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Symbolism and interpretation
The use of symbolism in the novel
Symbolism and interpretation
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“I could not tell him that I wanted the castle of the giants to be forever, that I wanted the goat path and the hill to be for always” (Anaya 143). Symbols of childhood are valuable because they lead to the continuation of a person into adulthood. As a child, one is innocent and oblivious to the wonders of the world around them, but they develop and learn as they age to maturity. Bless Me, Ultima is a novel centered around a young boy named Antonio, who grows and changes throughout the book, going from a boy to a man. Throughout the bildungsroman Bless Me, Ultima, Rudolfo Anaya uses the symbolism of the goat path – along with its cohesivity to childhood innocence – to portray that the transition to adulthood is an extensive journey gained …show more content…
through unforeseeable experiences. Throughout his novel, Anaya depicts the goat path as a comfort and constant in Antonio’s life when his brothers return from the war, stressing the innocence the brothers misplaced when they were away. For instance, Antonio had a dream where he saw his brothers at a brothel in his town. Antonio recalled that they “led me over the goat path, across the bridge, to the house of the sinful women” (Anaya 70). When Antonio left the goat path behind, it symbolized how he disregarded something innocent and guiltless. To continue, Antonio notices that his brothers had become adults when they returned, showing that traumatic experiences such as war can lead to the loss of childhood. In addition, Antonio’s father, Gabriel, reminds the brothers of when they had built their house together, and that Gabriel “‘would get off work on the highway in the afternoon, and far down the goat path’” he would “‘come and help’” (Anaya 184). The goat path represents the past, when Antonio and his brothers were young and possessed the purest form of innocence and childhood. Gabriel’s realization that the brothers had lost their determination to work hard contrasts to how the brothers had once acted in their childhood. This proves the impact the war made on the brothers’ conversion into adults. In the novel, the goat path is a symbol of Antonio’s childhood as he goes through schooling, which is an astronomical milestone in his life. On the morning of Antonio’s first day of school, he thinks about how he “awoke with a sick feeling in my stomach” as he finally concluded that he “would take the goat path and trek into town for years and years of schooling” (Anaya 51). The mention of leaving the goat path to journey into school for his first time represents forsaking a part of his childhood and braving a whole new experience. Furthermore, his involvement will set him up for years of success in school and beyond, transitioning him from childhood to adulthood through this milestone. Similarly, when Antonio completes his first year of school, he notices that “I climb the hill, I race over the goat path, and I am home!” (Anaya 77). This expression of cheerfulness when Antonio completes school reveals how he is overjoyed at his long-awaited homecoming. This happiness is connected to racing over the goat path to signify that the path is his key to finding his way back to his childhood and the home he grew up in. The goat path plays a role of safety and normality in his life as Antonio has recurring distressing experiences with the deaths of those he knows and loves.
In this case, Antonio witnesses the death of Narciso, the town drunk, and later tells his mother and Ultima, “’Beneath our juniper, on the goat path, he shot Narciso” (Anaya 172). This excerpt implies that when a disturbing experience such as death occurs on the goat path it has violated Antonio’s untouched innocence. Even under extreme duress, Antonio confesses that the path makes him feel safe, and Narciso’s death was an opposition to this mental security. This contributes to how his youth is slowly becoming out of his grasp and how he is being pressured into adulthood. Correspondingly, Antonio is in El Puerto when he encounteres Tenorio, his enemy, who had finally figured out how to kill Ultima. Antonio runs back to his home to save Ultima from certain death, yet he wonders, “Would I ever race like a kid again, a wild cabrito rattling the pebbles on the goat path; and would I ever wrestle the crazy Horse and wild Bones again?” (Anaya 257). Even as Antonio races to save a friend’s life, he dwells on his childhood, connecting it to the normality of memories spent with his friends and the goat path. Meanwhile, as Antonio witnesses numerous deaths – like the death of Ultima – he will continue to lose his innocence and youth
completely. In Bless Me, Ultima, Anaya’s symbolization of the goat path portrays that the transition from child to adult is rewarded through countless experiences. The brothers’ loss of innocence, the milestone of Antonio’s schooling, and the traumatic experience of death all contribute to the growth and development of Antonio. Given these points, one must learn to shed their childhood and endure the path to adulthood through a widespread journey filled with various involvements. Finally, when Antonio has forgone many different experiences at the end of the novel, he recalls, “In a week I would be returning to school, and as always I would be running up the goat path and crossing the bridge . . . I would have to build my own dream out of those things that were so much a part of my childhood” (Anaya 261).
In the book, Bless Me Ultima, by Rudolfo Anaya, Antonio Maréz has Ultima come into his life and shape who he grows to be. She watches over him and teaches him many things about life. In this story there are many literary elements and symbols, which help Antonio along the way.
...ce. In the very last dream, he witnesses three deaths that occur in front of him. This shows that he is losing his innocence because the people that die in the dream were not evil but good. This makes Antonio realize that the world is unfair and unjust. In his dream, “the Golden Carp appeared and Cico struck with his spear and the water ran blood red” (176). The Golden Carp dies which signify his loss of innocence, because only the innocent who have not sin can see the Golden Carp.
... overall plot. The repetition of three furthers the plot and helps give the reader more of a focus on the little details in Antonio's life. The specific examples of the repetition of threes in this paper were all crucial to Antonio. The three death's that he witnessed made him question everything that he had known, the three prophetic dreams he has foreshadows what is going to happen to him in the rest of the novel, and finally, the three sources of understand for Antonio play crucial parts throughout the novel, even when they are destroyed in the end of the novel. In the end, Antonio decides that there is no fate but what he makes of it, and he is okay with this. He has learned through Ultima, and all of the things that have happened in his life, that you have to have evil in order to have good.
