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Introduction:
The Baroque era was the building stone for the neo-classical and the rococo period. That made it to a developing style after reformations occurred and views changed. The Baroque style, which was an emphasized movement and always part of a renaissance, developed during the 16th century in Rome, Italy, and travelled later to France. Nevertheless, the Italian Baroque and the French Baroque are not comparable.
Baroque is nowadays mainly famous for the French baroque era and due to Louis XIVs palace in Versailles. During the 1700s, rulers were anxious to show off with their power and wealth, which was fully accomplished by the time Versailles was finished.
Baroque art, music and architecture became bizarre, dramatic and more extravagant than ever before. Artists started following a more non-realistic way of drawing and led the “viewer” into an imaginary world, especially due to their usage of intensive contrasts. The „Baroque art period“ was a very important time in the history of art. It was the time after the High Renaissance.
The Baroque era was the result of the dramatic changes in the High Renaissance and of a counter-reformation from the protestant movement. After the Baroque style, a new style developed during the 18th century in Spain called Rococo, which is a humorous alteration of Rocaille, or Late Baroque. Especially leaders such as Louis XV, which was Louis XIVs son, represent the Rococo style through their monumental buildings, such as the Catherine Palace in Tsarskoye Selo, and its furniture. Furniture and architecture became more beautiful and better designed than in the Baroque period.
Unlike Baroque, which was more of a “bad taste” and bizarre, Rococo was also unnatural but developed, especia...
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...zine, 1920
The Universe History of Art and Architecture Baroque and Rococo, Erich Hubala
http://fog.ccsf.cc.ca.us/~jcarpent/baroque_art_and_rococo_art_outline.htm
Anatomy Lesson of Dr. Tulp”(1632), Rembrandt Harmensz van Rijn (1606-1669)
The Night Watch”(1642), Rembrandt Harmensz van Rijn (1606-1669)
A History of Western Society, 8th Edition, McKay, Hill, Buckler
Versailles A Biography of a Palace, Tony Spawforth, Pg: 3
Baroque Baroque The culture of excess, Stephen Calloway,
http://acnet.pratt.edu
http://baroquelife.org/baroque-fashion/baroque-fashion.php?link=9
http://www.archivesnationales.culture.gouv.fr/chan/chan/image/illustra/salonvale.jpg
Rococo The Continuing Curve, 1730-2008, Coffin, Davidson, Lupton, Pg:
Baroque Baroque The culture of excess, Stephen Calloway, Chapter. 1
Anna Wintour, Vogue Editor, Movie: The September Issue, 2007
During the period of Renaissance, human’s thought and intelligence has reached its highest and its effect on the architectural form, it became clear and its engagement of rational aspect on the building. Mainly geometrical forms are the characteristics which can be identified. Not so long after Renaissance period of Baroque architecture was introduced, rather than logic and reasoning they wanted to capture the emotional atmosphere by using the architectural elements such as light, height, crafted art, costly materials and so on as being mentioned by(Scotti 2007, 5-10).
During the late sixteenth century a new style of art, known as Mannerist, emerged through out Italy as a result of the Protestant Reformation. Mannerist distorted art was justified because it served mid way between the ideal, natural, symmetrical and the real, artificial, and unbalanced. The religious and political upheaval lead to the distinct Mannerist style know for being stylish, cultured, and elegant. Mannerist art is thought provoking, asking the viewer to ponder and respond to the spatial challenges and meaning found in the painting, sculpture, and architectural work. Mannerist painting and sculpture are characterized by complicated compositions, distorted figure styles, and complex allegorical interpretations. Meanwhile Mannerist architecture often employs classical elements in a new and unusual way that defies traditional formulas.
This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly not be fitted into such a strait-jacket." This helps to define the Baroque much more generally as a gradual change which can much easily be noticed from the present than the past.
Baroque has been called a theatrical style, one that deals with spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the Baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to 1750.
...quality of the architecture in these countries is best seen in the work of Neumann and Johann Bernhard Fischer von Erlach. From Europe the baroque spread across the Atlantic Ocean to the New World. Gradually the massive forms of the baroque yielded to the lighter, more graceful outlines of the rococo.
The Baroque era was a beginning of a new style and a change in music. The name of this era was given in between the Renaissance and the Classical period. This era is dated around 1600-1750 and was a new representation of different shape and varieties in music. It pre dates the Classical era but helped towards its evolution. The music in the early Baroque era originates from the late-Renaissance usage of mannerisms. Composers would frequently use expressive gestures.
