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Archery in pre industrial Britain
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Archery Vocabulary
Adaya:
An arrow which has missed it's target, Japan.
Alborium:
A bow made from hazel, 11th century.
Anak, Panah:
An arrow, Malay.
Anchor:
The location to which the hand that draws the bow string is positioned to when at full draw.
Anchor point:
The place where an arrows nock is drawn to before release, usually the chin, cheek, ear or chest. Used to help aiming.
Aquande-da:
The leather bracer of the Omaha.
Arbalest, Arbalete, Alblast, Arblast:
The European crossbow of the Middle Ages.
Arbalete a Cric:
A crossbow drawn by a rack and pinion.
Arbalete a Jalet, Pellet crossbow, Prodd:
A crossbow set up to shoot stones instead of bolts.
Arbalest a Tour:
A crossbow drawn by a windlass.
Arbalestina:
A cruciform aperture in a wall of a fortification from which a crossbow was shot.
Arbrier:
The stock of a crossbow.
Archer's guard:
See bracer.
Archer's paradox:
In period bows (without a shelf or centre shot) the arrow which is properly shot will fly in the line of aim although the string propelling the arrow moves directly to the centre of the bow. The arrow in fact bends around the bow after release but after passing the bow returns to its proper line of flight. See Spine.
Archer's ring, Thumb ring:
An effective Eastern method of drawing the bow string while using the thumb protected by a ring.
Archer's Stake:
A sharpened wooden stake driven into the ground pointing away from an archer to protect against cavalry.
Arcuballista:
The ancient form of ballista.
Arcubalista unis pedis:
A crossbow which only needs one foot to assist drawing the string.
Arrow:
The missile shot by an archer from a bow.
Arrow guide:
See Majrã, Solenarion.
Arrowhead:
The striking end of an arrow, usually made of a different type of material from the shaft such as iron, flint or bronze, depending the purpose of the arrow.
Arrowsmith:
A maker of metal arrowheads.
Ascham:
[1] A tall narrow cupboard for storage of bows and arrows.
[2] Roger Ascham, 1515 - 1568, author of Toxophilus (1545).
Arrow spacer:
A circular piece of leather pierced by 24 holes used to keep the shafts of a sheath of arrows apart from each other and prevent damage to the flights during transport.
Azusa-yumi:
A small bow used in magic, Japan.
Top
B
Back of the bow:
The surface of the bow furthest from the archer when they hold the bow in the firing position.
KIRTON, JOHN. "Avro Arrow." The Canadian Encyclopedia. 7 Feb. 2006. Web. 01 May 2014. .
If the blade did not hit the exact spot on the neck it would become as though it was an axe. It would hack away until the head came off. After all the chopping, the blade will often become dull. Throughout the revolution, the blade was changed, it became angled. The angling of the blade helps kill faster.
At the time when humans were learning to use spears constructed out of sticks and stones and the
Zen in the Art of Archery, by Eugen Herrigel describes the ritualistic arts of discipline and focus that the Zen religion focuses around. In this book, Herrigel describes many aspects of how archery is, in fact, not a sport, but an art form, and is very spiritual to those in the east. The process he describes shows how he overcame his initial inhibitions and began to look toward new ways of seeing and understanding. In the beginning of the book Herrigel tells us that he is writing about a ritual and religious practice, “whose aim consists in hitting a spiritual goal, so that fundamentally the marksman aims at himself and may even succeed in hitting himself.” (Herrigel p. 4) Through his studies, the author discovers that within the Zen ritual actions, archery in this case, there lies a deeper meaning. Herrigel explains throughout this book that it is not through the actual physical aspect of shooting arrows at targets that archery is Zen, but through the art and spirituality through which it is performed. It is not merely shooting an arrow to hit a target, but becoming the target yourself and then, in turn, hitting yourself spiritually. By meeting this spiritual goal, you will then meet the physical goal. The struggle then is, therefore not with the arrow or the target but within oneself.
head which was wrapped in buckskin on a wooden handle. They also used the common bow and
When the joust came to represent the horsemanship of the fighter, safeguards evolved. The lance was fitted with a three pronged tip called a coronal, which was designed to keep the weapon from penetrating a knights helm and to re-distribute the force of the impact. Also, armor was developed specifically for the joust.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
The trebuchet is used with a long wooden arm refreshed on a hinge point, which acted as a big level. A bullet was placed on one end and soldiers in this earlier form of the trebuchet pushed on slings devoted to the other end to fundamentals swing the arm around and throw the
The Romantic Period served as a breeding ground for some of America's most extraordinary authors. Herman Melville, Walt Whitman, Henry Wadsworth Longfellow, and Ralph Waldo Emerson are just some of the names that graced this Golden Era of American literature. Great as they were, these men still lacked a significant amount of originality. Relating their themes and structures results in little to no variation. One author, though born into the era of Romanticism dared to expand the possibilities nineteenth - century literature had to offer. Through works such as "Young Goodman Brown," "The Minister's Black Veil," and "The Birthmark," Nathaniel Hawthorne incorporated Romanticism into his own style. Including ordinary men, such as Mr. Hooper, Goodman Brown, and Aylmer helped to classify Hawthorne as a semi-Romantic author. Other Romantic characteristics were found in his stories as well. Symbolism, man's connection to nature, and the supernatural are all also present in most of his tales. But, most importantly, Hawthorne was remembered for breaking the rules and adding his own touch. He told allegories and parables concerned about his concept of the "unpardonable sin," always including the character's trials from obsession to alienation to finally a loss of soul. Careful review of his work probes the fact that fitting into a dictating society is not only boring but dangerously ordinary.
These guilds adopted the new Continental system of fighting with the sword and buckler (a small hand-held shield) as their own, and this system became established as the typical English style. Fighting with these instruments left most of the defense to the buckler, while the sword was used primarily for slashing...
...ything is on it that it doesn’t wear off and you don’t have it anymore. During this examination you have to tell the size and shape of the bullet. You have to look into the deep things when you doing this because anything can be there just small. (“At The Mortuary”)
Across family life-cycle literature, the arrival of a first child into the marital structure is considered to be one of the most common and key stages a family will experience during its development. Further, it also possesses the potential to be one of the most stressful examples of change within the marital relationship with the experience of having a baby being ranked at 6th out of 102 stressful life events1.
...ionship dynamics exhibited in both the Wife’s prologue and in her knightly tale place male and female on equal footing; they are by turns equally despicable and commendable. As the Wife finds harmony with the one she loves and the hag provides a happy ending for both herself and for the knight, Chaucer seems to be presenting a balance between the masculine and the feminine: harmony is achieved through sacrifice on both parts. True love and a healthy relationship can never come about without this compromise, because both sexes desire control over the other. Something must be given up on each side. Chaucer implies that female triumph over a male’s control can still bring about a happy ending; as long as they think they’re on top, men will be content, and as long as they are given some semblance of power, women will happily devote themselves to the men they control.
The responsibility of being pregnant is surely not as sever as actually having a baby but it is truly a preparation course. I feel almost scared when I go to the doctor. I keep close eyes on my food intake and eating habits, so that I can have enough supplements for both of us. I have to keep my baby safe because she can not do it on her own. I have to prepare myself for life with my baby; it is not only a mind set but also a physical one. I have to be prepared to make sacrifice and present stability in a child’s life even though I am still young. I have to face responsibility and understand it and achieve it. I have to face my fears, and run at them so that I may conquer life to the fullest. I must stand on my own feet and make my own decisions because this is my life; no this is our life.
A line, such as the impoverished craft’s intended track line or line of bearing, which defines the mid-point of the datum area