It is on this island that another woman is used as a sexual toy and is not thought of for her own achievements, but rather for her beauty, and the fact that she is the daughter of Zeus. Men in The Odyssey only value women who they can use for physical needs and wealth, such as the women in the underworld that Odysseus encounters, and Penelope. Homer shows us how men in The Odyssey consider women less important than men. The readers rarely hear of women throughout the book. When they do, they are shown
Both Virgil and Milton portray femininity and women as a threat to the divine higher order of things by showing women as unable to appreciate the larger picture outside their own domestic or personal concerns. For example, in the Aeneid, it is Dido, the Queen of Carthage, who out of all the battles and conflicts faced by Aeneas, posed to the biggest threat to his divinely-assigned objective of founding a new Troy. Like Calypso detains Odysseus in Homer's epic, Dido detains Aeneas from his nostos to his "ancient mother" (II, 433) of Italy, but unlike Calypso, after Dido is abandoned by Aeneas she becomes distraught; she denounces Aeneas in violent rhetoric and curses his descendents before finally committing suicide. Therefore, Virgil demonstrates how women have a potent and dangerous resource of emotions, which can ambush even the most pious of men. Indeed, Dido's emotional penetrate the "duty-bound" (III, 545) Aeneas who "sighed his heart ou...
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
... she make an exception for Hippolytus. But by the end of the play she vows revenge against Aphrodite. “Cypris shall find the angry shafts she hurled against you for piety and innocence shall cost her dear. I’ll wait until she loves a mortal next time and with this hand-with these unerring arrows i’ll punish him.”
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men. Myths reveal to us the experiences of women living in the patriarchal society and we gain the symbol value accorded to women and we come to realize what the term "Woman" meant to the ancient Greek man. Reading through the various stories on Goddesses and queens, monsters and more. Princesses, we learn that there are three major levels of women in Greek mythology. The first level is composed of the divine beings known as the goddesses.
After Oenome convinces Theseus that his son has been trying to steal the love of his wife, Hippolytus is banished by his father and Neptune is sent to kill him. At this point, Phaedra learns that Hippolytus was capable of loving someone, and the guilt that she feels is from her denying another woman the love of Hippolytus. She has caused the suffering of another woman, Aricia, and now she has also caused a father to banish and kill his own son. Finally, after the death of Oenome, Aricia, and Hippolytus, the power of her guilt has engulfed her and she can no longer live in the absence of truth or with the deeds she has done.
Women in antiquity generally were a group that were fairly discriminated, repressed, and subjugated to different roles and standards than those of a man. This may be one of the reasons why scholars and historians would be surprised to find powerful women who challenged these social norms. One particular woman who did this was Artemisia of Caria who was admiral, and even queen, of the ancient Greek city-state of Halicarnassus and of the nearby island of Kos. Artemisia was a fearless, courageous woman whose brave characteristics can be tied to the mythic stories of the Amazons- mythical daughters of Ares, who dwelled beside the river Thermodon. Artemisia appears in today’s modern film, 300: Rise of an Empire, where the director Noam Murro and
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
During the prologue of the play, Aphrodite explains that she wants to punish Hippolytus because he refuses to worship “a god of nocturnal prowess” (Hipp. 106). Since he is so immersed in the life of celibacy and chastity, he does not want to worship other gods who opposes his views. His devotion to a chaste life (and hunt) causes Artemis grows a liking toward Hippolytus claiming that he is her “best friend among men” (Hipp. 1332). In a way, Hippolytus embodies Artemis’ character causing Artemis to avenge his death so he would not be forgotten.
One of the best summarizes of Greeks’ gods attitude toward human is the claim of Aphrodite in Euripides’ Hippolytus that she will treat well the people who revere her power, but will “trip up” those who are proud towards her, and this pri...
Relationship between Greeks and Gods in Hippolytus The play Hippolytus by the Greek playwright Euripides is one which explores classical Greek religion. Throughout the play, the influence of the gods on the actions of the characters is evident, especially when Aphrodite affects the actions of Phaedra. Also central to the plot is the god-god interactions between Artemis and Aphrodite.