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Analysis of Trajan's Column
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The city of Rome delivers rich culture, influential architecture, and beautiful scenery that collectively demonstrate a course of great history and a prominent civilization. There are various structures from Imperial Rome that are highly recognized and mentioned within artistic research. Some examples include the Pantheon, Basilica Ulpia, Flavian Amphitheater, Arch of Titus, and Column of Trajan. Also referred to as Trajan’s Column, the iconic sculpture retains a prestigious appearance as it’s shown with characteristics of empowering height and intricate detail (Fig. 1). When analyzing such a remarkable piece of artwork one should consider the different elements that pertain to the subject matter and historical context. With that in mind, this paper presents the argument that the column is not only a portrayal of the Dacian Wars but also a funerary monument, paradigm of military inspiration, and tribute to Trajan’s reign.
Before addressing the column’s physical attributes it’s important to discuss the significance of the closely related landmarks that surround it. According to author Marilyn Stokstad, “The last and largest Imperial Forum was built by Trajan about 110-113 CE and finished under Hadrian about 117 CE on a large piece of property next to the earlier forums of Augustus and Julius Caesar” (Stokstad 191). At the north end of the courtyard was a closed off section from a building referred to as the Basilica Ulpia (Fig. 2). It was created in c. 112 CE and named after the family which Trajan had been a part of. The basilica was a long, spacious structure measured 385 feet long (without the apes included) and 182 feet wide that was mainly used for government related purposes (Stokstad 192). There were also two libraries behi...
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...ortant such as the development of the economy. In addition to the respect given to Trajan there was a level of respect that was owed to the Roman government and its own members of society as well. With these standards employed, it ensured that the people of Rome would realize that they were representing the city in which they lived.
In conclusion, there are various opinions as to what the column was built for and how it was supposed to engage its viewers. Many say it was simply constructed as architecture while others say it was utilized as propaganda. Either way there was a reason for its creation, physical design, and designated location. As mentioned in the beginning and argued throughout this piece, Trajan’s Column is not only a portrayal of the Dacian Wars but also a funerary monument, paradigm of military inspiration, and tribute to Trajan’s reign.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
Roman portraiture is more realistic than previous idealistic Hellanistic styles. They better depict each subject’s individuality to a degree never seen before. The purpose of Roman portraiture is to address the audience and convey specific messages to them.
Why was Trajan considered to be one of the five good emperors of the Roman Empire? Trajan was a visionary leader as well as an ethical leader. First I will tell you how Trajans actions during the Dacian Wars proved that he was an inspirational leader for his soldiers. Next I will tell you how Trajan, by the domestic policies he instituted as the Roman Emperor, proved to be an ethical leader. Last I will tell you about the personal relevance this has to me. More specifically I will tell you about my actions as a leader when I moved to Holloman Air Force Base. Now that I gave you an overview of what I want to talk about let’s get to my first main point.
The Column of Antoninus Pius was a Roman triumphal column dedicated to honor the Roman emperor Antoninus Pius and his wife Faustina the Elder by his successors, co-emperors Marcus Aurelius and Lucius Verus, in 161 A.D. The column alone was 14.75 meters high and 1.90 meters in diameter, which was composed, of red granite, with no reliefs on the column like other triumphal columns such as those of Trajan and Marcus Aurelius. The column itself has been lost to history, however the base expresses iconography that art historians are still studying and interpreting today. The main components of the base of the column contain two funerary decursio sides, and the depiction of the apotheosis of Antoninus Pius and Faustina the Elder, the decursio and apotheosis depict two separate but equally important styles and motifs.
Pantheon and Hagia Sophia Pantheon and Hagia Sophia are two extremely outstanding architectural pieces of their times. They have been built according to the traditions of those particular times. The materials used to built these buildings and the purpose for which they were used are all very important aspects and have been briefly covered in this report. Pantheon The statesman Agrippa built pantheon in 27 B.C. Then it was completely rebuilt by the emperor Hadrian. The Pantheon is remarkable for its size, its construction, and its design. The dome was the largest built until modern times. The present structure was probably originally built as a temple for all the pagan gods. We do hear of it as being a law-court and a reception area for Emperor Hadrian meeting his quests too. Some say that the rotunda of the building was once a Roman bath. Due to all this mystery, the Pantheon is often referred to as the Sphinx of Rome. The visitor will probably not appreciate the construction as much as the Flavian amphitheatre, but it is still a great masterpiece of engineering and well worth a visit. Most Roman and Greek temples at the time of the Pantheon's construction were large, colonnaded, rectangular enclosures with sanctuaries situated in their centers. The Pantheon was different. It consisted of a large circular drum topped with a hemispherical dome. It is a masterpiece of both engineering and art a lasting memory of Ancient Rome’s might. Roman architecture is architecture of wall and enclosed tactile space. Individual column with entablature is no longer the basic architectural unity. Spatially, it shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetrati...
