Andrew Bovell’s Things I know to be true, directed by Geordie Brookman and Scott Graham, is a penetrating and beautifully crafted production performed by the State Theatre Company. Depicting the dysfunctional lives of a contemporary Australian family, the play explores the fine line between idealistic expectations and reality. Nils Frahn’s incorporated composition in the production is subtle but enthralling in successfully engaging the audience’s attention throughout the seasons.
Set in the suburb of Hallet Cove, Things I know to be true spans a period of four seasons, comprising of each character’s monologues that depicts their confused mind and memories. Through the wonderfully synchronized movements and music, Rosie’s (Tilda Cobham - Hervey)
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Bob’s (Paul Blackwell) idealistic view of a perfect family shatters as all the children challenge his expectations he had for them. “And that they’d get married to good people. And have kids. Like us”, Fran (Eugenia Fragos) and Bob expected Mark to settle down with his girlfriend but the truth of his transition from a man to a woman was something they both struggled to accept. “I thought they’d be like us, better than us, better versions of us, better educated” Ben breaking the law affronted the family’s morals and decency, consequently Bob struggles to feel empathy towards him. Ailsa Paterson‘s wonderfully designed costumes were successful in reflecting the character’s …show more content…
The monologue of the characters helps the audience to identify their personalities, some appear to be strident while some are dulcet. These characters come alive because of the wonderful performances delivered by the actors. Eugenia Fragos portrays Fran’s character effectively, establishing the notion of power as the audience evidently explores her interactions with her family high authoritative and controlling. Eugenia is successfully able to portray complex role, combining strength with aching vulnerability and helplessness. Nathan O’Keefe’s (Ben) booming voice overpowers his delivery, although the interpretation of the character’s turmoil is vividly reflected through effective use of expressions. Georgie Adamson (Pip) might have fewer scenes but manages to create maximum impact during her strong conflicts with Fran. Adamson portrays a complex role of a woman balancing work and family life but with the ability to act both strong and vulnerable, she smoothly flows through her scenes with brilliant dialogue delivery and facial expressions. Audiences have a connection
To an extent, the characters in the play represent aspects of the Australian identity and experience. However, Rayson's vivid grasp of speech patterns to evoke character, and her ability to manipulate the audience with humour and pathos move the text beyond mere polemic and stereotype. In an almost Brechtian way, she positions us to analyse as we are entertained and moved.
Francie’s father, Johnny Nolan, is a loving man who always supports and entertains his only daughter. However, Johnny Nolan is a useless dreamer, he continuously tells tall tales about a better life, but instead of turning his dreams into reality, he resorts to drinking to escape his stress. Although Francie hates her father’s constant drinking, his loving charm wins her heart over. Francie enjoys listening to Johnny’s exciting rambling late at night after a hard day’s work. Many nights he confides in Francie and makes promises he cannot keep such as, “I’m going to take you on a trip just you and me. We will go down south where the cotton blossoms grow" (24). Although Francie knows that Johnny will not be able to keep these promises, she admires her father for trying to bring happiness into her life. In Francie’s mind Johnny is the only family member that truly understands her as a person. Johnny knows Francie has the determination and the intelligence to make something of herself in life. Because of his great faith in Francie, he allows Francie to attend an elementary ...
Throughout the play Bennett reviles Doris’ character by showing her affection to the past, she talks to old photographs of her dead husband, Wilfred, and talks aloud to him. This indicates Doris’ apparent loneliness and how she feels “left behind” by the rest of her generation. When talking about the people she new in the past like Wilfred, she takes on there voice, this shows how she...
This is the concept of collective responsibility. Priestley says, 'things could really improve if only people were to become more socially responsible for the welfare of others'. We have to confront our mistakes and learn from them. The play starts off with the Birling family celebrating their daughter's engagement to Gerald Croft. The family included Mr Birling, Mrs Birling, Eric Birling, Sheila Birling and Gerald Croft.
Clothing that is worn by the actors during the play can be a reflection of the characters personalities. Nick, Lucy, Lewis and Julie all seem to be in normal clothing, reflecting the fact they are relatively normal, and don’t show signs of extreme ‘Madness.’ Ruth wears simple, old, and neat clothes that reflect her OCD, and the colours and patterns that Roy wears reflect his crazy and upbeat personality. Meanwhile, Henry wears business-like outfits that you would expect to see a lawyer wear. This helps to inf...
