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Pop art andy warhol essay
Andy warhols influence on american society
Andy Warhol and his artistic influence
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I selected Andy Warhol because I have long admired his crazy, quirky, unconventional style of producing works of art from normal, everyday subjects ranging from inanimate, normally unnoticed objects to pop culture celebrity icons. I first heard of him in 1986 when his show Andy Warhol's Fifteen Minutes aired on MTV. The show featured Andy interviewing what he thought was the next up-and-coming musical sensations about to get their "fifteen minutes of fame."
Two years later on a poster in the mall at a Spencer's store I saw Warhol's famous Campbell's Soup Can work of art. At first glance I thought the poster was ridiculous because it featured such a simplistic, moronic image. Then, my artistic eye and appreciation for the eccentric took over, and I was immediately drawn into this cool and crazy phenomenon that Andy Warhol called art. I bought the poster and hung it in my bedroom. None of my friends had ever heard of Warhol and did not understand why I would display a 24 x 30 inch Campbell's soup can on my wall amongst the likes of Iron Maiden and Heather Locklear. I didn't either, but I knew I liked it.
Since then I have collected many different Warhol works, from posters and refrigerator magnets to t-shirts, books, and stamps. To me, his work immortalizes all of the pop culture icons they depict. His use of repetition and same image, ( I am real confused by same image wording) different color technique makes for a timeless retro futuristic feel that I look for not only in art works but also in my own home/furniture designs.
Warhol was one of the top graphic designers and highest paid in the 1950's for his work. He worked for most of the top fashion magazines and was recognized as having an artsy style that s...
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... around 10 or 15 people for suggestions. Finally, one lady friend asked the right question, `Well, what do you love most?' He replied, `That's how I started painting money'" ("Andy Warhol Quotes").
My motivation is not derived from pains because I admittedly had a fairly normal childhood and was not abandoned, molested, beaten, or left for dead by my mother or father. They did instill in me, however, that things do not come easy and one must work hard to achieve what one wants out of life. I truly believe that only then can one appreciate a new Jaguar X-type or 50 inch plasma television. I'm sure my blue collar upbringing will play a useful part in my humbling after I direct my first motion picture blockbuster or finally submit some of my creative works from metal, digital photography, or any number of inventions that I have come up with throughout the years.
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Claes Oldenburg was born in 1929 in Stockholm, Sweden. His father was a Swedish Consul General, and because of his job they moved to Chicago in 1936 where he became an American citizen. When he graduated Yale University in New Heaven, he took up the job as working as a reporter in 1946. Later on in 1952 Oldenburg attended Chicago Art Institute. While he was there he published some drawings in magazines and started to paint pictures. He was inspired by Abstract Expressionism. Then in 1956 he moved to New York and met Jim dine, two years later he met Alan Kaprow and a couple other artists. All of them were interested in art and pushed the question “What is art?” They started to stage “happenings”. That was the start of the Pop Art Movement. Pop Art is the products of mass media. From 1958 -59 he arranged and designed his first sculpture. After that he started to replicate food, like hamburgers, ice-cream and cakes. Oldenburg’s first exhibit was in 1958. There was a selection of his drawings that were included in a group show at the Red Grooms’ City Gallery. A year later, Oldenburg had his first one-man show. He had sculptures at the Judson Gallery. Then in 1962 he had his art work in the “News Realist” which helped define the Pop Art Movement. He also had other exhibitions in 1964, a one man show at the Sidney Janis Gallery and also in 1968 at the Museum of Modern Art. In the mid-1960s he also began making creation for huge monuments.
