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An introduction to evolution of dance
An introduction to evolution of dance
An introduction to evolution of dance
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The curtain rises on the streets of late 19th century Buenos Aires as a simple quadruple meter begins to ring. Two figures emerge from the darkness and begin to flow into a sensual, impressive dance. As he artfully guides her body around his own figure, a crowd begins to form, and soon there are more couples that join into this social dance. This is the scene for the beginning of the Argentine tango. The tango was not always the elegant dance reserved for famed ballrooms, but rather, it had its début on the streets of Buenos Aires with the poor of Argentina. Tango was the result of a booming agricultural economy with no one to work for it. The poor of Argentina were simply the already poor immigrants from Europe who sought a better life in the richness of Argentina. The influx of immigrants created dominantly male cities, and consequently, there were no women for the amount of men. Tango became the only way for men to express themselves romantically in a city where hardships flourished and hyper-masculinity was the key to survival. Although the tango was created in Argentina, it was not solely inspired by Argentine culture, but rather by a melting pot of cultures that were found in the community. The Argentine tango originated through the European immigrants who came to Buenos Aires, and eventually evolved into a dance, lyric poetry, and music that became a connotation for sensuality and joined the ranks of the waltz, the polka, and the foxtrot in the esteemed ballrooms of the world.
The tango was a tool of seduction even in its most early forms; its nature is to be used to attract. In Christine Denniston’s book, The Meaning of Tango, she describes the dance as “ a cornerstone of Argentinian culture” . The tango kept the Ar...
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...mber 31, 2001, accessed October 31, 2013. http://ehis.ebscohost.com/ehost/results?sid=7a39bea6-96f3-42a4-8b8b-18f8916972b8%40sessionmgr114&vid=1&hid=107&bquery=SO+%28Times%29+and+%28%22Argentina+dances+its+sorrows+away+in+tango+revival.%22%29+and+DT+%222001%22+and+AU+%22Gamini%22&bdata=JmRoPW41aC. Gonzalez, Mike, and Marianella Yanes. Tango: sex and rhythm of the city. London: Reaktion Books, 2013.
Munne, Myriam I . "Drinking in tango lyrics: an approach to myths and meanings of drinking in Argentinian culture.." Contemporary Drug Problems 28, no. 3 (2001): 415-423.
Piazzolla, Astor." Encyclopedia of Popular Music, 4th ed.. Oxford Music Online. Oxford University Press, accessed November 1, 2013, http://www.oxfordmusiconline.com.www2.lib.ku.edu:2048/subscriber/article/epm/21949.
Thompson, Robert Farris. Tango: the art history of love. New York: Pantheon Books, 2005.
The Tango Blast is a clique that started forming sometime within the 1970s-1980s as a result of incarcerated Hispanic males banding together to protect themselves from previously established prison gangs, such as the Texas Mexican Mafia; the phrase “tango” is actually an acronym for “Together Against Negative Gang Organizations”. Members like to represent themselves with things associated to the cultures of the cities
The tradition still takes place today in many areas of Mexico. However, some parts of Mexico do the dance a little differently. The dance is more common in the central regi...
A. 20th Century Repertoire. Lipscomb University, 2007 -. Web. The Web. The Web. 8 Apr. 2016.
Wisner, Heather. “With a Hop, A Kick, And A Turn, Cumbia Enters the Global Stage.” Dance Magazine 80.9 (2006): 64-68. Humanities Abstracts (H.W. Wilson). Web. 7 Dec. 2011
In the text book America’s Musical Landscape by Jean Ferris, the book takes us through the history of the evolution of American music. The book delves into the different time periods of America’s music beginning with early North American music all the way to today’s modern music. Additionally, the book also explains how music, theater and film intertwine to provide some spectacular art. Jean Ferris finishes the book by exploring America’s concert music. Let us now take a closer look into the different time periods brought out in the book.
Howard, John Tasker. Our American Music. 1946. New York: Thomas Y. Crowell Company, 1954. 666. Print.
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete.
“History of the Argentine Tango.” All About Tango. 2005. AR Tourism, LLC. 11 May 2009.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
During the second phase, La Guardia nueva, or New Guard, tango became common popular in all social classes. Tango began to gain prestige and was present on the radio, in movies, nightclubs and cafes. This period lasted from 1920-1955. According to the text, tango underwent a “rags to riches” transformation, where it moved to upscale social scenes. A new style, tango cancion, evolved from this tango. Tango cancion emphasized the voice to highlight the expressive accents of the text and used a flexible sense of rhythmic ebb and flow (rubato) to do so. The instrumental accompaniment then became smoother and more polished because piano and strings enhanced the ensemble. The bandoneon, which once dominated the ensemble, now blended effortlessly with the other instruments. No single instrument stood out. The tango cancion used a standardized form with two equal and balanced sections. This highlighted th...
McGee, Timothy J. Medieval and Renaissance Music: A Performer’s Guide. Toronto: University of Toronto Press, 1985.
Desler, Anne. "History Without Royalty? Queen and the Strata of the Popular Music Canon." Popular Music 32.3 (2013): 385-405. Academic Search Premier. Web. 7 Apr. 2014.
Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
This essay was very beneficial because it enabled me to learn more about a different nation and its unique culture. Now instead of just relating to Argentina as a country in South America, I will also be able to discuss it intelligently. Hopefully, by reading this research paper, others will be able to learn about Argentina's long, diverse, and interesting history, geography, and people.