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Introduction of religion in feminism
History Of Anorexia
History Of Anorexia
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In addition, Boland has deliberately selected words to use throughout her poem to describe a war raging against the speaker's own body. In the first stanza of the poem, the speaker describes herself stating, "Flesh is heretic/ My body is a witch / I am burning it" (lns 1-3). By describing her body as a "witch" and as "heretic" she personifies her body with evil qualities. Not just evil, but dangerously against religious piety. She continues with the same image of burning in the fifth stanza as she continues to describe the tactics she's employed to destroy her body, "I vomited/ her hungers," (lns 13-14) "I renounced / milk and honey/ and the taste of lunch," (lns 10-12) she describes that "now the bitch is burning" (ln 15) and that "she has …show more content…
In the fourth stanza previously discussed, Boland describes that she “renounced/ milk and honey,” (lns 10-11) a clear biblical allusion. For the speaker of the poem, she deliberately gives up “milk and honey” as a way to punish herself. In the biblical sense, milk and honey represents all good things and a pure means of enjoyment. Therefore, the speaker is giving up all pure means of enjoyment, not only food, but truly everything that would make her enjoy herself. One can determine then that with these lines Boland attempts to indicate that religion is also culpable in punishing women. Meaning that, women have been feeling guilt for their very existence since the creation of man, according to the bible. By giving up these forms of enjoyment, the speaker hopes to have punished herself enough to be once again appealing to …show more content…
Although she does not focus in on her experience as an Irish woman, the poem clearly describes the experience of a woman struggling with body image insecurities. The poem itself is laced with allusions to religion, thus creating an image of religious self-hatred. The juxtaposition of insecurity with the fall shows that she views her inability to maintain the ideal body as a sin. Ultimately, Boland details an experience that many women endure, and an experience that is not often highlighted in literature. Indeed, by reading this poem one can gain insight into how some women experience life. As Vanbuskirk describes, “Boland connects the psychology of anorexia to religion by relating it to a story in the Bible that has been used both as the basis of Christian theology about sin and as a justification for patriarchy”
In Paradise Lost, Women’s inability to control themselves leads to disobedience and disaster follows. The disobedience of Eve is described using reference to the seven deadly sins.
The second stanza immediately shows symbolism starting with the first few words. Line 10 begins with, “Once the renegade flesh was gone.” The use of the phrase, “renegade flesh” within this poem symbolizes the person who was causing the hurting. Renegade involves synonyms such as: traitor, deserter, and rebel, thus contributing to the meaning behind the phrase. Then throughout the rest of the stanza, the woman resumes talking about her time slowly going by until she begins to completely give up on
Anorexia Nervosa has been a problematic disease many women suffer from. The article “The Slender Trap” was composed by Trina Rys who is a stay at home mother with a husband and one daughter. Rys writes the main reasons a woman may develop anorexia from. She states that the psychological pressures, expectations of friends and family and influences of the media all are factors when a woman is inflicted with the disease. I strongly agree with Rys persuading argument that anorexia could be caused by an unknown identity and the overall main focus of the ideal image of a woman. Although, I believe Rys requires a stronger argument on whether food restrictions executed by parents are a major step to developing the harmful illness. She seems to put emphasize on mainly women but does not shine any light on men.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
I believe this poem shows her love for God and her love for religion. In the first six lines I believe she gives God the credit for her leaving Africa and going to America. In the fifth line,
...eath" a song, a secular, correlates to her thoughts. Repetition is of course, used in the song with a trace of syncopation in the first line "oh Death, oh Death, where is thy string." The oral tradition is unmistakably. The chapter then concludes with the song--- a cathartic release.
She questions “why should I be my aunt / or me, or anyone?” (75-76), perhaps highlighting the notion that women were not as likely to be seen as an induvial at this time in history. Additionally, she questions, almost rhetorically so, if “those awful hanging breasts -- / held us all together / or made us all just one?” (81-83). This conveys the questions of what it means to be a woman: are we simply similar because of “awful hanging breasts” as the speaker of the poem questions, or are we held together by something else, and what is society’s perception on this? It is also interesting to note Bishop’s use of parenthesis around the line “I could read” (15). It may function as an aside for the reader to realize that the six year old girl can in fact read, but also might function as a wink to the misconstrued notion throughout history that women were less educated and didn’t
In the second stanza, Piercy describes the girl as healthy, intelligent, and strong (7-8). Yet these positive equalities alone, could not keep people from criticizing her, so the girl feels inferior. “She went to and fro apologizing,” which demonstrates her collapse of confidence with the people she is surrounded with, who kept putting her down (10). She gives in to the hurtful things people say about her: “Everyone [kept] seeing a fat nose on thick legs” (11). The girl thus lets people push her in the direction of society’s standard of beauty, instead of affirming her own unique beauty.
