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A essay on character Antonio
Essay about Antonio
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Inductive Question 1: How does Antonio’s feelings about Andrew change?
Antonio viewed Andrew, his brother, as a favorite out of the three. He said that he was glad that Andrew stayed and said, “I had always felt close to Andrew, and if I had to lose two of my brothers I was glad Andrew was not one of them” (Anaya 76). He felt that Andrew was the most loyal brother to the family, as Andrew stayed back with the family, instead of abandoning them, like the other two brothers. When Narciso called for Andrew, and he came out with one of Rosie’s girls, Antonio “did not want to see anymore…[he] wanted to hate Andrew for being with that woman” (Anaya 172). Seeing his brother at Rosie’s brothel greatly affected Antonio’s perspective of the moral corruption and depravity of the world. Antonio felt closest to Andrew out of all his brothers, and when he saw his brother at an institution designed for promiscuous and scandalous behavior, Antonio’s innocence was diminished. Antonio’s family life will be heavily impacted as well because he can no longer trust his brother and “did not feel comfortable talking to him” (Anaya 185). Not
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only did the relationship between Antonio and Andrew break, and all the righteous and child-like beliefs Antonio had were no more. Inductive Question 2: How does Antonio feel about Narciso’s death and Tenorio’s freedom without punishment? Antonio feels betrayed by God and his Roman Catholic faith when Narciso dies while Tenorio.
Antonio “could not understand why Narciso…had lost his life; and why Tenorio…was free and unpunished” (Anaya 91). After seeing the death of a close family friend, Antonio lost more of innocence. Now he begins to question God on why Tenorio, an evil man who took the life of another, walks free. He questions the justness of his God, and if he is truly worth believing in. As he return the school the following year, Antonio “seemed older, and yet the lives of all [his] schoolmates seemed unchanged” (Anaya 194). This dramatic change in Antonio’s life adds to the growth of his character by introducing him to the depravity of the world, demonstrating the injustice of life, which creates even more questions in the curious and doubting (in religion)
Anthony Inductive Question 3: How does Antonio’s maturity change throughout the Novel? Antonio’s maturity has been drastically increasing, as he witnessed 2 murders, betrayal of his brother, Andrew, and the protection of Ultima. The first murder was the death of Lapito on the riverbank and the second murder was when Tenorio shot and killed Narciso in the snow. Antonio had many fears while watching as he was almost shot by Tenorio, but the gun ran out of bullets. This fear has dramatically decreased Antonio’s innocence to the point where Antonio questions to himself, “Had I already lost my innocence? How? I had seen Lupito murdered…I had seen Ultima’s cure…I had seen the men come to hang her…I had seen the awful fight just now” (Anaya 173). He says this right after he saw his brother, Andrew, at Rosie’s brothel hanging out with nude people and breaking his family’s trust. Antonio feels that he has witnessed to many events to be considered innocent. It is also mentioned that Antonio “seemed older, and yet the lives of all [his] schoolmates seemed unchanged” (Anaya 194). This demonstrates the changes he had from these incidents. Analytical Question 1: How is the alienation Antonio feels at first at his new school similar to that in our world?