Known for being the father of Pop Art, and a giant in pop culture, Warhol dominated the art scene from the late fifties up until his untimely death in 1987. However Warhol’s influence spread further then the art world, he also was a major player in the LGBT, avant-garde and experimental cinema movements. Born in 1928 in Pittsburgh, Pennsylvania to Slovakian immigrant parents, Warhol came from humble beginnings. Becoming widely known for debuting the concept of ‘pop art’ in 1962. Warhol’s reach grew further when he started experimenting with film, becoming a major player in the LGBT, avant-garde and experimental cinema movements. Warhol’s artist studio, known famously as ‘The Factory’ became a hub for experimentation, and a go-to point for celebrities, musicians and trans folk. During this time, Warhol came out as an openly gay man, challenging the status quo of the day, a time when being homosexual was illegal. While also producing highly experiential films such as ‘Blow Job’ (1964) and ‘Sleep’ (1964) which were highly political and provocative, at the time. As art critic Dave Hickey asserts, “Art has political consequences, which is to say, it reorganized society and creates constituencies of people around it” (Hickey, 2007), Andy Warhol’s art and lived experience created a political constituency which can be best recognised in the function of the “Silver Factory” on
Seeing the art in person truly made me see the beauty and captivity a painting can hold. Each gallery was filled with different American works. My favorite kind of paintings are the ones I can look at and immediately write a story in my head about what is happening, even if it not what the artist intended. As I was going through the galleries one painting in particular stuck in my mind. I was fortunate enough to experience a special exhibition called, “Audubon to Warhol.” It was composed of different works acquired from private and public collections. I was lured to the emotions that was captured by the main figure in one of the works. I was drawn not only to the beauty of the painting, but the story it shared. The painting I chose was Peeling Onions, by Lilly Martin Spencer.
Andy Warhol and Frida Kahlo had an immense amount of impact on the world of art. Warhol has always explored the rooted connection between celebrity culture and artistic expression, which left him with a lasting legacy that has marked him for one of the most famous artists to have existed. The population was fascinated by Warhol’s ability to blur the lines between fine art and innovative design, providing him a large following and work that will be remembered for decades. Kahlo too is a name that is not likely to be forgotten. Her work is recognizable on a global level and her works are loved by many people. The deep admiration her followers have given her, and the amount of modern artists that she has influenced, creates an immortalization
Jackson Pollock was an American abstract artist born in Cody, Wyoming in 1912. He was the youngest of his five brothers. Even though he was born on a farm, he never milked a cow and he was terrified of horses because he grew up in California. He dropped out of high school at the age of seventeen and proceeded to move to New York City with his older brother, Charles, and studied with Thomas Hart Benton at the Art Students League. Thomas Benton was already a great artist at the time in which Pollock studied with him. Benton acted like the father figure in Pollock’s life to replace the original that wasn’t there. Benton was known for his large murals that appear on ceilings or walls. “Jack was a rebellious sort at all times,” recalls his classmate and friend, artist Harold Lehman. He grew his hair long and helped pen a manifesto denouncing athletics, even though “he had a muscular build and the school wanted to put him on the football team,” says former teacher Doug Lemon. Pollock always was upset with himself in his studies because he had troubles drawing things like they were supposed to look. From 1938 to 1942, Jackson joined a Mexican workshop of people with a painter named David Siqueiros. This workshop painted the murals for the WPA Federal Art Projects. This new group of people started experimenting with new types of paint and new ways of applying it to large canvas. People say that this time period was when Jackson was stimulated with ideas from looking at the Mexican or WPA murals. Looking at paintings from Picasso and the surrealists also inspired Jackson at this time. The type of paint they used was mixing oil colors with paint used for painting cars. Jackson noticed that the shapes and colors they created were just as beautiful as anything else was. Jackson realized that you didn’t have to be able to draw perfect to make beautiful paintings. Jackson started developing a whole new way of painting that he had never tried before and his paintings were starting to look totally different from before.
