Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary devices in two kinds
Literary devices essay
Lilies of the field character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary devices in two kinds
Fear has controlled the world and shaped humans into what they are now. New technologies have been created, because of the fear humans have. Over time new fears have evolved, and illnesses occurred due to anxiety and depression from these fears. The terror that runs through each individual is different. Without fear there would be no evolution or protection.
In John Gardner’s Grendel, he uses the literary devices of archetypes, foreshadowing, and imagery to develop the theme of fear.
Grendel is a creature of nightmare archetype, a desecrate form of human, thus the humans do not understand his ways nor his reasoning to kill. Grendel goes to the mead hall every year killing sleeping soldiers in gruesome ways, because of the hate he possesses toward Hrothgar and his people. The Danes, who are already afraid of death, fear Grendel because he himself is bringing the deaths of many with
…show more content…
reasons to kill unknown to them. While Grendel is listening in on the shaper, he narrates to himself about the man's song, “He told of an ancient feud between two brothers which split all the world between darkness and light. And I, Grendel, was the dark side, he said in effect. The terrible race God cursed,” (Gardner 51). The Danes’ have a consensus that from the very beginning, God had cursed Grendel, due to his relation to Cain. They on the other hand, believe themselves to be a pure, and good race. Grendel being on the ‘dark side’ adds to the fact that he will always be looked upon with dread by others, especially the human race. Him being painted into a creature of nightmare in the minds of the Danes’ has, along with other literary devices, developed the theme of fear. Throughout the novel, Gardner uses the element of foreshadowing to expand the impression of fear. Towards the middle of the book, many characters, including Grendel himself, feel an impending doom. This ominous feeling is displayed by his mother, when she attempts to keep Grendel in the cave, for fear of the death that awaits him. Yet Grendel also understands that something or someone is coming, and the ending might not be in his favor. While Grendel is watching the town, he says to himself, “Something is coming, strange as spring. I am afraid. Standing on an open hill, I imagine muffled footsteps overhead,” (Gardener 126). While the humans possessed fear of Grendel, the roles have switched at some points during the story, such as this part. The ‘earth rim roamer’ senses the battle that awaits him, and Gardner depicted Grendel in a way that shows fear, rather than courage. Unlike what the Danes’ view him as, Grendel is capable of fear, even if that fear is a human. Gardener uses imagery, along with the other literary devices, to further imply the novel and characters within it feel, and revolve around the fear that is taking place.
Descriptions of gruesome events, such as the one narrated by Grendel, set some fear into the mood of the events taking place. They also make the reader feel some of the fear that the humans are suffering in the hands of Grendel. While Grendel is going around killing every soldier in proximity, he thinks to himself, before being confronted by Beowulf, “I seize up a sleeping man, tear at him hungrily, bite through his bone-locks and suck hot, slippery blood,” (Gardner 168). Gardner describes how the soldiers were murdered in a way that portrays what the Danes’ feel when they think of Grendel. The adjectives used to describe the blood, and even the mention of the blood, causes a reader to feel uneasiness and horror. Just the action of him ravaging through the mead hall sets the negative tone. Overall, imagery is used constantly throughout, and represents the theme in a subtle way, compared to the other literary
devices. The theme is shown in more ways than one, and in more than one perspective. Grendel, his mother, and especially the humans feel fear throughout the novel. The fears’ of one another intertwine, from Grendel being afraid of his future encounter with Beowulf, to the Danes’ fear of being killed by Grendel himself. Gardner has used this emotion to better develop the plot, as well as impact the reader. Fear possesses the world of Grendel and the Danes’ in more ways than one.