Maria had no authority over her restless family. The source of the conflict between Antonio and Maria originates from her oldest sons taking to going where they please and not caring about their parent’s wishes. The burden of pleasing their parents passes from the eldest sons to the youngest one. With the sole duty of pleasing his parents, Tony internally rebels against their wishes instead seeking to set to rest his churning mind by seeking his own beliefs. His brothers console themselves about abandoning their family by saying that “Tony will be her priest” (Anaya 36) and not knowing that the “dreams of their father and mother [haunt] them” (Anaya 36) also haunted Antonio. Having the responsibilities of his brothers and his family shape the way he grows and thinks. He isn’t just thinking about himself he also has the problems of redeeming his family on his head. Through the story and through Ultima Tony realizes that he is not bound by obligations and can instead shape his own
When Antonio first became homeless, an older man tried to steal one of his belongings, which was a simple hot plate. His first instinct was to attack the man and take back his property. While doing so, Antonio thought, “We have almost nothing, and this man wants to take it from us” (43). In addition, he mentions how, “It felt good to hit this man… For a moment, he felt strong and free; fury was a much better drug than self-pity.” (43). When Antonio discusses about the old man and his crimes, he may be alluding to Longoria and what he did to Antonio’s family. The man who tried to take away part of Antonio’s possessions is referring to Longoria and how he took away Antonio’s family. The act of beating the old man refers Antonio’s eventual act of revenge against Longoria and the satisfaction he experiences afterwards. Both acts demonstrate Antonio’s willingness to sacrifice and harm other in certain scenarios where it is necessary. The significant difference between Longoria and Antonio is the intention behind their actions. Longoria killed hundreds in cold blood for his own selfish desires and beliefs, while Antonio only harmed a total of two people to get revenge and to enforce justice in the only way he could. As mentioned before, Longoria’s actions are evil because he commits them for selfish reasons and without remorse. In contrast, Antonio’s actions are seen as necessary evils. A necessary evil is defined as an act of evil (as perceived by society) that is committed in a certain scenario where it follows a utilitarian approach; an approach in which the action does more good than harm. When Antonio beat up the old man, he was merely protecting his belongings and enforcing the law. More importantly, when Antonio killed Longoria, it was for his wife, his son, and the hundreds of other innocent lives that Longoria had claimed; Antonio did an act of
Isn 't it ironic when there’s a clown, but he 's not happy like his painted smile portrays, he’s actually quite depressed. In fact he 's actually more than so an individual who can 't seem to get his life in order. In Tandolfo the Great we meet Rodney, a troubled young man who seems to have lost it after reading a letter from his supposed love. Along the way we are met with images of “this isn 't me” and actions that bring us to the question of “Is this really Rodney or could it be an alter ego?” Rodneys ' action consists of “self-destructive behavior, mood swings, and
Throughout the novel Bless Me,Ultima by Rudolfo Anaya, Antonio’s Parents had an adamant ideal of how they wanted their children to live their lives. Maria, his mother, wanted her children to follow the way of her Luna family. Gabriel, his father, wanted his children to travel to California with him. Maria wanted Antonio to become a priest. “Her own dream was that I should grow up and become a priest” (Anaya 5). His father had a dream to move to California. “My father’s dream was to gather his sons around him and move westward to the land of the the setting sun, to the vineyards of California”(Anaya 14). His parents had two different ideas on what they wanted their children to do which stirred up the pot in the house because of it. As a young child growing up he was very conflicted on how he wanted to live his life especially because he didn't want to disappoint his parents. This made a confliction within Antonio’s Identity. Another dream of his mother is that Antonio gets
events in his life. And Antonio acknowledge this, that he asks the same questions and looks to
The binary opposition of Antonio’s mother and father are one of the major central conflicts. Antonio resides between the Lunas and the Márez tradition, two families that see no common ground. His passage into maturity is one that forces him to decide between his mother and his father, the moon and the sea. During one of Antonio’s dreams he sees his births. This birth shows him the Lunas and the Márez arguing over his future and the presents they bring represent that. The Lunas bring fruit from their farm, they expect Antonio to respect his mother’s side and honor either the land or the heavens by becoming a farmer or priest. The Márez, who expect him to become a cowboy, smash the Lunas offering and present their own emblematic gifts. This profession is represented by his father’s dream of moving to California when becoming a vaquero is no longer a real option (Novoa, 4). Antonio’s dream ends with Ultima solving the problem, and becoming the bridge between the two worlds, something she frequently becomes for Tony. Antonio feels that he must choose one of the traditional pa...
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
Romeo and Juliet is a famous tragedy written by Shakespeare. The plot is based on an Italian tale but Shakespeare makes it more dramatic by developing specific characters, such as the Nurse and Mercutio. The plot is set in Verona in the sixteenth century. The Montagues and the Capulets are two distinguished families in Verona; however, they see each other as enemies. They are fighting all the time. Romeo and Juliet, who respectively are Montague and Capulet, fall in love at their first sight. In the end, two star-crossed lovers are dead. The Montagues and the Capulets reconciled by their children’s death and end the feud which has lasted generations.