Roy Lichtenstein was born in New York City on October 27th, 1923. He described his childhood as quiet and uneventful. His father was a realtor; his mother was a housewife. Art was not taught at the school Roy attended, but when he turned fourteen he began taking Saturday morning classes at the Parson’ School of Design. After he graduated from high school in 1940 he attended the School of Fine Art at Ohio State University. He was drafted however in 1943 in the middle of his education at Ohio State. While he was in the military he served in Great Britain and Europe. When he returned to the U.S. in 1946, he completed his studies for his Bachelor of Fine Arts Degree at Ohio State University in 1949. After he got his degree he immediately began teaching at Ohio State and kept teaching there until 1951. He then taught at New York State University College, Oswego from 1957 until 1961 when he transferred and began teaching at Douglas College of Rutgers University, New Brunswick, NJ he stopped teaching there in 1963. Later that year Roy moved to New York where he was commissioned by the architect Philip Johnson to produce large format painting for the New York State Pavilion at the World’s Fair in New York. This year he also had his first one-man exhibition in Europe at the Galerie Ileana Sonnabend, Paris. He was given his first American retrospective exhibition at the Museum of Modern Art in Cleveland in 1963 also. Other exhibitions where Roy was represented in ...
Leonardo da Vinci and Andy Warhol are legendary in the art world and their masterpieces are one of a kind however when comparing the two the renaissance master Leonardo da Vinci is vastly superior when mastering an art collection.
For example, one of his paintings is imitating currency and is labeled “Museum Currency” and is referencing the “Land O’ Lakes” Label with the Native American woman kneeling on the ground. Instead of the brands label, it says “Land O’ Fakes” as the label with the woman holding a mask of a face off to the side, and her face appears to be a Native American skeleton face. There is much more detail to that painting as well and really makes you think about the subject matter and the point he is trying to get across. I love how I look at an art piece of his and think I know what it is about right away, but then the longer you look at it the more hidden messages and clues you
The Pop Art movement, centralised in the United States during the 1950s-60s, was a stage in the post modernism era in which the line between low art and high art was blurred and art was more accessible to the general public (Gambino, 2011). Andy Warhol was an iconic artist during the pop art movement alongside artists like Rauschenberg and Lichtenstein. “Campbell’s Soup Cans” (1962) and “Marilyn Diptych” (1962) depict icons from two different contexts and illustrate the theme of over consumption in post war United States. This essay argues that Warhol’s art documented the age in which he lived in. Specifically, these two works creates parallel between the commoditisation of a product and a person. The pop art movement is reflective of the societal
For instance, I fell in love with his work named Dandelion Line because it is amazing how the dandelions got in a line. When even though individuals say that Dandelions are weeds, I really do like how this piece turned out. I got inspired to recreate that piece. Also, Goldsworthy worked in farm labor and I know how hard it was to work in farm labor. Farm labor not an easy job because it is hot, dirty, and tiring. The fact that Andy got inspired by another artist is just very interesting. All of his works are really nice because even though the piece breaks down he never quits and keeps working at it and gets it to its desired
Campbell's Soup Cans work suggests a mechanical uniformity that is repeated in the thousands of homes that have a similar object, a banal and common representation of the spirit of our time. Warhol continued to express his ideas about consumerism and kept using repetition in his work. He created several works that involved the same theme of Campbell’s Soup Cans throughout the years.
Blurring the edge between art and kitsch, pop artist Andy Warhol introduces consumer culture and celebrity cult into museums with his signature characteristics of imitation, repetition, and contrasting colors (Lazzari and Schlesier 2015, 117). His bold representations of flawed mechanic reproduction and obvious lack of abstraction challenge the definition of art and evoke great debate on the value of his artworks. This essay will examine the significance of repetition produced by silk screen printing in creating instant recognition and meaninglessness that generate valuable cultural records and social commemoration of the modern society. Three of Warhol’s most iconic artworks, Campbell’s Soup Cans, Marilyn Monroe, and Jackie will be discussed
Colour- The intensity of the artwork is near the center of the face, and near the bottom of the face, there are more blacks and darker tones to show the shadows. Andy Warhol has used a variety of different colours and tones, for example, he has used yellows, pinks, blues, reds, blacks and greens to show the trends of the 60’s. Space-
theartstroy.org. 2013. The web. 22 November 2013. Warhol, Andy.