Ultima’s owl was an imperative symbol in Antonio’s younger years, and its symbolism helped established a deeper understanding for the reader of the many positive themes that the author portrays through Ultima. “My heart was pounding and my lungs heart, but a calmness had come
Narciso- An honorable man who tries to protect Ultima from harm. Because of the loss of his young wife, Narciso begins to drink and is known as the town drunk. Through his garden, Narciso makes magic by growing beautiful flowers and plants. He is later killed by Tenorio in cold blood while trying to warn Ultima of harm and is buried as the town drunk instead of the hero that he is.
Rudolfo Anaya’s, Bless Me, Ultima and Guillermo del Toro’s, Pan’s Labyrinth are two coming-of-age stories. Both the novel and the movie are full of events that contribute to the disillusionment of the main character’s childhood idealism and the realization of the real world they live in. Both protagonists absorb themselves in a mythical world full of fantasy and each receives exposure to religious theology and trauma by the violence of men. Despite the fact that Antonio and Ofelia have different familial role models and travel along different paths, their childlike innocence, disillusionment, and initiation into adulthood comes about through similar themes: myth, religion, and violence. Bless Me, Ultima is about Antonio, the protagonist, who struggles with questions concerning religion and the local pagan myths.
Clive Barker, the author of The Thief of Always, writes a fantasy about Harvey(the main character) taken into into a place full of illusions. Soon he finds out that there was this horrible Hood that had taken his precious time and almost has eaten his soul. So, Harvey then tries to destroy this evil Hood who ends up to be the oh so perfect house. Hood is evil and different ways he is evil. There are many things that makes someone or something truly evil. Hood is ultimately evil. These are the things that make him who or what he is. Evil is significant to most stories because that is the major conflict. The antagonist, Hood, does a really good job of being the bad guy. Usually it’s a person who is has some kind of kindness inside,
When growing up, the ideals of parents or parental figures can often impact your life and put pressure on you throughout life. This idea was shown drastically throughout the book Bless Me, Ultima by Rudolfo Anaya. In this novel, a young boy named Antonio Marez resided in New Mexico where he lives with his siblings and parents, Maria and Gabriel. His life suddenly took a turn when a family friend, Ultima, comes to stay with him and his family. She greatly impacted him while he went through
Antonio Márez, the main character of Bless Me, Ultima by Rudolfo Anaya, begins the Departure element of Joseph Campbell’s Hero Cycle when he initiates his journey to adulthood. He questions whether he belongs to his mother’s family, the Lunas, who live as farmers, or his father’s family, the Márezes, who freely wander the land. His care for his family demonstrates his maturity at attempting to always do the best he can for everyone. Although his parents each want him to follow their families’ paths, they remain absent from Antonio’s true journey of understanding his own thoughts and beliefs, leaving him “frightened to be alone” (Anaya 7); the lack of parental support through his personal conflict leads him to have trouble knowing how to address
In a country like the United States of America, with a history of every individual having an equal opportunity to reach their dreams, it becomes harder and harder to grasp the reality that equal opportunity is diminishing as the years go on. The book Our Kids by Robert Putnam illustrates this reality and compares life during the 1950’s and today’s society and how it has gradually gotten to a point of inequality. In particular, he goes into two touching stories, one that shows the changes in the communities we live in and another that illustrates the change of family structure. In the end he shows how both stories contribute to the American dream slipping away from our hands.
The binary opposition of Antonio’s mother and father are one of the major central conflicts. Antonio resides between the Lunas and the Márez tradition, two families that see no common ground. His passage into maturity is one that forces him to decide between his mother and his father, the land and the sea. During one of Antonio’s dreams he sees his births. This birth shows him the Lunas and the Márez arguing over his future and the presents they bring represent that. The Lunas bring fruit from their farm, they expect Antonio to respect his mother’s side and honor the land and the heavens. The Márez expect him to become a cowboy, a profession represented by his father’s dream of moving to California (Novoa, 4).
Antonio is growing up and is looking for answers to many questions, but he doesn't know where or how to find them. Bless Me Ultima is a book by Rudolfo Anaya and is a coming of age story. Antonio experiences the death of Lupito, his first communion, and loses Narciso, which serve as rites of passage to adulthood, while Ultima guides him on his journey.
Poverty and homelessness are often, intertwined with the idea of gross mentality. illness and innate evil. In urban areas all across the United States, just like that of Seattle. in Sherman Alexie’s New Yorker piece, What You Pawn I Will Redeem, the downtrodden. are stereotyped as vicious addicts who would rob a child of its last penny if it meant a bottle of whiskey.
“Often fear of one evil leads us into a worse”(Despreaux). Nicolas Boileau-Despreaux is saying that fear consumes oneself and often times results in a worse fate. William Golding shares a similar viewpoint in his novel Lord of the Flies. A group of boys devastatingly land on a deserted island. Ralph and his friend Piggy form a group. Slowly, they become increasingly fearful. Then a boy named Jack rebels and forms his own tribe with a few boys such as Roger and Bill. Many things such as their environment, personalities and their own minds contribute to their change. Eventually, many of the boys revert to their inherently evil nature and become savage and only two boys remain civilized. The boys deal with many trials, including each other, and true colors show. In the end they are being rescued, but too much is lost. Their innocence is forever lost along with the lives Simon, a peaceful boy, and an intelligent boy, Piggy. Throughout the novel, Golding uses symbolism and characterization to show that savagery and evil are a direct effect of fear.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.