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Ancient greek theatre response paper
Ancient greek theatre response paper
Ancient greek theatre response paper
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Tragedy is a form of drama based on human suffering that is often described as bad things happening to good people. Many appeal to tragedy because they feel good that they feel dolorous for the person suffering. Greek playwrights used it entrance the emotions of the audience. Oedipus Rex, written by Sophocles, is a great example of a Greek tragedy. Around this time of Greek theatre, Aristotle wrote the Poetics, which analyzed tragic drama and specifically Oedipus Rex. Aristotle used Oedipus Rex to help explain the main components to a Greek tragedy. These main components are illustrated through Oedipus Rex, which include the importance of plot, tragic flaw of a main character, unity of action, Cathartic Purging, and the absence of spectacle. The first component of dramatic tragedies is the importance of plot and how it propels characters contrary to that of comedic tragedies in which the plot is driven by characters. In dramatic tragedies, the characters have no control over their own fate. No matter what they do, they can never control or escape fate. This component is demonstrated in Sophocles’ tragedy when Oedipus causes his own fall. However, this fall was not caused by the character's weakness or flaw. It was predestined and uncontrollable to him. Although he could not control or change his fate, his tragic flaw, determination, is led to his downfall. The plot propelled his character as he fought to change his fate, which led to his actual fate. This tragic flaw, another component of Greek tragedy, caused his fate to be fulfilled. He was determined to escape the oracle so he fled from Corinth, where he believed his father was. He killed a random group of travelers including his real father as he was fleeing. Had he not been determined, he would not have left Corinth and his fate would have changed. However, you can’t change fate. Another component is the hero
Aristotle, Antigone and Billy Budd In Poetics, Aristotle explains tragedy as a kind of imitation of a certain magnitude, using direct action instead of narration to achieve its desired affect. It is of an extremely serious nature. Tragedy is also complete, with a structure that unifies all of its parts. It is meant to produce a catharsis of the audience, meant to produce the emotions of pity and fear and to purge them of these emotions and helping them better understand the ways of the gods and men. Tragedy is also in a language in both verse and song. Aristotle's definition is clearly applicable to both Herman Melville's Billy Budd and the famous Greek tragedy Antigone by Sophocles.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
Aristotle defines tragedy in his respected piece Poetics and many other forms of literature. Many tragic heroes such as Oedipus Rex and Romeo and Juliet fit well into this mold of a tragic hero as defined by Aristotle. For example, they were flawed but well intentioned and their lives ended in a catastrophic death. Those plays, and many others in the genre, had all the elements of a tragedy: plot, character, thought, diction, melody, and spectacle. They were fantastic displays of misery that aroused pity and fear in the audience.
The famous Greek philosopher Aristotle outlined the requirements for a good tragedy, and he based his ideals on the classic Greek play Oedipus Rex, written by Sophocles. As Aristotle stated, the perfect tragedy must be an imitation of one’s life, realistic and narrow in its aspects. Such is the case with the play Oedipus Rex, a Greek play revolving around the tragedies of the life of King Oedipus. Oedipus Rex, the protagonist of the first of the three Oedipus plays, has a life of luxury and promise. However, because of the life fate has dictated him and the obstacles he has faced, Oedipus has been proven to have three hamartias, or tragic flaws. His attributes of determination, impatience/disrespect, and hubris greatly contribute to his downfall.
Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary work that describes the downfall of an honorable, main character who is involved on historically or socially significant events. The main character, or tragic hero, has a tragic fault, the quality that leads to his or her own destruction. In reading Aristotle’s point of view, a tragedy play is when the main character(s) are under enormous pressure and are incapable to see the dignities in human life, which Aristotle’s ideas of tragedy is based on Oedipus the King. Shakespeare had a different view of tragedy. In fact, Shakespeare believed tragedy is when the hero is simply and solely destroyed. Golden (1984) argued the structure of Shakespearean tragedy would be that individual characters revolved around some pain and misery.
Tragedies usually chronicle a disaster that was unforeseen by the protagonist. To qualify as a disaster this event must have striking circumstances (Brereton 6). The spectators of the tragedy feel a deep sympathy for the protagonist because the decision made by this character was done without intending evil (New T-349). In Oedipus the King, Oedipus chose to leave Corinth to prevent the prophecy that he would kill his father and marry his mother. Even though this appeared to be an appropriate decision, it was wrong. In the process of leaving Corinth, Oedipus came across his real father at a three-road intersection and during a scuffle killed him. Later he married his mother, Iocastê, fulfilling the prophecy. Oedipus did not know that this was his true father or mother because he deliberately made the decision to leave Corinth thinking that Polybos and Meropê were his parents. The disaster that occurred her...
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
The Greeks considered tragedy the greatest form for literature. However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person. Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone. Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends. As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy. Therefore the tragedies were not a result of a plot by the fates, but rather a result of the characteristics that the characters possessed.
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
Greek Tragedy Theater rose to its peak in Athens around the 5th century BCE. This history of the theater came from the citizens wanting to honor their gods with traditional stories, however, the tragedies were most often based off of early Greek mythology. These dramas were most likely written by one of the famous Greek authors, Aeschylus, Euripides, or Sophocles. According to The Ancient History Encyclopedia, tragedy plays were based on serious topics that taught a moral of right and wrong. An important part of every Greek tragedy was the incorporation of a tragic hero. In the famous play Oedipus the King, the writer, Sophocles, promotes added emphasis on this main character and their trials and hardships throughout the story.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).
Oedipus Rex qualifies as a tragedy. It fits all the characteristics as defined by Aristotle. The tragic hero of a play is a man of some social standing and personal reputation, but sufficiently like ourselves in terms of his weaknesses that we feel fear and pity when a tragic flaw, rather than an associate, causes his downfall. Oedipus is the tragic hero in this play for many reasons. Even though he does not know it, he fulfills the oracle's prophecy by killing his father, Laius, and then sleeping with his mother, Jocasta. His father was just a tragic mistake. Oedipus thought that the person he killed was just a random person that was harassing him.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...