The baroque and renaissance periods are two different periods. The renaissance period rolled into the baroque era. There were changes made over the years from the baroque to the renaissance period. Differences in style accumulated along with views of art and music.
...ic landscapes. The baroque marked the time in which painters considered using subjects other than scenes from the Bible and from classical traditions. The baroque period also was the period in which artists painted portraits, and everyday life scenes. Baroque artist broke away from trying to make the calm balance known to the renaissance artists. Artists from the baroque era were interested in no longer tried in the extreme. They wanted to paint subjects possessing strong emotions; they wanted to capture those emotions and feelings in their work. Instead of just extremes of feeling sometimes, these strong emotions were personal. More often artists tried to portray intense religious emotions. Baroque art attempted to explain how and why their subjects fit as strongly as they did by representing their emotional states as vividly and analytically as possible.
Northern and Italian Baroque art were unique in their own ways but were also similar as well. While Northern Baroque Art aimed for excitement and move viewers in an emotional sense, Italian Baroque art was more detailed and captured the personality of the figure. The arts compared to one another by the use of self-portraits and the famous feature of light and dark as well. Art back in the 17th and 18th century was the center of everything and much more important back then compared to how it is now.
The Italian Renaissance and the Baroque era are two major periods in art history, some of the types of art in those periods were painting, sculpting, and architecture. During these periods, many artist gained enormous fame from creating wonderful pieces of work that represented their beliefs and artistic thinking. This essay will analyze and evaluate two pieces from those major art periods. Rembrandt 's painting The Anatomy Lesson of Dr. Nicolaes Tulp and the sculpture David, by Michelangelo. These two masterpieces shed light of their significance in art history. David represents the Italian Renaissance for it being a strong symbol of the new republic, The Anatomy Lesson of Dr. Nicolaes Tulp depicts the focus on human progression.
Baroque art can be described as a “distinctive new style” in which artists embraced “dynamism, theatricality, and elaborate ornamentation, all used to spectacular effect, often on a grandiose scale”. Baroque art encompasses a vast range of art from the dramatic and theatrical Italian pieces, as the quote suggests, to the more simple and every-day life but still fabulous Dutch pieces. Baroque art can hardly be contained in one description because it describes so many types of art, in great part due to the religious, socio-economic, and political scenes of the time. Religiously, the Catholic Church was responding to the Reformation by creating dramatic pieces to invoke piety and devotion. Politically, monarchies and rulers were using commissioned art to emphasize their authority and their given right to rule. Socio-economically, the middle class was rising and therefore wanting to buy and commission pieces of art to boost their reputation and validate their status in the social scene. These three changes were extremely significant but can by no means generalize the entire historical context of Baroque art. Instead, they stand as specific examples of important reasons for the range and breadth of Baroque art.
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...
From the "rustic hut" to Doric to Corinthian the art of the ancients was seen as a perfect blend of "order, symmetry, and simplicity of style."[1 ] This is what the artists and architects of France, England, and Italy sought to integrate into their art. One of the earliest causes for the rise of Neoclassicism is the reaction by many Enlightenment thinkers to Rococo and Baroque art. The Baroque was too busy and ornamental for many people and ... ... middle of paper ... ...
The earlier period between the two, the Baroque era, took place roughly during the seventeenth century and lasted into the early eighteenth century. Characteristically, the Baroque period with respect to its style is widely known for its typical shape being more complex than compared to earlier times. A Baroque era building may have a shape that more so represents an oval or an ellipse, compared to the square, circle, or cross depicted in the Renaissance era, for example. (Visual-Arts-Cork.com, 2014) It is also known for being built more on a grandiose and dramatic appearance. Another characteristic that is known about the Baroque era buildings is that the planners of that era tended to build entire cities to fit a sort of preset arrangement around its most magnificent or important buildings and structures. The builders and architects would have the tendency to place grand parks and gardens around important city focal points. It really was a modern day equivalent of city or town planning. (Visual-Arts-Cork.com, 2014)
The Baroque era was the age of magic. Flat surfaces became three-dimensional and paint on plaster became alive. It was the age of masterful illusion. Nothing exhibits this mastery better than Baroque ceiling paintings.