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Rise and fall of the tang, and song dynasties essay
Rise and fall of the tang, and song dynasties essay
Rise and fall of the tang, and song dynasties essay
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Du Fu was a classic Tang Dynasty poet who was given the nickname, the “Sage of Poetry” for his extensive knowledge of the art of poetry. Li Bo was another famous Tang Dynasty poet who was given the nickname of “Poet Immortal,” because many people thought that his poetry was from heaven. Although Kevin Marsh sees "Du Fu as one of the greatest and most influential poets of that time" in his journal "Du Fu,” Li Bo was a more influential poet to the Tang Dynasty's culture because of his writing style, rebellion, and uniqueness.
Although Du Fu’s writing style was the more common style, Li Bo took normal old poetic forms to new heights. Du Fu grew up with very strict Confucian education, and it becomes apparent in his writing forms and his morals. This education formed him to be a gentleman of high integrity and
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greatly impacted both of these poets lives. Du Fu had a minor post in the government at the time, and had a wife and kids. This rebellion however, tore his life apart in many ways. He was apart from his wife and children for a year while he was held captive by the rebels. Even when he was reunited with his family, they lived as poor refugees in Sichuan, which is a providence in west central China. Many of his poems are openly critical of the An Lushan rebellion and the wasteful luxury of the emperor’s court. Li Bo swiftly became one of the emperor’s favorite poets. According to legend, the emperor let him perform in front of him while drunk, and did not make him kneel before him while he was in his presence. Li Bo had only worked for the government for almost two years before he was exiled for making false and damaging statements about someone. He joined the An Lushan rebellion, and was a key part in attempting to keep it alive. This rebellion played a very key role in the cultural traditions of the Tang Dynasty, and Li Bo was a key person involved. When the rebellion failed, however, he was exiled
Currently in the United States, many of us are afraid of the future. There have been many recent events that have stirred up fear in this country, especially tensions regarding human rights. In Carolyn Forché’s “The Colonel,” the speaker tells us her story of when she had to deal with the mistreatment of others. The speaker is telling us her story of meeting the colonel to show us the horrible things that have happened in the fight for justice and to encourage us to speak up. She tells us this story because she does not want others to end up the way that the ears did. The speaker wants us to stay strong and fight for justice when we begin to live in a state of constant fear.
Australian poets Bruce Dawe and Gwen Harwood explore ideas and emotions in their poems through vivid and aural poetic techniques, the poets also use symbolism to allow the readers to relate to the text. In Dawes “Homecoming”, the poet explores the ideas in the text using language techniques such as irony, paradox and visual imagery to construct his attitude towards war and the effect. While in Gwen Harwood’s, “The violets”, she uses prevailing imagery and mood to emphasize fertility and growth. Contrastingly, In Bruce daws, “Life cycle”, the poet uses the idea of sport to symbolise and represent religion with the use of clichés and juxtaposition to convey his ideas of religion, myths and Christianity in the language use, similarly Harwood poem
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
Li-Young Lee’s poem, A Story, explores a complex relationship between a father and his five year old son. Although the poem’s purpose is to elaborate on the complexity of the relationship and the father’s fear of disappointing his son, the main conflict that the father is faced with is not uncommon among parents. Lee is able to successfully portray the father’s paranoia and son’s innocence through the use of alternating point of view, stanza structure, and Biblical symbolism.
In the world of teenagers everything seems to come and pass by so quickly. For instance the beginning of senior year. In Spite of being happy and excited were also generally nervous and anxious to see what our future holds. As senior year comes to an end, It then becomes as temporary as the summer sun but also the boundary of our life before we enter adulthood. Even then our future is still undefined.
In his poem, “Notes from the City of the Sun”, Bei Dao utilizes obscure imagery consistent with the Misty Poets and veiled political references to illustrate the struggles in Chinese society during the Cultural Revolution. The poem is sectioned into fourteen short stanzas containing imagery that are symbolic of the cultural hegemony in China under the rule of Mao Zedong. Bei Dao, born Zhao Zhen-kai, is an anti-revolutionary poet and one of the founders of a group known as the Misty Poets. The Misty Poets wrote poems that protested the Cultural Revolution led by Mao Zedong. Therefore, a lot of Bei Dao’s poems speak out against the Cultural Revolution and the restrictions that it placed on any form of art. Bei Dao’s poetry is categorized as “misty” because of the ambiguity in its references to Mao Zedong and the Cultural Revolution. An obscure imagery that occurs twice in “Notes” is the sun imagery. Another imagery that depicts the injustice of the Cultural Revolution is the description of freedom as scraps of paper. In the poem, Bei Dao also equates faith to sheep falling into a ditch; this is a depiction blind faith during the Cultural Revolution. The purpose of this essay is to analyze how Bei Dao’s use of the Misty Poet’s ambiguous imagery and implicit political context in the poem “Notes from the City of the Sun” to illustrate the cultural hegemony in China under Mao.
Qian begins the account of Li Si by describing his rise from the minor position of clerk to his eventual high rank. Qian makes note of the strengths that Li displays to put himself in such a position. Qian even quotes Li as saying that a man's status "simply depends on where one locates oneself." (Qian 25) Li Si's initial step up in society took place on his interest in others' welfare as opposed to his own. This is a virtue which Confucius summed up by saying, "he who acts out of self interest arouses much resentment." (Confucius 16) When serving under the King of Qin, Li Si looked to the betterment of China as a whole. He saw that a unified China would be a stronger China and therefore chose to support the King of Qin, who he felt had "one opportunity in 10,000 generations." (Qian 26) Through his support of who he thought was the best man to lead China, Li portrayed another Confucian virtue; "'What should I do to win the hearts of the people?
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
and is able to excel by becoming one of the most prominent students in poetry of his
..., Li Bai was able to exert great influence over people in his own time. Indeed, he still continues to influence people even today.
Traditional Chinese art is deeply rooted in its philosophy, encompassing Daoist, Buddhist and Confucian schools of thought. The goal of many traditional Chinese landscape artists, as described by Professor To Cho Yee of Michigan-Ann Arbor, is to “reveal the highest harmony between man and nature” through a balance of likeness and unlikeness (Ho). This metaphysical philosophy borrowed art as a vehicle to search for the truth or the “dao”, which is the path to enlightenment. As early as the 5th century, scholar artists such as Su Shi (1037-1101) of the Song dynasty realized that to create likeness, one must understand the object beyond its superficial state and instead capture the spirit of nature; only then can a point of harmony with nature
Bohdidharma who traveled throughout China. He is also known as Da Mo in China, or Daruma
Du Fu, a poet of the Tang dynasty also known as Tu Fu. Du Fu is consider to be one of the greatest Chinese poets in Chinese history as “readers of many different periods and types have considered Du Fu to be the greatest poet of the Chinese tradition” (Owen 413). His work is very diverse and “marked by stylistic variations” (Watson 30). Annotations of Du Fu’s poem helps reader understand who Du Fu is, in which most of his poems are autobiographical. Most of Du Fu works traditionally been “read in the context of the stages of his life” (Owen 413). His most remarkable works comes much later in life after he failed the imperial examination for the civil servant and started his exploration of the world. After Du Fu ambitions failed for a government
He also wrote poems about Li Bai. Du Fu requested the government for an official position and was selected registrar in the crown prince’s palace. The rebellion, which lasted for almost eight years, ruthlessly interrupted the Chinese society. In these years, Du Fu led a wandering life, creating poetry of the events he witnessed and tolerated starvation, political turbulence, and personal disaster. Though he finally took up the post of administrator, Du Fu is thought to have begun trouble by being overly meticulous and was reduced.