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Literary Analysis
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Every story that is read contains archetypes, which is a certain person or thing that is expressed in stories, myths and many other forms of art and literature. The story of Sunday Sunday has many archetypes within it, but the ones that stand out most are the archetypes of Saving the Enemy, Fog, and Love Angles. These archetypes stand out the most because they are found in many childhood classics like Cars and Beauty and the Beast, making the audience familiar with these types of characters and situations. The reason why archetypes are used is because humans have a collective unconscious meaning that people like what they are used to; therefore whenever a story is written it uses these archetypes to make multiple interpretations of the same …show more content…
This idea is presented in this line of dialogue between the boys, ”’I’m not drunk,’ Miguel insisted. ‘And you’re a phony.‘ ‘You’re p*ssed off because I’m going to see Flora,‘ said Rubén. ‘You’re dying of jealousy. Do you think I don’t catch on to things?’“ (251). In this scene the two boys, Miguel and Rubén, dispute over their same love interest Flora. When Rubén says, “You’re p*ssed off because I’m going to see Flora” it shows the first fight between the two over the girl and it makes the two boys enemies which is shown in the first archetype discussed when Miguel overcomes this argument and saves Rubén’s life. A similar archetype to this is in Beauty and the Beast when The Beast and Gaston both love Belle but she does not make it clear who she is in love with at first. The idea of the Love Angles is supposed to show how two character have a love interest on the same character like Rubén and Miguel do on Flora and the love interest, Flora, does not show who she likes. This is so easy for us to understand because we have seen this archetype many times before and if not in Beauty and the Beast, there still is Bridget Jones’s Baby, The Fifth Wave, and The Book of Life; therefore strengthening the idea that archetypes make it so there are …show more content…
Sunday Sunday shares archetypes with other stories like Saving the Enemy with Cars, or The Fog with The Book Thief, or Love Angles with Beauty and the Beast which just shows that there are no new stories since these same archetypes are being repeated over and over again in different interpretations of stories. However, this is not a bad thing because people like what they are used to, since they have a collective unconscious, which is why archetypes exist; so that every story can be enjoyable and understood by people. Archetypes are one of the most important parts of the story because they are what the people like and what the people like is familiarity which is why there are no new
An archetype, according to Literary Terms, is an idea, symbol, pattern, or character-type, in a story that appears again and again in stories from cultures around the world and symbolizes something universal in the human experience. There are symbolic, character, and situational archetypes. The Glass Castle, a memoir by Jeannette Walls, uses each archetype. The memoir captures Jeannette’s difficult life growing up due to her father’s alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel’s theme. A central theme to the novel can be perseverance. Jeannette and her siblings grew up and managed to build a better life for themselves. They worked hard and never gave up, demonstrating perseverance.
Generally you would have stories that usually have a character, situation or symbol that appears so often in a work that has a deep universal meaning or a response; like how the color red represents passion or blood, three would represent trinity or mind, body, spirit; and wilderness is danger. This literary device is called an archetype. Numerous stories have the same archetype such as Trifles by Susan Glasspell and El Santo Americano by Edward Bok Lee. Both these two play writers use the victim archetype in these two works. The victim archetype is when a character is hurt by someone or lives in fear that someone will hurt him or her.
Thomas C. Foster in his work How to Read Literature Like a Professor argues that even though characters may display evil characteristics, their religious values overpower and express “themselves in connection with the [character’s] role within society” (Foster 125). Literary characters may display some of the same characteristics as Christ while accomplishing actions with “redemption, hope, or miracle” (132). Jay Gatsby in F. Scott Fitzgerald’s The Great Gatsby symbolically resembles a Christ figure—sacrificing himself to save Daisy from the law, outstretching his arms towards hope, and coming to West Egg to retrieve Daisy’s unworthy world.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
Consistent in literature throughout every era and culture, archetypes represent a recurring image, pattern, or motif mirroring a typical human experience. An idea developed by Carl Jung, archetypes in literature exist as representations reflecting vital perceptions of the human psyche expressing the manner in which individuals experience the world. Using Jung’s concept, writers of all epochs embeds archetypes in structures, characters, and images of their narratives. John Gardner, in his novel Grendel, integrates several of Jung’s archetypes into his epic tale derived from the early story Beowulf. Gardner associates Jung’s personas of the outcast, the shadow, and the mentor-pupil relationship through the identities of Grendel, the narrator of events, and the dragon.
