Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Describe the Enlightenment
Describe the Enlightenment
Describe the Enlightenment
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Describe the Enlightenment
“Apotheosis” is the moment when the hero realizes his true purpose and sees the world from now on from an entirely different perspective (becomes enlightened).
The importance of the god or hero in the myth lies in the fact that such characters, who are conceived in human likeness and yet have more power over nature, gradually build up the vision of an omnipotent personal community beyond an indifferent nature. It is this community which the hero regularly enters in his apotheosis. The world of this apotheosis thus begins to pull away from the rotary cycle of the quest in which all triumph is temporary. (Frye, “Archetypes” 512)
In Star Wars, this moment comes when Luke holds his dying father in his arms and is able to forgive him the wrongs that he has done in the past due to his belief that there was always good in him despite his machine-like appearance. After making his peace with his father, Luke finally becomes a true Jedi – like his father before him. Another point of apotheosis in Luke’s life can be seen in Episode V: The Empire Strikes Back when Luke would rather die than join the dark side. On this occasion, he, like his father in Episode II: Attack of the Clones, loses
…show more content…
one of his hands. The moment of apotheosis for Aragorn comes after entering the “Paths of the Dead” where the souls of the “Dead Man of Dunharrow”, who have never fulfilled their oath made to the King of Gondor centuries ago, dwelt.
With the possession of his sword Andúril, he gains command over this army of the dead and within he makes his army, who must fight against an overwhelming number of enemies from Mordor, considerably stronger. By fulfilling their oaths made to Isildur, these long dead warriors regain their honor and save their souls.
Spider-Man experiences apotheosis after the spectacular battle against his anti-father figure the Green Goblin in which he almost dies and Superman after turning back time, although his father explicitly warned him not to, in order to bring Lois Lane back to
life. Batman ultimately defeated the Joker and restored order in Gotham City as well as avenged his parent’s murders. At first, very few believed then the “Avenger Initiative” would be successful but as time progressed trust and support for the group rose. When finally discovering Loki’s evil intentions and plans of opening a portal above Stark Tower that would allow an alien race to invade Earth, the Avengers are now ready to face their archenemy and protect the world from the lingering threat.
In “Creating the Myth,” Linda Seger outlines the essential aspects that make up the hero myth, and why movies that follow this outline are generally successful. In her analysis, she begins with the idea that every hero myth revolves around a hero who is called upon to accomplish a feat that nobody else in the story is able to do. The hero’s journey begins with an unlikely person being called upon to serve a purpose greater than themselves. Along their journey, the hero is influenced by several archetypical characters that either help the hero, or try to deter the hero from accomplishing their task. The hero’s journey ends when they have accomplished their task, and in doing so, become a greater person than what they were in the beginning. A film that found tremendous success by following this outline was “Kung Fu Panda.”
...heir journeys or overcome their limitations had it not been for the gods. Of all of the requirements of heroism, being influenced by the gods is the most important. Only through the aid of the gods can a character defeat his shortcomings and truly understand what a hero is. The character must become overconfident and prideful, then, and only then, can the gods step in and break their faults. Finally, the hero either comes to realize how wrong he was or he dies in ignorance.
As the story comes to its conclusion, the hero has endured his hardships; he went from the one that started fights to the one that thought of what could make everything work. An ordinary person in an ordinary world faced his share of trials and tribulations to come out as a new person. Defining the hero myth—he struggled and still was able to triumph to his prize at the end ; individuals relish these type of stories, they can
Mushu enters the stage of apotheosis, just like most heroes do when following the hero cycle. His ego is disintegrated in an expansion of consciousness; Mushu starts doubting himself and even reveals to Mulan that he is a “fraud” and that the ancestors never truly sent him....
mythic story of the questing hero is a metaphor of the inward journey to self-knowledge, that
This paper is to show that Heracles is the prime example of a hero’s journey through his actions and the struggles that he faced during his life until he was about to die but instead of death, his father, Zeus, saved him and he conquered the mortal realm, to become a god.
In the separation stage, Luke`s hidden past is revealed and is called on a mission to save the galaxy. After accepting the mission in the transformation stage, Luke travels throughout the universe and is faced with obstacles and tests to prepare him for the greatest challenge. Lastly, in the return stage, Luke's journey comes to a conclusion as he defeats the Empire and gains the ultimate victory and is rewarded. Although his quest was not an easy one, Luke pushed through and faced the challenges and endured the hardship like a hero. He learns many things all through his quest and passes from immaturity to his adulthood. All in all, Luke Skywalker truly earned the right to be called a hero. How can you be a hero in your world? And “may the force be with
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
From before the dawn of civilization as we know it, humanity has formed myths and legends to explain the natural world around them. Whether it is of Zeus and Hera or Izanami-no-Mikoto and Izanagi-no-mikoto, every civilization and culture upon this world has its own mythos. However, the age of myth is waning as it is overshadowed in this modern era by fundamental religion and empirical science. The word myth has come to connote blatant falsehood; however, it was not always so. Our myths have reflected both the society and values of the culture they are from. We have also reflected our inner psyche, conscious and unconscious, unto the fabric of our myths. This reflection allows us to understand ourselves and other cultures better. Throughout the eons of humanity’s existence, the myths explain natural phenomena and the cultural legends of the epic hero have reflected the foundations and the inner turmoil of the human psyche.
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
It has been suggested many times (for example, Tokarev 1:12), that mythology was the main instrument for the so-called ‘primitive’ cultures to understand the surrounding world. If this is so, then the world, in a pre-mythic or mythless state, must present itself as dangerous and inconceivable, as it actually does in both plays.
“You either die a hero or live long enough to see yourself become the villain.” (The Dark Knight, 2008). This quote describes the archetypical tale of the tragic hero. As Aristotle had illustrated in Poetica, the tragic hero is defined as possessing hubris and harmartia, arrogance or a tragic mistake respectively. In Shakespeare’s Macbeth, we follow the titular character as we witness his rise to the throne to then see his immediate downfall. Macbeth stands among Shakespeare’s greatest tragedies, showing the effect of power on an individual. His ultimate demise in the story’s resolution gives insight into what catalyzed the supposed events. Without a doubt, Macbeth had transformed from the hero to eventually the villain.