Trajan was the second of the five good emperors. He was considered Optimus Princeps or “best emperor” because he not only renewed the Titus-Nerva oath of protecting senators’ lives, he also respected the people. For instance, Pliny stated that “Trajan behaved as one of us, just like a private citizen” and so he gained the respect of the roman people. Furthermore, he gained even greater respect from the people as he allowed for freedom of speech. Not only did Trajan have a great relationship with the Roman Senate and people, he also benefited the Empire tremendously. He was able to extend the Roman Empire into Dacia, Arabia, and Parthia and his wars with the Parthian Empire allowed him to take over the areas of Armenia and Mesopotamia. Moreover, Trajan’s campaigns resulted in the largest Roman Empire that the world would see. Trajan also made possible the building of the Alcantara Bridge, making travel easier in the Roman province of Spain. Nerva, Trajan’s predecessor, was unable to benefit the Roman Empire in a great fashion, and so he is considered only a...
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
The shape, design, and mystery architect emphasizes the inspiring power it creates when one walks into the pantheon. No one knows who built the pantheon, however, there is a clear association with Hadrian who "stands in relation to it as Justinian to the Hagia Sophia or Louis XIV to Versailles" (Macdonald, 2002, pg. 12). Hadrian was born in 76 A.D in Spain , part of roman empire, to a royal family. He worked in the military government and became emperor after the emperor Trajan died in 117 A.D (Macdonald, 2002, pg. 12). Hadrian was well-rounded, intelligent, kind, deceiving, and was knowledgeable in architecture, art, and poetry (Macdonald, 2002, pg. 12). Before the pantheon was built, there was a temple built by Marcus Vipsanius Agrippa, during the emperor Augustus's reign (Joost-Gaugier, 1998, pg. 22). Although, the sanctuary was burnt, Hadrian commissioned the pantheon and kept the same inscription above the columns with Agrippa's name. Keeping Agrippa's name was intentional and Hadrian liked to exclude his name on structures built during his time (Macdonald, 2002, pg. 13). This illustrates Hadrian's meticulous personality which was different from other emperors who liked to have their names inscribed on every
...o understanding and appreciating Greek art is significant, but as seen through the writings of Gazda, Marvin and Ellen, the practice of appreciating Greek sculpture as presented by the conservative historians is of detriment to the writings and perceptions of historians, as well as the general education of the public. Unfortunately, due to the popularity of the abovementioned historians during their times of writings, methodology including Kopienkritik has remained a valued and prevalent approach to judging and analysing of both Greek and Roman sculpture, despite increased criticism. All of these factors serve to undermine the validity of the construct, and show that while the construct may have suited and served the purposes of those who created it, it does nothing to legitimately further proper and rational history of Greek and more specifically, Roman sculpture.
...ctives and elevations of the fountain recall the cityscapes seen on the walls of the cubiculum and other paintings having something to do with scenae frons architecture (11). The exhedrae, which usually adjoined open palestria or peristyles, offer a good comparison with their semicircular arcades forming annular volumes. These spaces communicate with the outer area but still have their own sense of place and charm. They also have a particular public character more appropriate to looking at the Piazza, than say, the semicircular arcades of the markets of Trajan behind one exhedra of his forum (12). While an engaging space in its own right, the Piazza d'Italia fountain operates only partially within the realm of ancient Greco-Roman architecture (Moore's Ph.D dissertation at Princeton was on water in architecture, so he had ample material to draw from. Kiem pp. 196-198).
...perity to Rome. Romans appreciated his way of maintaining laws and keeping the government organized and efficient.
During Trajan’s rule, the Roman Empire reached its peak of power; territories were largely expanded, vast building programs were put into place, and social welfare among the roman people were a top priority. The era was known as the height of Roman Prosperity. The Trajan complex was created by Apollodorus Damascus, the most famous architect of that era whom Trajan trusted for his projects, and who oversaw its construction in entirety. Trajan was much beloved by the citizens of Rome who often called him the Optimus Princeps or “the best first citizen” representing his popularity among the empire for his accomplishments and general fairness among his citizens. The Forum of Trajan depicts Trajan as a strong and ideal leader in the city of Rome and within the Roman because it was a gift to the city and citizens and as well as its ornate architecture, symbols of his military
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.