Anna Ivanova's Influence On Ballet

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In discussing the ballet unit, I first remembered that Empress Anna Ivanova made a huge development in the woman’s role during the development and growth of ballet. After her uncle, Peter the Great passed away, she was then voted to rule by the Senate which in return thought they could manipulate her. Luckily though, they could not do such. She created he 1st ballet school in Russia named the Imperial Ballet School. Although Empress Anna Ivanova created the school, it was first led by Jean Babtiste Lande. The “ Cult of the Ballerina” included ballets beginning to have lead roles dominated by women vs. men. Also people swarmed to the ballet to see the women dancing on pointe and “floating” above the ground. Lastly, men declined in power, fame …show more content…

She transformed the face of ballet as she revamped the costume. Marie Salle took away the pannier - she also took away the bodice. A corset and a dress that resembled a toga is all she wore when she danced. The Romantic ballet of the nineteenth century could never have developed as it did without these transformation. The Romantic Era of ballet is commonly verbalized to have been lead in by the well known ballerina, Marie Taglioni. Marie was considered the typical Romantic ballerina. Marie danced the denomination role, floating about the stage in a costume consisting of a full skirt composed of tulle and a white bodice. Over time, ballerinas began to want to give the impression of floating without the use of special effects. The result would include dancing en pointe. It started as a brief elevation to the tips of the toes and then gradually increased the amount of time they were on point. Marie Taglioni was at the head of the development of pointe work. The skirts compressed into what is known as the classical tutu.These skirts allowed the audience to see the advances in technique and the new tricks ballerinas were …show more content…

When her uncle, Peter the Great died, she was then voted to rule by the Senate that in return thought they would manipulate her. Fortunately though,they could not do as such. She created the 1st ballet school named the Imperial Ballet School. Though Empress Anna Ivanova created the school, it had been initially led by Jean Babtiste Lande. The “Cult of the Ballerina” enclosed ballets began to have lead roles dominated by ladies. Individuals swarmed to the ballet to see the women on pointe - “floating” on top. Lastly, men declined in power, fame and respect. Ballet continued to develop and evolve over the remaining years of the eighteenth century. In 1734 Marie Salle took her place as the initial creator of ballet. She remodeled the face of ballet as she revamped the costume. Marie Salle took away the pannier - additionally took away the top. A corset and a dress that resembled a toga is all she wore as she danced. The Romantic ballet of the nineteenth century may never have developed if not for these transformations. The Romantic Era of ballet is usually expressed being lead in by a female dancer, Marie Taglioni. Marie was thought of the everyday Romantic dancer. Marie danced the denomination role, floating regarding the stage in a very costume consisting of a skirt and a white top. Over time,

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