To cry, 'Hold, hold!' " line 41-57, Pg. 41. Here we see her summon evil spirits to thicken her blood and to turn her milk into bitter gall and then calls on them to prevent her from feeling remorse and to remove her feminity. This is very intriguing, and very interesting. We didn't even expect that an apparently strong, practical, and determined woman would act in such contradiction to her womanliness.
“Anorexia Nervosa, AN, the most visible eating disorder, is a serious psychiatric illness characterized by an inability to maintain a normal body weight or, in individuals still growing, failure to make expected increases in weight (and often height) and bone density.” (cite textbook) The behaviors and cognitions of individuals with AN adamantly defend low body weight.
Throughout the ages, the story of the original sin is used to explain the struggles of women and why they are inferior to man. Eve “took of [the forbidden tree’s] fruit and ate” (Genesis 3:6), and as punishment, God made it so “[her husband] shall rule over her” (3:16). As an important text during the lifetime of the characters who tell the collection of stories that compose the Canterbury Tales, most of the pilgrims were familiar with this scripture and believed that the Bible’s word was law. For that reason, the popular belief of the time was that women were inferior to their male counterparts. However, a couple of characters in the tales challenge this viewpoint and show that women were also capable of making their own choices. As the pilgrims struggle with the issue of where women belong, their view of Eve in the story of original sin is altered as well. From mild indifference to intimate involvement, each pilgrim has a different attachment to the story of the Eve, and their views on women in society are reflected in their connection to the story.
This scene clearly shows us that she wants to be evil, but also, that she isn’t fully there yet. However, it mainly proves to us that underneath her confidence and assurance is a person, craving to become cruel. Scared of what she is going to do, about the guilt she doesn’t want to feel and mostly, about not being able to deal with it. She asks the devil to not let “heaven peep through the blanket of the dark”. This indicates us that she knows ...
Much like "Lady Lilith," "Lilith" celebrates the pleasures of physicality. As an enchantress, she "draws men to watch the bright web she can weave," but she does not invite them to be mere voyeurs of her charms (line 7). Instead, she invites them to her and then ensnares them in her "web" of physical beauty, ultimately causing their death (line 8).
Anorexia represents one percent of most prevalent eating disorder diseases. The word anorexia itself means, “ lack of appetite”. Anorexia is an all-encompassing pursuit of thinness. The person effected by Anorexia has an absolute fear of becoming obese (Matthew 4).
Out of all mental illnesses found throughout the world, eating disorders have the highest mortality rate. Anorexia nervosa is one of the more common eating disorders found in society, along with bulimia nervosa. Despite having many definitions, anorexia nervosa is simply defined as the refusal to maintain a normal body weight (Michel, 2003). Anorexia nervosa is derived from two Latin words meaning “nervous inability to eat” (Frey, 2002). Although anorexics, those suffering from anorexia, have this “nervous inability to eat,” it does not mean that they do not have an appetite—anorexics literally starve themselves. They feel that they cannot trust or believe their perceptions of hunger and satiation (Abraham, 2008). Anorexics lose at least 15 percent of normal weight for height (Michel, 2003). This amount of weight loss is significant enough to cause malnutrition with impairment of normal bodily functions and rational thinking (Lucas, 2004). Anorexics have an unrealistic view of their bodies—they believe that they are overweight, even if the mirror and friends or family say otherwise. They often weigh themselves because they possess an irrational fear of gaining weight or becoming obese (Abraham, 2008). Many anorexics derive their own self-esteem and self-worth from body weight, size, and shape (“Body Image and Disordered Eating,” 2000). Obsession with becoming increasingly thinner and limiting food intake compromises the health of individuals suffering from anorexia. No matter the amount of weight they lose or how much their health is in jeopardy, anorexics will never be satisfied with their body and will continue to lose more weight.