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Essays on modernism in literature
Essays on modernism in literature
Concept of modernism essay
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Modernist Poetry
(Comparing and Contrasting Ars Poetica and Poetry) The modernist movement began in the early nineteen hundreds slowly making itself across the US and then eventually worldwide. Rejecting traditional forms and emphasizing bold new forms of expression, This movement revolutionized the arts: music, prose, poetry, paintings, drawings, etc. They all began to be reformed and changed from the traditional art of the past. One of the more traditional of the art forms, poetry was a major rejector of the traditional form by many writers. Poets like Ezra Pound, E.E. Cummings, Wallace Stevens, Marianne Moore, and Archibald Macleish were all ‘modernists’, rejecting the traditional form of poetry, rhyming every other line with proper capitalization and punctuation. The poems by Macleish
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Imagery is creating word pictures that appeal to the senses, which is a major comparative of these two poems. Macleish especially uses the simile to create word pictures for the reader, instead of just outright saying what he wants the reader to know. He really involves your use of touch and sight into the whole aura of the poem. Rather than trying to analyze the words, hidden meanings, and what the writer was ‘feeling’ Macleish just uses the work of several similes to create certain images within his poem. “A poem should be wordless, as the flight of birds.” Moore does a similar thing with her piece except hers are more precise and inventive. To compare these works, she does not dabble as much with the similes, but rather with metaphors and personifications still creating imagery. “Hands that can grasp, eyes/ that can dilate, hair that can rise/ if it must,”. These poets use of literary devices expresses the modernist movement taking hold. All of these things come together really reforming the whole tradition idea about how poetry should
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
Imagery is a grandiose part of this poem, simile’s help the reader to comprehend the enhanced pace fast break of this poem. (L.6) “gathering the orange leather from air a cherished possession” gives the reader an image of just how essential the ball is, and that he is control of the situation. Whenever I get a chance to get a rebound like he did, I take it. It is a feeling of hard work pays off when you get the chance to get a rebound. Another example of a simile, (L.18) “ in slow motion , almost exactly like a coach’s drawing on a blackboard’
Both Romantics and Modernists felt loss of authority, either from man or man's religious following. Poetry changed what it focused on as those figures lost respect or importance in the public's lives. I believe Yeats sums up my point partially in lines 19 and 20, "That twenty centuries of stony sleep/ Were vexed to nightmare by a rocking cradle.
Both authors use similes and metaphors in their writing, and I believe it is to keep the reader interested by comparing something to something else that they know. By comparing something like writing, to something that they are familiar with, creates a feeling of knowing what the author is taking about, or it actually even helps the reader know what the author is trying to say. Both the author and reader benefit from similes and metaphors because the author keeps attracting the reader and the reader will learn something new about writing from the author. Not only do both Elbow and Murry use similes and metaphors, they also use examples that the reader might
Imagery is a key part of any poem or literary piece and creates an illustration in the mind of the reader by using descriptive and vivid language. Olds creates a vibrant mental picture of the couple’s surroundings, “the red tiles glinting like bent plates of blood/ the
The modernist period was a time of change. After World War II many people found themselves unhappy, lonely, and depressed. With the groundbreaking influences of Karl Marx, Freud, and Nietzsche, many people began to question their own reality. What did it mean to exist? What was life, and what was death? The modernist author reflected this change, and confronted these questions with enthusiasm. Together modernist artists became the representative voice of the people. This voice transcended all forms of art, but was most successful in the written word. Through the experimentation of language and form, the modernist author managed to convey the meaninglessness felt by many, and created a light in the darkness of an uncertain world. Ernest Hemingway's short stories titled "A clean well-lighted Place", and F. Scott Fitzgerald's "Babylon Revisited" are two notable examples of literary art during the modernist period.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
Marianne Moore’s most popular poem, which is also her most ambiguously titled poem, is called “Poetry.” In this poem Moore decisively strayed away from her conventional writing style of contrariety and the bizarre, but it does seem to share other characteristics of her earlier poetry. Moore’s apparent purpose in writing “Poetry” was to criticize the present social outlook on the entire idea of poetry, to come up with a universal definition of poetry and of genuine poetry, and ultimately to convince those who dislike poetry of its benefits. She attempted to present this criticism and definition by means of blatant irony, and even though she desperately wants to describe the seemingly trivial activity of poetry, she fails to provide a definition that is not caught up in the negative.
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
One attribute of Modernist writing is Experimentation. This called for using new techniques and disregarding the old. Previous writing was often even considered "stereotyped and inadequate" (Holcombe and Torres). Modern writers thrived on originality and honesty to themselves and their tenets. They wrote of things that had never been advanced before and their subjects were far from those of the past eras. It could be observed that the Modernist writing completely contradicted its predecessors. The past was rejected with vigor and...
Wallace Stevens poetry was a huge part of the Modernist time period, and even was influential to how the movement was being shaped and interpreted as time went on. Modernism was a literary time period starting in the early 1900s, which
The Modernist period was a time in history when there were many changes. These changes varied from the American Dream to the literary styles and techniques. The American Dream became less complex and was more flexible than ever. It varied from the changing lifestyles to the change in literature. Helping to shape the nation into what we see today. People were focusing more on themselves and wanting to be known, and they also wanted to have money. Living life with an optimistic viewpoint.
Modernism can be defined as the post-industrial revolutionary era, where which the western world began to see a change in all spheres of living. The effects of the industrial revolution became prevalent towards the end of the nineteenth century and the modernist movement drew inspiration from this widespread change. Artists, writers, architects, designers and musicians, all began to embrace the changing world and denounce their pre-taught doctrines and previous ways of producing work. Society felt the urge to progressively move forward toward a modern way of thinking and living.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
I will examine this by focusing on the poems in William's Spring and All and Moore's second collection of poems: Observations. In addition to this analysis, I will briefly discuss a few other poems to consolidate my examined statements. Furthermore, since the correlation between both authors does not only originate from their friendship, I will situate the analysis of their work in the context of the Imagist movement as well, considering the importance of the influence one might take in when they frequently engage with such authorative literary conceptions, on someone's personal