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Theory of ethnic identity
Theory of ethnic identity
Theory of ethnic identity
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Edwidge Danticat novel, The Farming of Bones, provides readers with an understanding of the relations of Haitians and Dominicans by chronicling the Haitians escape from the Dominican Republic following the parsley massacre and emphasizing the importance of remembering the past. Though it is a work of fiction, Danticat is able to present characters and plot points that illustrate the racial and ethnic relations between Haiti and The Dominican Republic that led to the spread of antihaitianismo. The main themes of the novel explores the impact of nationalism and the formation of ethnic/racial formation through the characters actions which allows the reader to understand the ethnic/racial tension occurring at the time on a much personal level, …show more content…
Under the Regime of Dominican dictator Rafael Leonidas, Dominican soldiers and civilians wielding machetes, bayonets and rifles massacred about 15,000 – 30,000 Haitians, using the pronunciation of “perejil” to identify who was Haitian (Ghosh, 2012). This act of genocide by Dominican dictator Rafael Leonidas “ordered the massacre as a way of ‘whitening’ his country, portraying it as a paternal act to save his people from Haiti” (Simões, 2011). The novel, The Farming of Bones, shows the terror and cruelty that was a result of this genocide; it can be seen in the beating and torturing of Haitians, including Amabelle after recognizing that they cannot pronounce “perejil”. Throughout the novel, the reader is given the opportunity to experience the mindset of the Haitians as they try to escape being killed over a simple pronunciation. The pronunciation of “perejil” illustrate how ethnic/ racial relations are socially constructed and do not have to be based on phenotypes of scientific fact and language can also be a marker for identifying race and …show more content…
There are smaller instance of racial/ethnic tension that happen globally, such as the many racial tension in American with various racial and ethnic groups. These racial/ethnic tension influence the formation of ethnic/racial identity, as discrimination and racism can lead to violent outcomes and affect the way people choose to use their race or ethnicity as an identifying marker. Nonetheless these small instances of racial/ethnic tension do have some similarities to the historical events in the novel. For instance, there are many places globally where there is a stigma against darker skin and that light skin is essentially superior. There are also cases, much like the pronunciation “perejil” in which individuals are classified into racial categories based on accents or pronunciation of certain words. In order to help combat against these tensions, there needs to be a restarting of global and political forces. The present system treats race as a scientifically proven separator of individual and instead should be seeing race for what it really is, a socially constructed
As far back as Rigoberta Manchu can remember, her life has been divided between the highlands of Guatemala and the low country plantations called the fincas. Routinely, Rigoberta and her family spent eight months working here under extremely poor conditions, for rich Guatemalans of Spanish descent. Starvation malnutrition and child death were common occurrence here; rape and murder were not unfamiliar too. Rigoberta and her family worked just as hard when they resided in their own village for a few months every year. However, when residing here, Rigoberta’s life was centered on the rituals and traditions of her community, many of which gave thanks to the natural world. When working in the fincas, she and her people struggled to survive, living at the mercy of wealthy landowners in an overcrowded, miserable environment. By the time Rigoberta was eight years old she was hard working and ...
Growing up poor in the Dominican Republic strongly influenced the choices Yunior makes later in his life. In “Aguantando” Yunior recalls about how poverty was a part of his life. Díaz writes, “We were poor. The only way we could have been poorer was to have lived in the campo or to have been Haitian immigrants…We didn’t eat rocks but we didn’t eat meat or beans either” (Díaz, 70). This depiction of Yunior’s early childhood sets the stage for what is to come. Yunior’s choices as an adolescent proves that he either chooses not to or cannot better his situation instead he turns to drugs and alcohol. Yunior’s decision to partake in drugs and alcohol shows that people in poverty have nothing to live for and just live for the next best thing.
Oftentimes, societal problems span across space and time. This is certainly evident in Julia Alvarez’s How the García Girls Lost Their Accents a novel in which women are treated peripherally in two starkly different societies. Contextually, both the Dominican Republic and the United States are very dissimilar countries in terms of culture, economic development, and governmental structure. These factors contribute to the manner in which each society treats women. The García girls’ movement between countries helps display these societal distinctions. Ultimately, women are marginalized in both Dominican and American societies. In the Dominican Republic, women are treated as inferior and have limited freedoms whereas in the United States, immigrant
Edwidge Danticat's novel, The Farming of Bones is an epic portrayal of the relationship between Haitians and Dominicans under the rule of Generalissimo Rafael Trujillo leading up to the Slaughter of 1937. The novel revolves around a few main concepts, these being birth, death, identity, and place and displacement. Each of the aspects is represented by an inanimate object. Water, dreams, twins, and masks make up these representations. Symbolism is consistent throughout the novel and gives the clearly stated and unsophisticated language a deeper more complex meaning. While on the surface the novel is an easy read, the symbolism which is prominent throughout the novel complicates the audience's interpretation. The reader is left to look beyond the language and uncover the underlying themes of the novel. Through symbolism Danticat is able to use inanimate objects to represent each of her character's more deeply rooted problems. In order to prove this theory true, I will thoroughly examine the aforementioned symbolic devices and provide a clear interpretation of their significance in the novel.
