Respective Wishes of Parents Influence Antonio Kyasia Wilson AP Literature Pd.1 Wilson 1 When growing up, the ideals of parents or parental figures can often impact your life and put pressure on you throughout life. This idea was shown drastically throughout the book Bless Me, Ultima by Rudolfo Anaya. In this novel, a young boy named Antonio Marez resided in New Mexico where he lives with his siblings and parents, Maria and Gabriel. His life suddenly took a turn when a family friend, Ultima, comes to stay with him and his family. She greatly impacted him while he went through …show more content…
Throughout the novel Bless Me,Ultima by Rudolfo Anaya, Antonio’s Parents had an adamant ideal of how they wanted their children to live their lives. Maria, his mother, wanted her children to follow the way of her Luna family. Gabriel, his father, wanted his children to travel to California with him. Maria wanted Antonio to become a priest. “Her own dream was that I should grow up and become a priest” (Anaya 5). His father had a dream to move to California. “My father’s dream was to gather his sons around him and move westward to the land of the the setting sun, to the vineyards of California”(Anaya 14). His parents had two different ideas on what they wanted their children to do which stirred up the pot in the house because of it. As a young child growing up he was very conflicted on how he wanted to live his life especially because he didn't want to disappoint his parents. This made a confliction within Antonio’s Identity. Another dream of his mother is that Antonio gets …show more content…
Not only has the respective wishes of Gabriel and Maria influenced their children it also caused problems between each other. Two different views of life can often cause disputes between two people. In Bless Me, Ultima, the divergent dreams of Maria and Gabriel often caused problems between the married couple. Maria was a Luna. Maria's family were made up of farmers. Gabriel was a Marez. Gabriel's family was conquistadores and wanderers. Maria wanted Antonio to be a priest and Gabriel wanted to travel to California. Antonia had stated once “Why two people as opposite as my father and my mother had married I do not know. Their blood and their ways had kept them at odds”( Anaya 29). Maria and Gabriel often quarreled because of their different views. “She could not see the beauty in the llano and she could not understand the coarse men who lived half their lifetimes on horseback”(Anaya 2) said by Antonio. Maria could not understand the life Gabriel and his people lived. Maria wanted to move, but it lowered Gabriel's esteem. “The move lowered my father in the esteem of his compadres, the other vaqueros of the llano who clung tenaciously to their way of life and freedom”(Anaya 2). The move made Maria happy but it took away Gabriel's pride. They often fought about where they lived. Maria had said “Ay!
The story uses many motifs, symbols and themes. First the motif is Antonio’s dreams. In the beginning of the book his dreams are about what he will become when he grows up; the choice between priest or a vaquero. Later on his dreams change to more important matters, such as family questions and his duty in life. The second motif regards Antonio’s family. He has many family members such
After a few days of grieving, Editha went to George’s mother’s house. During a tragic even in a love-war story, both sides of the family would come together and overcome the obstacle. However, in Editha when she went to George’s parent’s house the mother gave more guilt to Editha saying, “He told me he had asked you to come if he got killed. You did not expect that, I suppose, when you sent him” (1499). The mother continues to say, “When they give their men up to their country, they think they will come marching back, somehow, just as gay as they went...and they are so much the prouder of them” (1500). This comment is reffering to the typical type of love-war stories that have been written, undercutting the romantic plots.
In the novels, Bless Me, Ultima by Rudolfo Anaya and Their Eyes Were Watching God by Zora Neale Hurston, there are similar conflicts between the parental figure of a main character and the main character. Both conflicts in the novels stem from the parental figure not having control and authority over their family and forcing their beliefs onto those they are raising.
Antonio lives in a magical world that is full deaths and sadness in his life. His dreams represented his inner interpretations of those experiences. The story of the child in Bless Me, Ultima is much more than just an ordinary child living at the time in Santa Rosa. He sees parts of the future, but doesn’t want it to happen. This boy has a grown soul that lives in a child’s body.
How do we make the leap from child to adult? What obstacles must we overcome to finally reach the summit of all that we can be? Who can reform and influence our decisions, the very decisions that will shape who we become? In Bless Me Ultima by Rudolfo Anaya, Antonio Márez must progress towards his own moral independence and choose his destiny. Tony is forced to endure difficult experiences too early in life, causing a premature loss of innocence. He is overwhelmed with a multitude of spiritual questions. To find the answers he seeks, Antonio must undertake a metamorphosis.