“The monster’s thoughts were as quick as his greed or his claws: He slipped through the door there in the silence snatched up thirty men, smashed them…” (Raffel Lines 34-37) In other words, Grendel is characterized as a monster whose only desire is to kill. However, the humans chose to forget their beginning encounters with Grendel and don’t realize that they are the true cause. When Grendel tries to communicate with the humans because they speak the same language, he is repelled by the Danes. “The harper broke off, the people screamed. Drunken men rushed me with battle-axes. I sank to my knees, crying, “Friend! Friend!” (Gardner 52) In other words, Grendel wants to be friends with the humans but they immediately judge him based on his appearance and reject him. This causes Grendel now have become isolated from both the humans and animals. This isolation leads to Grendel to start killing the humans as a form of interaction. Sadly like with animals, the only form of communication with the humans Grendel will receive is through killing them like the Grendel we see in Beowulf. Overall, due to Grendel being surrounded by humans who misjudge him, he is motivated by isolation in which the only attention he will get is from killing
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
Consistent in literature throughout every era and culture, archetypes represent a recurring image, pattern, or motif mirroring a typical human experience. An idea developed by Carl Jung, archetypes in literature exist as representations reflecting vital perceptions of the human psyche expressing the manner in which individuals experience the world. Using Jung’s concept, writers of all epochs embeds archetypes in structures, characters, and images of their narratives. John Gardner, in his novel Grendel, integrates several of Jung’s archetypes into his epic tale derived from the early story Beowulf. Gardner associates Jung’s personas of the outcast, the shadow, and the mentor-pupil relationship through the identities of Grendel, the narrator of events, and the dragon.
Our first character, Grendel, is an exceptionally diverse character. It is implied that in both book and poem, Grendel is a blood-thirsty monster. All Grendel does is go through meadhalls and kill the drunk, often asleep people. But when narrated through the eyes of Grendel, the true nature of this beast is discovered. The author of Grendel entails that Grendel is a depressed and misunderstood monster, restrained to the confinements of his own underwater cave. He is a lot like the monster in the book Frankenstein. Both Grendel and Frankenstein are born with no real purpose to life, going off of what they hear other people say and taking it as the truth. Both monsters, knowing that everyone detests them for being unattractive and different, retaliate by way of murder and mayhem. From the perspective of the people in the stories itself, Grendel is exactly how the narrator in the poem Beowulf makes him out to be. The people, or the thanes, of Hrothgar’s kingdom see Grendel as a demon from hell, representing all that’s evil in the world. He’s a supernatural creature and in this time period anything supernatural that wasn’t human was considered a spirit, a god, evil or, in Grendel...
The reader can interpret and feel the pain, and fear that Grendel endures being put through, as well as the confusion as to why these men are attacking him, when he was only asking for food.
Grendel has a sarcastic and cynical mind, which serves to entertain both him and the reader. Through his expositions of situations, we see humor where others would simply see violence, and irony where others only fact. These others are the humans, the Danes, unwitting neighbors of Grendel, forced to stand night after night of slaughter. What is a traumatic and terrifying experience for them, is simply a game to Grendel, and the reader. Grendel bursts in on the Danes, ready to kill, and they squeak. They are funny in their fear, laughable in their drunken fighting. The reader is focused on Grendel’s perception of the Danes. The deaths go by easily, because of the humor involved. It does not cross the reader’s mind that these are people Grendle is killing. The humor allows the reader to sympathize with Grendel’s position, that of the predator. The prey is not meaningful, only nutritious and entertaining. It is a macabre humor, which accentuates how no death is noble, it is simply death. By making the Danes un-heroic and un-ideal, cowards and drunkards, the author is presenting the reality through the humor.
Grendel watches the humans commit unnecessary acts of violence, and he uses them to justify his war with Hrothgar. He watches human tribes fight with one another, and is appalled by how they waste livestock, burn villages, and slaughter people. He finds himself “sickened, if only by the waste of it.” (Gardner, 36) Grendel doesn’t understand why the humans kill unnecessarily, but he is viewed as a monster when he kills for his own survival. Hrothgar becomes the most powerful king in the land, and Grendel has watched him waste and sin more than anyone else. Grendel sees himself as better than Hrothgar, which justifies attacking him for punishment. A similarly influential event occurs when Grendel steps on a dead man one night while listening to the Shaper sing. The Shaper says a
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
John Gardner’s Grendel portrays a monster searching for his purpose in life. The characters know the meaning of their lives, but Grendel tries to discover his role and what life has to offer him. Grendel discovers his identity through other characters’ actions and beliefs. In Grendel, John Gardner illustrates the contrasting views of each character to show their view of society and the influence they have on Grendel.