In this case, Antonio witnesses the death of Narciso, the town drunk, and later tells his mother and Ultima, “’Beneath our juniper, on the goat path, he shot Narciso” (Anaya 172). This excerpt implies that when a disturbing experience such as death occurs on the goat path it has violated Antonio’s untouched innocence. Even under extreme duress, Antonio confesses that the path makes him feel safe, and Narciso’s death was an opposition to this mental security. This contributes to how his youth is slowly becoming out of his grasp and how he is being pressured into adulthood. Correspondingly, Antonio is in El Puerto when he encounteres Tenorio, his enemy, who had finally figured out how to kill Ultima. Antonio runs back to his home to save Ultima from certain death, yet he wonders, “Would I ever race like a kid again, a wild cabrito rattling the pebbles on the goat path; and would I ever wrestle the crazy Horse and wild Bones again?” (Anaya 257). Even as Antonio races to save a friend’s life, he dwells on his childhood, connecting it to the normality of memories spent with his friends and the goat path. Meanwhile, as Antonio witnesses numerous deaths – like the death of Ultima – he will continue to lose his innocence and youth
In William Shakespeare’s play “Othello: The Moor of Venice” we are introduced to a man named Othello, a foreign solider in the Italian army. He is a solider of high rank and leader of the Venetian army who leads the troops to battle in Cyprus against the Turks. Despite his high opinion of himself and his character he has a few ultimately fatal character flaws that bring him to make some very poor decisions. These decisions take him down a path he doesn’t return from. In a fit of jealous rage, and because of his own feelings of embarrassment and insecurity, he chooses to end the life of his new wife and then ultimately himself.
The character in whom this is most evident is Antonio. Although Prospero forgives him for his removal of Prospero from Milan, and does not reveal his plot to kill Alonso, we receive no evidence that Antonio repents of his actions. At the banquet scene that causes Alonso to repent, indeed, drives him temporarily to insanity, Antonio's conscience is apparently unaffected. His only line after the harpy's appearance -- "I'll be thy second" -- implies that he will follow Alonso and aid him in suicide. At the concluding scene of the play, Antonio says almost nothing, even when Prospero promises not to give him and Sebastian away to Alonso. This seems to indicate that he does not share in the general mood of repentance and reconciliation, especially as his sole line is a sarcastic remark about Caliban. This is so reminiscent of his earlier bantering with Sebastian that it seems a statement that he has not changed. It seems that Antonio is not a character who can be brought to repentance. However, it must be questioned whether this is due to the innate imperfection of his nature -- which should be noble, having been inherited from a "good womb" -- or whether it is by choice that he embraces evil.
Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.
“Antonio, have you seen my nephew, your son anywhere?” Leonato asked hurriedly. “He is most likely taking care of the music right now, that is what I saw him doing last. I do however have something to tell you that may or not shock you.” Antonio exclaimed in an excited but quiet voice, making sure no one heard him. Leonato adjusted his body to a more calm pose as his nephew was, in fact, taking care of the music so he had nothing to worry about. “And what is this that you wish to tell me?” He asked in a curious, shrill tone. “Well, how do I put this, a servant of mine was strolling through the orchard and heard Claudio and Don Pedro, the prince of Aragon discussing their love for your daughter, more specifically, the prince’s love, there is apparently a plan for the prince to ask her out during the ball tonight.” a smile spread across Leonato’s face, he obviously could not hide the excitement that overcame him.“Are you sure your servant heard him
Character Analysis of Othello “Othello” is a tragedy, and Othello is a tragic hero. Othello is a general in the service of Venice. He is good, courageous, brave and trustworthy. The sexy is the best. However, he has some weaknesses such as insecurity.
The Dramatic Importance of Antonio and Sebastian Antonio and Sebastian are dramatically significant in the play for for several reasons. Shakespeare has used them to represent several themes and human characteristics for comparison within the play. He presents them in a number of ways and their relationships with other characters are objects of great interest to the audience. Although they are representatives of evil in human nature and the lack of repent, they also provide great humour in the play. Their witty exchanges and mocking of other characters is unkind yet audience enjoys it.