Josie feels as if her traditions will only give her more problems. “She wants to know why other Italian girls have Italian boyfriends and I don’t. If I want to go out with Australians, she objects. ‘What do they know about culture?’ she asks. ‘Do they understand the way we live?’”Nonna wants Josie to marry an Italian man in the future, but she herself had an affair with an Australian when she was young. She decides to hide the guilt and take the frustrations out on Christina and Josie by saying that “a daughter’s behaviour always reflects on how a good mother is.”. Josie’s relationship with Jacob lets her understand how relaxed the Australian culture is. Josie doesn’t want Jacob to meet her parents as she knows that they won’t accept him as he lives “without religion and culture.”, but it has let Josie understand that Australia is a multicultural country and that living there with another background does not make you
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
John Karkauer novel, Into the Wild tells a true life story about a young man
Walter is confronted by the event of having another child when his wife, Ruth, shares the information about what has happened and what her plans are to resolve and continue the scenario. Walter brings to topic of his importance to the scenario, and decides to break away from the event and think of his answer towards his wife’s information and response. He later is shown the understanding of his wife by the reaction of his mother, who questions his standing on how his father would have reacted. This brings Walter to think of why he should change and not walk out on times of importance. Walter discovers that his turmoil of drinking and appearance on the topic could lose the life of his newly developing child.
Bennett states in his introduction that "forms....dictate themselves" and that material demands to be "written in a particular way and no other". Each of the characters, according to the author has a "single point of view" and none is "telling the whole story". He says that his characters are "artless" and "don't quite know what they are saying". It is true that this is so. We, the listeners, can make conjectures about all of them. Graham's ambiguous sexuality, Susan's alcoholism and Muriel's perverted husband are not revealed directly through any statements made to us. They are hinted at by what is left unsaid or by what is obliquely inferred. In a very real sense, though, this is true to life and Bennett cleverly constructs each monologue to be as realistic as possible. In speaking to an inanimate object - the camera - each character is, so to speak, alone. The audience is not "there", as far as the speaker is concerned. Better still, the camera is like a hidden priest in a confessional. Each person is able to speak quite frankly to the anonymous listener. If we make judgements we have no means of interaction. This is not a two - way process of confidential gossip, for none of the characters expect a reply. Bennett lets his characters reveal themselves openly and we are left to form our own opinions of them. He calls the style "austere" and so it is, for there is no authorial decoration of expression. What each character actually says is all we are given to work on and we must sift the inner meanings for ourselves.
The film chronicles the histories of three fathers, and manages to relates and link their events and situations. First is Mitchell Stephens and his relationship with his drug-addict daughter. Second is Sam, and the secret affair he is having with his young daughter Nicole. He is somewhat of a narcissistic character because of his preoccupation with himself and pleasing himself, and his lack of empathy throughout the film for the others in the town. Third is Billy, who loves his two children so much that he follows behind the school bus every day waving at them. Billy is also having an affair with a married woman who owns the town’s only motel. On the exterior the town is an average place with good people just living their lives. But, beneath all the small town simplicity is a web of lies and secrets, some which must be dealt with in the face of this tragedy.
That Place of Knowledge is a book, that takes you to the magnificent period of ancient Greece, where learning, knowledge, philosophy, discoveries were at their apex. To your surprise, this other fiction book has been written by an autistic person, Philip Alan Shalka, whose quest for learning takes him to the Ancient Greek world. Here, Philip discovers the realistic approach towards life, in-depth knowledge, self-realization and how to achieve happiness for the fulfillment of one’s life. That Place of Knowledge is a story of an autistic boy, Philip; who never allows his disability to hinder his curiosity for learning. His service dog, Sabre, is his best companion.
...rity, and the ending of his story he has sealed with pain and hardships of life. From losing his parents and sister, his best friend, being treated cold hearted by the love of his life Pip still manages to make it out in an okay way with the little hope with Estella and his close one's child who looks just like him in a scary way. It is not the best ending but it could've been worst for the young man. Pip's idea of life is truly suffering from the worst and getting only a little bit of resemblance from it.
Technology is changing how we think and act at younger ages. The term “technology” doesn’t only mean manufacturing processes and equipment necessary for production, it also defines a social space and could be a social problem which makes a real impact on social reality. Different types of social software affect a variety of aspects and have both positive and negative impacts. It's important to be aware of how a digitally-driven life is changing our education, sense of self, relationships, social interaction, consumerism, and ways of doing business around the world.
The three Smales children, Victor, Royce and Gina, had not experienced, and therefore had not expected to live a life of luxury amongst people of their “own” kind. This innocence contributes greatly to the rate and comfort in which they adjust to living in July’s village. Bam and Maureen may not have felt prejudice towards the black race, but were certainly prejudice about the lifestyle in which they must now live, a lifestyle completely stripped of any and all luxuries they once enjoyed. All of the family members, facing a new way of life, adjust to their situation in radically different ways. Each one drifts in their own direction in search of comfort and acceptance throughout their experiences living amongst July’s people.