First, and probably most important are the three sources of understanding for Antonio. First, there is Ultima, who serves as a neutral source of understanding and comforter for Antonio. The next source of understanding for Antonio is God. Antonio constantly struggles to understand good and evil through the eyes of the Catholic God. The final source of understanding for Antonio is the golden carp. The golden carp seems to be the alternative to believing in God throughout this novel. Antonio is constantly conflicted between God and the golden carp. When this conflict gets to be too much for Antonio, he goes to see Ultima. "I felt more attached to Ultima than to my own mother. Ultima told me the stories and legends of my ancestors. From her I learned the glory and the tragedy of the history of my people, and I came to understand how that history stirred in my blood" (128). This quote illustrates the point that Ultima serves as a crucial part of Antonio's learning and understanding experiences. Antonio feels closer to Ultima than to his own mother, so naturally she is going to have a key hand in influencing him. Just as she serves to mediate his conflicts between the golden carp and God, she mediates between his Luna and Márez blood.
... educated so he decided to bury himself into his studies and leave his family life as an afterthought. Rodríguezes parents were always supportive of him and his academic success but he did not embrace them as he should have. Next, Rodriguez rightly points out that at his graduation ceremonies throughout life his parents would attend and someone would always say that “your parents must be proud.” and those words always registered with him. Rodriguez’s influences were his teachers during his school years. Rodriguez wanted to obtain the same knowledge that his teachers possessed so he would be able to concentrate on the benefits his education could bring him. Later he realized that he alienated himself from his parents. Rodriguez indicates the time he was in the closet reading a book and his Mother finding him was something he looked back on as one of his regrets.
His mother, Maria, introduces him to Catholicism by sending him to catechism and church. Maria dreams that he will assume a role in her family and become a farmer and even a priest to lead her people. However, his father, Gabriel, expects him to become a vaquero and hopes this free spirited persona will travel with him to California. Ultima is Antonio’s most influential role model. She is a medicine woman who guides and teaches him tolerance and the importance of making his own decisions.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Throughout the duration of the story, Antonio is constantly being pulled in different directions by his parents. His mother desperately wants his to become a priest like the first Luna’s who came to the land were. If he cannot become a priest, then she wants him to be a farmer like the men in her family are. Antonio’s father wants him to be a man of llano, not tied to the land like a farmer, but free to roam upon it as he feels. Even since his birth, his...
It all began with a young hidalgo (a member of the minor nobility in Spain) falling in love with a beautiful but lowly girl, María. Some years ago, the young hidalgo fell in love with María. María had a casita--a little house--where the young hidalgo would visit and bring his friends. In almost every way, they shared a happy life together. Eventually, María bore him two or three children. Everything was well except that their marriage was not blessed by the church, as his parents knew nothing about the arrangement. When his parents found out about María, they would not allow him to marry her and would not accept her as his wife nor her children as their grandchildren. They went on and urged him to marry a more suitable lady to give them grandchildren; this "suitable lady" was also a member of the minor nobility in Spain, also very beautiful. At some point in time, he ga...
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
That feeling of leaving his parents in the Philippines to go with a stranger when he was 12 years old is truly unfortunate, but his mother was looking looking out with his best interests in mind. She just wanted her son to get a taste of the American dream, and have a better life in America rather than suffering with her in the Philippines. Vargas’s essay moves the reader emotionally as he explains when he was finally successful in getting the highest honor in journalism, but his grandmother was still worried about him getting deported. She wanted Vargas to stay under the radar, and find a way to obtain one more chance at his American dream of being
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
...es one forgot she existed.” The daughters she raises are “perfect… any man will be happy with them because they’ve been raised to suffer.” As for marriage, they must do as their family says, not out of love. This means they can’t pick anyone they want to marry, the family does. Most Latin American families want their lady to marry a wealthy man. They know that wealthy man is aggressive, so Angela or her sisters would be perfect since they are raised to deal with harsh situations. So when Angela Vicario is told by her parents that she must marry Bayardo San Román, a wealthy and somewhat mysterious stranger who knows from the instant he sees Angela, that she is the woman he must have. She has no choice but to consent, particularly since her family is of modest means.