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Edina Pepic
Com Research 2600
9/30/2015
Arab Feminist Media Studies
I chose to critique a very controversial representation and portrayal that is very present around the world today, which is Islam and the picture society has on Arab Muslim women today. The article was written by Salan Al- Mahadin and is called “Arab Feminist Media Studies.” I thought this would be an education piece not only for me to read, but also to write about because the author presents many valid points regarding the media stereotype for Arab women and these are present day issues. The article is trying to explain to its readers how “Arab women” are stereotyped through the media to be one of two things covered wearing a burqa having only their face, hands, and feet shown, or wearing skimpy clothing, dancing, and being very sexual. Salan Al- Mahadin is trying to build gender awareness to its reads by explaining how impractical stereotypes can be.
Salan
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The author explains how interesting it is to see the media go from two extreme stereotypes regarding the matter, and how the success of the soap operas proposes two questions.
“1. Why is the audience more than willing to accept open displays of physical intimacy between unmarried couples on the screen and representations of semi-clad women on Arab satellite channels? Have these representations become normal? 2. What points can be taken from the psychoanalytic theory to help explain Arab women’s positive response to these soap operas.”
Salan Al- Mahadin questions whether it is because they fantasize about a life they cannot live and explains that a major problem facing feminist media research today is that in the Arab world there is none if any psychoanalytic theory in Media
Professor Leila Ahmed, active Islamic feminist, in her article “Reinventing the veil” published in the Financial Times assumes that there is a connection between “advancement” and veiling, which means that unveiled women are advanced and vice versa. In addition, she supports that it led to increasing rate of violence. She questions why women wear veil, that is considered as “symbol of patriarchy and women’s oppression”. However, research changed her position towards wearing veil. Firstly, she states that wearing veil was essential for women, because it could be beneficial and influence to how people treat women, in terms of job, marriage and free movement in public. Secondly, her assumption was explained while interviewing women, who stated
Fatemeh Fakhraie’s essay “Scarfing it Down,” explains how Muslim women suffer because of what they wear. Fakhraie blogs about Muslim women in her website she explains; “Seeing ourselves portrayed in the media in ways that are one-dimensional and misleading." Several people judge Muslim's by their appearance because they assume they're a bad person. The author of this essay wants the reader to know that Muslim women wearing a hijab are not a threat to the world.
The article “My Body Is My Own Business” by Naheed Mustafa is about an Islamic women’s principle that putting on her usual headscarf, or Hijab, actually empowers her as a female, contrary to the popular principle that the hijab represents male oppressiveness. She ex...
For some women wearing a veil is not something that is forced on them but rather a choice of their own. Martha Nussbaum and Maysan Haydar are both authors that try to explain their reasoning that veiling isn't an oppressive tool used against women. Martha Nussbaum's article “Veiled Threats”, is a political and philosophical take on why banning the burqa is a violation of human rights. On the other hand Maysan Haydar’s article “Don’t Judge a Muslim Girl by Her Covering”, is a more humorous and personal take on why veiling shouldn't be as judged or stereotyped. Though Nussbaum and Haydar have equal goals this essay is being used to understand the main argument, claims and whether or not each article has any weaknesses.
Furthermore, Haydar expresses that she has been able to embrace the modesty in veiling and that it allows her to be seen as a whole person. She addresses the fact that “many Americans see veiling as an oppressive tool forced on Muslim women by the men in our culture” (414). Yet, Haydar informs the readers that veiling isn’t specific to the Islam culture and is also a choice for many women. She even points out that many other religions promote and advocate for modesty in
She makes the case that Western feminists have radically misinterpreted the veil. For many Muslim women, the veil acts as a divide between the public and private. The veil may actually liberate women from “the intrusive, commodifying, basely sexualizing Western gaze”. The veil frees women from the oppressive hyper-sexualization of found in Western culture. Reducing the veil to a symbol of oppression disregards the possibility of female agency outside a Western feminist paradigm. The veil has the potential to liberate women in the public space. Projecting our Western notions of sexuality and gender roles denies the possibility of different forms of sexual
12 Nov. 2013. Tucker, Judith E., and Georgetown University. Arab Women: Old Boundaries, New Frontiers. Bloomington: Indiana University Press, 1993. eBook Academic Collection (EBSCOhost).
Lila Abu-Lughod’s article titled, “Do Muslim Women Really Need Saving?” takes a closer look at the problematic ethnocentric approach many have when trying to gain an understanding of another culture that may be foreign to that individual. In this analytical paper, Lughod looks at women in Islam, specifically the treatment of women and how it might be utilized as a justification for invading into a country and liberating its people. The country Lughod refers to in her article is Afghanistan, and Lughod points out the misunderstanding from the people to the Bush administration like First Lady Laura Bush who believed that intervention was necessary to free women from the captivity of their own homes. It is important to consider the role that different lenses play into all of this, especially when one’s lenses are being shaped by the media. Depictions of covered women secluded from society leave a permanent image in the minds of many, who would then later support the idea of liberation. This paper will discuss that the practice of using propaganda when referring to the lifestyle in the Middle East is not exclusive to the U.S; rather it has been utilized throughout history. Additionally, we will take a closer look on the importance of symbols, such as veils in this case; help to further emphasize the cause to liberate. Finally, we will analyze Lughod’s plea towards cultural relativism and away from liberal imperialism.
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the Middle Eastern men to view women as their properties, servants, or even as slaves. Ultimately, there are three main reasons why Middle Eastern men engage in the act of oppressing their women.
Hijab N. Womanpower: The Arab Debate on Women at Work. Cambridge [Cambridgeshire]: Cambridge University Press; 1988.
Deeb, Mary-Jane. Freedom House. Women’s Rights in the Middle East and North Africa-Oman, 2010. http://www.freedomhouse.org/template.cfm?page=179 (accessed August 14, 2010)
The woman is in a hijab, a very traditional Muslim headwear. The ideas in the pull down google search bar are very traditional ideas as well; sexist ideas about a woman’s place in society. However, the use of these traditional elements to portray a message of female equality, and the use of a Google Search is very cutting edge. This allows for that sharp contrast of whether traditional or modern is better, and the blending of the two creates a more integrated feeling; that one can have traditional and
Ibnouf, Fatma Osman. “Women And The Arab Spring.” Women & Environments International Magazine 92/93(2013): 18-21. MasterFILE Elite.Web.31 Mar. 2014.
As an Arab American, a Muslim and a woman writer, Mohja Kahf challenges the stereotypes and misrepresentation of Arab and Muslim women. Her style is always marked by humor, sarcasm, anger and confrontation. “The Marvelous Women,” “The Woman Dear to Herself,” “Hijab Scene #7” and “Hijab Scene #5” are examples of Kahf’s anger of stereotypes about Muslim women and her attempts to fight in order to eradicate them, in addition to her encouragement to women who help her and fight for their rights.