The majority of John Gardner's Grendel revolves around a monster-like character named Grendel. The reader is allowed access to Grendel's subconscious and inner monologue, giving one the sense of a very close relationship with the main character. This tends to beguile one into sympathizing with him and thinking of him as a protagonist because historically in literature the main character of a novel has always been the "good guy." However, he proves himself to be very much the anti-hero in the novel many times over. Grendel's social contact with the world is extremely limited, but his persona is greatly influenced by each brief encounter with another character.
Time after time he charges into Herot Hall, slaughtering the warriors like sheep, and feasting on them. Denmark trembles in fear and grief as Grendel terrorizes their land. The people live in fear for their family and friends. Grendel is the Anglo-Saxon embodiment of what is dark, terrifying, and threatening. Grendel is an enemy of God. He can not know God’s great love. He is a powerful ogre that resides in the dark, wet marshes. He is a shadow of death that grows impatient with the Danes. He delights in their slaughter. No crime or savage assault would quench his thirst for evil. For evil can never be quenched. Grendel is a shepherd of evil and a guardian of crime. Grendel exhibits his envy towards the warriors as Cain did to his brother. Jealousy breed loneliness.
In this poem, Beowulf exhibits the trait of bravery by defeating the monster, Grendel. This monster was a very powerful monster that plagued the town of Herot. “He slipped through the door… Snatched up thirty men, smashed them/ Unknowing in their beds and ran out with their bodies/ The blood dripping behind him, back/ To his liar, delighted with his night’s slaughter. (11)”
Grendal is known as a monster and portrays one of the many villains in the poem. He is referred to as the "guardian of his sins". Grendal depicts a heathen the physical image of man estranged from God. Basically, Grendal reflects a physical monster, an ogre who is hostile to humanity. Grendal’s constant visits to Hrothgar’s mead hall for bloody feasts made him feel powerful over God’s humanity. Unfortunately, the night Beowulf lies in wait for him, he assumes that his bloody feasts will continue and Grendal gives no attention to his method of attack. Grendal is then killed.
Throughout the renowned novel Grendel, author John Gardner illustrates a captivating characterization of the monster Grendel. While the reader may initially brand Grendel as a sadistic villain, Gardner gradually reinforces the complexity of this character, to the extent where a pressing question arises and begs the reader’s attention--is Grendel truly evil? As the story progresses, it becomes evident that Grendel simply does what he knows to do, as a monster, in addition to doing what he can do, as an emotional being which often lacks favorable choices. Furthermore, Grendel’s status as an evil beast relies entirely on morals, which are wholly subjective. Essentially, because of the complicated nature of naming a creature “good” or “bad,” and
He is a disgusting creature that lives in a place that is closest to hell and in murky dark waters. Grendel causes mass havoc on the Geets by killing them by the dozens. He feasts on them for dinner and swallows them whole. The creature of nightmare not only represents the antagonist, but represents anyone who does not think human thoughts and only desires satisfaction for themselves. It can also represent a monster that is summoned from the darkest part of human existence who comes into the world for power or death. Grendel craves for death as he kills the soldiers for his food. Once killing becomes routine and natural, that is when a creature of nightmare is developed. The author of Beowulf states, “The monster’s/ Thoughts were as quick as his greed or his claws:/ He slipped through the door and there in the silence/ Snatched up thirty men, smashed them” (“Beowulf” 34-37). Grendel, the monster described above, clearly showcases his creature of nightmare traits as he desires killing and treats it as a natural occurrence. Grendel also contains the trait of being able to take down any opponent, except for the hero. The hero is the only person that can take down the creature of nightmare and that is just what Beowulf does. Additionally, creatures of nightmares usually are infuriated with the world around them and want to change it for the worse. Grendel, in this case, was infuriated with the Geets after they