This metaphor reflects language barriers, and misunderstandings of cultural norms, religion and caste roles. Misunderstandings occurred on both Maya and Spanish issues. Both the Spanish and the inhabitants of the Yucatan struggled with their own perceptions and misunderstandings of the other. Colonization brought about multiple realities and distorted self images. These struggles are clearly shown in the sources Clendinnen uses, and the result of these misunderstandings was violence: Spaniard against Indian, Catholic against pagan, Catholic against conquistador, and Crown against settlers. The ambivalence of, and the resistance to, the Episcopal Inquisition and Spanish conquest can be associated to this mutual
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
During Gregory’s ethnographic research in the Dominican Republic, he encounters many individuals, some tourists, others expatriates, as well as citizens native to the island. One individual by the name of Minaya, discusses changes in the sugar cane industry. In 1988 he became a worker at a sugar mill that his uncle owned, but claimed that the industry became “Capitalized” (Gregory 2007: 15). He explains this capitalization as the industry being leased out to private corporations, which incurred poor working conditions and minimal wages upon the laborers. Minaya also expresses the fact he has no formal education, a big factor...
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
The ocean is what connects the people of the Caribbean to their African descendants in and out of time. Through the water they made it to their respective islands, and they, personally, crafted it to be temporal and made it a point of reference. The ocean is without time, and a speaker of many languages, with respect to Natasha Omise’eke Tinsley’s Black Atlantic, Queer Atlantic. The multilingualism of the ocean is reminiscent that there is no one Caribbean experience. The importance of it indicates that the Afro-Caribbean identity is most salient through spirituality. It should come to no surprise that Erzulie, a Haitian loa, is a significant part of the migration of bodies in Ana Maurine Lara’s Erzulie’s Skirt. Ana Maurine Lara’s depiction
Harriet Wilson’s Our Nig is a novel that presents the harshness of racial prejudice during the 19th century combined with the traumas of abandonment. The story of Frado, a once free-spirited mulatto girl abandoned by her white mother, unfolds as she develops into a woman. She is faced with all the abuse and torment that Mrs. Belmont, the antagonist, could subject her to. Still she survives to obtain her freedom. Through the events and the accounts of Frado’s life the reader is left with a painful reality of the lives of indentured servants.
The Dominican Republic was not a very good place to live in during the 1950s. Dictator Rafael Leonid, better known as Trujillo made an effort to associate the country with white Americans in 1939. This caused a generation of Dominicans to hate the nearby Haitians. He banned many traditional rituals and deplored the Haitian people by rewriting history with Haitians being the villains. Eventually, in 1959, Trujillo blamed Cuban dictator Fidel Castro for the Dominican discontent and was assassinated (Bailey). Julia Alvarez’s poem “Exile” is about a girl and her father’s departure from the Dominican Republic to New York, most likely as a reaction to the political uproar in their home country. In “Exile”, Alvarez uses a flashback, characterization, and symbolism to show the internal conflict of a young girl experiencing the American dream while losing her old behaviors.
Danticat's Krik? Krak!, are a collection of short stories about Haiti and Haitian-Americans before democracy and the horrible conditions that they lived in. Although it is a mistake to call the stories autobiographical, Krik? Krak! embodies some of Danticat's experiences as a child. While the collection of stories draw on the oral tradition in Haitian society, it is also part of the literature of diaspora, the great, involuntary migration of Africans from their homeland to other parts of the world; thus, the work speaks of loss and assimilation and resistance. The stories all seem to share similar themes, that one story could be in some way linked to the others. Each story had to deal with relationships, either with a person or a possession, and in these relationships something is either lost or regained. Another point that was shared throughout the short stories was the focus on the struggles of the women in Haiti. Lastly they all seem to weave together the overarching theme of memory. It's through memory and the retelling of old stories and legends that the Haitians in Danticat's tales achieve immortality, and extension to lives that were too often short and brutal.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
First, the cane field scenes are out of this world. The level of physical cruelty that Beli experienced was reminiscent of the horrible and deplorable treatment that slaves had endured during slavery in the Dominican Republic. Beli was beaten with an inch of her life, and eerily the same cruelty happen
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.