Descriptive Annotated Bibliography: Artistic Period - Baroque 1. Baldinucci, F. (2014). The 'Standard'. Lives of the artists (Vol. 1). The adage of the adage. Cambridge University Press. Filippo Baldinucci's "Lives of the Artists" offers vital insights into the lives and works of Baroque artists. As a contemporary biographer and art historian, Baldinucci provides direct accounts of artists such as Caravaggio, Bernini, and Rembrandt, shedding light on their creative processes, influences, and contributions to the Baroque movement. By looking into the personal and professional lives of these artists, Baldinucci offers readers a deeper understanding of the cultural and artistic atmosphere of the Baroque period. 2. What is the difference between …show more content…
Wittkower seeks the major themes, styles, and artists of the era, from the theatricality of Bernini's sculptures to the illusionistic ceiling paintings of Tiepolo. Through detailed review and contextualization, Wittkower provides readers with a thorough comprehension of the cultural, political, and religious forces that shaped Baroque art in Italy. 5. What is the difference between a'smart' and a'smart'? Blunt, A. (1982) The 'Standard' of the 'Standard'. Art and Architecture in France, 1500-1700. Penguin Books. Anthony Blunt's authoritative study examines the development of art and architecture in France during the Baroque period. Blunt explores the sponsorship of French monarchs, such as Louis XIV, and its impact on the arts, including the construction of grand palaces like Versailles. Through insightful analysis of artworks by French Baroque masters like Poussin and Claude Lorrain, Blunt underlines the distinctive characteristics of French Baroque style and its contributions to European art. 6. What is the difference between a'smart' and a'smart'? Gombrich, E. H. (1995). The Species of the World. The Story of Art (16th ed.). Phaidon
The tendencies of Baroque translated differently in parts of Europe. In Italy, it reflected the return of intense piety through dense church ornamentations, complex architecture, and dynamic painting. Calabrese’s work exhibits the combined artistic stimuli of the 17th century and culminates in the acquired Caravagesque style that alters how paintings were composed from then on. Executed at the height of Calabrese’s most creative phase, St. John the Baptist Preaching is indicates the monumentality of change in urbanization as well as the return of Catholic permanence in the 1600’s. Aside from the Baroque power of the artwork, Calabrese’s St. John is a piece worth gravitating to and stands as reminder of the grandiose excesses of Baroque art.
Daum, Gary. "Chapter 12 The Baroque Era (1600-1750)." Georgetown Prep. 1994. Georgetown University. 12 July 2005 .
Hartt, Frederick, and David G. Wilkins. History of Italian Renaissance art. 6th ed. of the book. Upper Saddle River, N.J.: Prentice Hall, 2006.
The baroque has been called a theatrical style, one that deals in spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to1750. Classicism of the Renaissance has been replenished during the Baroque period. During the Baroque artistic period, the exploration of the fundamental components of human nature and the realm of senses and emotions were very crucial. The Baroque era was a very dynamic time that showed an abundance of radiance and color. Artists of this time were passionate and sensual. Their works were many times considered to have an overpowering emotional effect. The superficial form of light was fascinated during this period due to the thoughts of godlike sun or the truth of the Holy Spirit. The Baroque naturalism maintains the religious themes in content. The elements of perception in the Baroque art are how we perceived the natural human figures are in motion through space, time, and light. We present and analyze the extent of human actions and passions in all its degrees of lightness, darkness, and intensity. The scientific revolution also had a tremendous impact on art during this time. Scientists started to study the earth and it’s positioning in the universe. This was a time when the people started take more of an interest in astronomy and mathematical equations. During the time of the Catholic Reformation artists began to challenge all the rules that society has set for artistic design. Artist starting with Parmigianino, Tintoretto, and El Greco began to add a wide variety of colors into their paintings, challenging the way things have been done in the past. These artists also added abnormal figures or altered the proportions in paintings. This is displayed in Parmigianino’s painting, Madonna of the long neck. During this time the Catholic Church was in a transition period moving from their recent reputation and becoming a well-respected organization. During this reform, an autobiography written by Layola about Saint Teresa of Avila set a new tone for Catholics to follow. This influenced people to have a more spiritual outlook on life.
