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Rules for effective communication essay
How to achieve effective communication Essay
Rules for effective communication essay
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Poet’s often use one or more of rhetorical devices to persuade others to take a particular point of view. In Sonnet 35 the usage of religious metaphors alludes to one of Aristotle’s modes of persuasion commonly known as pathos (appeal to emotion, and is way of convincing an audience of an argument by creating an emotional response) and legal metaphors uses logos (appeal to logic, and is a way of persuading an audience by reason). Shakespeare is trying to persuade the readers that the person being accused of the transgression deserves to have the support of their beloved and that all actions are justified in a sense. In the poem, the author uses the two following modes of persuasion ethos and pathos. The author uses logos in the form of legal
Pathos is the author's use of emotions and sympathy to urge the audience to agree with his or her standpoint. And lastly, logos apply sound reasoning (logic) to attract the typical ideas of the audience and to prove the author's point of view. "Lockdown" by Evans D. Hopkins is a fine example of an author using these appeals to persuade his audience. Hopkins uses of the three appeals are easy to locate and relate to throughout the entire passage. He undoubtedly uses rhetoric to try and keep his audiences focused and to persuade them to feel the way he does about the treatment of prisoners.
By appealing so much to pathos, his letter focuses more on emotionally convincing and persuading the reader to accept his claim, rather than providing facts and logic to his argument. His combined use of logos and ethos also adds an aspect of logic and reason to his argument, as well as further showing his credibility and connection to the subject as the author. His use of the three rhetorical devices helps to bolster and support his claim, while also personalizing and connecting with the
In this paper we will be discussing the rhetorical devices, logos, ethos, pathos, kairos, and
It is clear that he uses pathos as his most potent tool for persuasion. Be it a way to depict gruesome imagery, a way to supplement his call to action, or as an enhancement for both his ethos and logos arguments, his strategic use of pathos is what drove the letter’s meaning to the hearts of
Ethos and logos are used as an appeal in the essay. It was a story with a lot of emotion which she had successfully handled in the whole essay. She presented the essay in the real life with many facts, she gave poetic touch to her essay because of some of the metaphors she used like we didn 't breathe it. She used both logos and pathos in
Rhetorical Analysis and Persuasion Every day we are victims to persuasion whether anyone can notice it or not. Logos, pathos and ethos are the types of persuasion. Logos persuades by reason, pathos by appealing to emotion and ethos by the credibility of the author. The characters in The Iliad employ the use of these techniques to sway another character into doing or feeling something else.
A common conception of William Shakespeare’s poetry entails complex language and hidden meanings. Shakespeare is famous for his ability to author a web of images that creates layers of interpretations and understandings. In Sonnet 138 however, Shakespeare is more direct in describing his relationship with his lover by avoiding imagery and metaphors, explaining to the reader that this seemingly unconventional relationship is indeed justified. Shakespeare constructs a persona of the speaker in a way that establishes a casual and conversational relationship with the reader. This allows for an open disclosure of the mutual hypocrisies between himself and his lover while leaving his steadfast candor to convince the reader that Shakespeare’s affirmations concerning love are acceptable. Shakespeare’s elimination of imagery allows for a reliance on diction that he takes advantage of by selecting words with double meanings, creating a reflexive manner about the poem for the reader to explore. Shakespeare conveys the meaning of the poem, that mutual deceit is compatible with love, with the seemingly straightforward language that connects the reader to the speaker while forcing the reader to think twice about certain words that deepen the surface understanding.
Aristotle's ethics consist of a form of virtue ethics, in which the ethical action is that which properly complies with virtue(s) by finding the mean within each particular one. Aristotle outlines two types of virtues: moral/character virtues and intellectual virtues. Though similar to, and inspired by, Plato and Socrates’ ethics, Aristotle's ethical account differs in some areas.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
William Shakespeare (1564-1616) lived in a time of religious turbulence. During the Renaissance people began to move away from the Church. Authors began to focus on the morals of the individual and on less lofty ideals than those of the Middle Ages. Shakespeare wrote one-hundred fifty-four sonnets during his lifetime. Within these sonnets he largely explored romantic love, not the love of God. In Sonnet 29 Shakespeare uses specific word choice and rhyme to show the reader that it is easy to be hopeful when life is going well, but love is always there, for rich and poor alike, even when religion fails.
I usually don’t agree on a lot of the things that these writers say but Aristotle’s beliefs are a little different. By different I mean that his concepts are practical. His views mainly focus on the traits of virtue; which include categories such as, excess and defiency. I like that there are so many different options under each category, however, like Jordan I think that in most instances that the traits can be subjective to the person and that everyone isn’t inclined towards the same pleasures. As far as pleasures themselves go he doesn’t believe that someone should feel bad about what causes them pleasures, as long as its promoting getting to the greatest happiness then it’s fine. I also enjoy the fact that he includes two types of virtue:
Aristotle, a philosopher who has changed modern ways of thinking radically by his many writings as well as many as two hundred treatises which of only 31 survive today. Aristotle was a philosopher whose writings have influenced the curriculum of modern day schools all across the world. Aristotle’s legacy has carried on throughout his works for centuries. Aristotle was born in 384 BCE in Stagira. His father died when aristotle was only ten.
The rhetorical appeals I use for my poem is pathos and ethos. Where I use ethos is where I show the good from eating right and working out. I use lots of pathos because I want my readers to feel for the person in the poem. They will feel passionate for the person and great for him. It's a very touching poem and makes readers happy. There's not a lot of logos because its a story which is fiction.
Shakespeare’s Sonnets is a collection of poems, which portray themes such as the nature of time, love, beauty and mortality. Among Shakespeare’s 154 pieces of fine poetry, Sonnets 1, 18, 60 and 146 stand out the most, attracting the attention of many critics. Shakespeare’s ability to summarize human emotions in a simple yet an eloquent manner through his verse, his powerful use of language, his large variety of metaphorical themes and his strong description of the characters and nature makes his sonnets unique and exceptional. In each one of his sonnets, Shakespeare portrays the value of beauty in a variety of ways. In Sonnet 1, he portrays beauty in terms of moral principle. This sonnet shows that beauty aims to proliferate itself by suggesting
Even though both poems discuss the topics of law and love, Shakespeare approaches this connection differently than Auden. Shakespeare shows through his sonnet a relationship between himself and someone who he loved. The speaker battles through self-doubt and betrayal within the sonnet, giving off a darker side to his perception of love. Although the speaker feels betrayed, he demonstrates that there was an equal distribution of guilt: “All men make faults, and even I in this,/ Authórizing thy trespass with compare,/ Myself corrupting, salving thy amiss,/ Excusing these sins more than these sins are:/For to thy sensual fault I bring in sense—/ Thy adverse party is thy advocate—/ And 'gainst myself a lawful plea commence./ Such civil war is in my love and hate”( Shakespeare 5-12). Not only is the speaker blaming himself, but he is also blaming the other person in the relationship who betrays him. Shakespeare shows the audience that he is insecure, but assumes equal guilt because he has made the same sins as his lover. They are both responsible for the sins that they have committed together. Shakespeare explains this further by explaining that “no more be grieved at that which thou hast done./Roses have thorns, and silver fountains mud;/ Clouds and eclipses stain both moon and sun,/ And loathsome canker lives in sweetest