Every hero goes through multiple stages accompanying many obstacles on his or her journey. Although the journeys may differ in detail, structurally, they resemble a sound format. Along the designed adventures, the heroes come into contact with characters that possess fixed personalities or “archetypes.” The stages and archetypes of stories are somewhat predictable, but may take shape in peculiar forms. Both exemplifying heroic characteristics, Sir Gawain from Sir Gawain and the Green Knight by J.R.R. Tolkien and Thomas Becket from Murder in the Cathedral by T.S. Eliot structurally go on the same archetypical journey, but diverge in the lessons they learn and where the characters start and end in their journeys.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
It is easy to see that Toy Story Two and The Odyssey are related through their archetype. This is the journey of the hero archetype. This is basically a very standard way of writing stories and wrapping it around a basic model. The hero's journey archetype is interesting to study because if one follows the basic model the stary will be guaranteed to be interesting. The journey of the hero archetype is frequently used but yet almost all stories turn out interesting. It is fascinating to think that if lots of stories use the same model, how can they still be
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Psychologist Carl Jung proposed that humankind has a collective unconscious, which is manifested in myths and dreams, which harbors themes and images that all humans inherit. Carl Jung’s proposal about the collective unconscious is expressed when archetypal and mythological criticism applies to literary works (Archetypal Criticism). Neverwhere is a novel written by Neil Gaiman, which is heavily influenced by archetypal and mythological concepts. Neverwhere is the story of a young man who tries to help an injured girl named Door on the street, when he soon realizes that this is no ordinary person that he has come across and he has to go into the underworld to get her help. Richard goes to get her help from a man in the underworld named Marquis
Throughout the years, certain writers were able to set off a deep sympathetic resonance within readers by their usage of archetypal patterns. One of those patterns is known as the hero's journey, which Joseph Campbell gave an understandable idea of in his book The Hero with a Thousand Faces. According to his book, while comparing world's mythology, he found that no matter how far cultures are from each other, they will still have the same structure of hero's journey in their legends (Voytilla vii).
...f the adventure that shapes a hero. The ladies in “Pretty Little Liars” are shaped into heroes through their hardships and trouble, and their ability to over come it all together. As compared to the texts read and viewed in class, the show may be set in modern time, but the idea of myth is carried on from centuries before. A myth doesn’t need a love story, or bloody battle scenes to comprise a reader’s interest. It needs a core built up of strength and perseverance which creates the hero of it’s journey. My modern television show choice is a prime example of an ongoing story with the heroes continuing to the best of their abilities to make it out alive. As I have learned, a myth can never die out, and in this story the legend of the strong ladies will never die out in their town. The dedication they have to each other and their own prosperity is not to be forgotten.
The perception of religion is different for everyone and for the grandmother in the story, “A Good Man is Hard to Find”, being a lady with good Christian values was how she defined herself. The grandmother’s innocence of the evil existing in the world cost her and her family their lives. The story “Cathedral” however, has a more positive outlook on faith. The narrator, “Bub”guided by a blind man named Robert was able to visualize and draw a picture of a cathedral, without really knowing what one was. This essay will examine how the outcomes of both stories were affected by the beliefs of those involved.
Often, archetypes penetrate into the human mind without actual awareness as in dreams, myths or symbols; thus via those dreams the archetype becomes conscious. Subsequently, these archetypes assume a latent role in one's personality, and they become visible through repeated, similar experiences and through interactions with others. Ideally, the collective unconscious with its archetypes play a major role in the development of an individual's persona, one's true identity masked by their social identity. Moreover, it controls the shadows of our emotions that compel us to do wrong. Additionally, it balances the anima and the animus, the opposing sex sides of one's gender, so that the opposite psyches of one's gender do not completely dominate an individual. Another archetype, the self, plays an active role in unifying one's different aspects of personalities to express the best of it. In total, the archetypes, more than the ego, are responsible for an individual's social spot in