In this paper I'm focusing mainly on Renaissance art work, since that was the assignment, but I feel it's important to also mention the other important parts of the Renaissance, architecture, science, politics and religion.
There are two distinct eras in music that have impacted it immensely throughout time. They are known as the Baroque era and the Classical era. These eras have helped mold and elevate music, building creative pathways that still hold a strong effect in present day music. The differences in both the Baroque and Classical eras are quite immense but they both hold equal importance to the history of music and are high in their overall influential worth.
2) Bailey, Gauvin A. Between Renaissance and Baroque: Jesuit art in Rome 1565-1610. University of Toronto Press. 2003.
As the seventeenth century began the Catholic Church was having a hard time bringing back the people who were swept away by the protestant reformation. The conflict between the protestant had a big influence on art. (Baroque Art) The church decided to appeal to the human emotion and feeling. They did so by introducing a style called Baroque. Baroque was first developed in Rome and it was dedicated to furthering the aims of Counter Reformation. Baroque was first used in Italy than later spread to the north. In this paper I will argue that the Italian Baroque pieces were more detailed and captured the personality of the figure, in contrast and comparison to Northern Baroque pieces that aimed to produce a sense of excitement and to move viewers in an emotional sense leaving them in awe. I will prove this by talking about the different artwork and pieces of Italian Baroque art versus Northern Baroque Art.
The Italian Renaissance and the Baroque era are two major periods in art history, some of the types of art in those periods were painting, sculpting, and architecture. During these periods, many artist gained enormous fame from creating wonderful pieces of work that represented their beliefs and artistic thinking. This essay will analyze and evaluate two pieces from those major art periods. Rembrandt 's painting The Anatomy Lesson of Dr. Nicolaes Tulp and the sculpture David, by Michelangelo. These two masterpieces shed light of their significance in art history. David represents the Italian Renaissance for it being a strong symbol of the new republic, The Anatomy Lesson of Dr. Nicolaes Tulp depicts the focus on human progression.
Artists in the Renaissance aided the continuation of Renaissance ideals. Renaissance art, including paintings, sculptures, and architecture,...
Baroque art can be described as a “distinctive new style” in which artists embraced “dynamism, theatricality, and elaborate ornamentation, all used to spectacular effect, often on a grandiose scale”. Baroque art encompasses a vast range of art from the dramatic and theatrical Italian pieces, as the quote suggests, to the more simple and every-day life but still fabulous Dutch pieces. Baroque art can hardly be contained in one description because it describes so many types of art, in great part due to the religious, socio-economic, and political scenes of the time. Religiously, the Catholic Church was responding to the Reformation by creating dramatic pieces to invoke piety and devotion. Politically, monarchies and rulers were using commissioned art to emphasize their authority and their given right to rule. Socio-economically, the middle class was rising and therefore wanting to buy and commission pieces of art to boost their reputation and validate their status in the social scene. These three changes were extremely significant but can by no means generalize the entire historical context of Baroque art. Instead, they stand as specific examples of important reasons for the range and breadth of Baroque art.
Since the first prehistoric cave painting, and perhaps much before that, the human race has always used art as a form of expression. With the passing of each historical period came new technologies and techniques and were all influenced by the unique style, characteristics, and social conditions of those periods. Even though, each period discovered new forms and unique styles of art most historical periods were influenced by an earlier period of history. In this essay, I will explore the relationship, style, and influences of the Renaissance and Baroque periods and will also compare and contrast a work of art from both periods to further explain the relationship between the two eras.
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.
Introduction: The Baroque era was the building stone for the neo-classical and the rococo period. That made it to a developing style after reformations occurred and views changed. The Baroque style, which was an emphasized movement and always part of a renaissance, developed during the 16th century in Rome, Italy, and travelled later to France. Nevertheless, the Italian Baroque and the French Baroque are not comparable.