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Shakespeare analysis and criticism
Shakespeare analysis and criticism
Deception in Shakespeare
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Rohan Arora Gialdini English 9H December 2 2014 Of Lies and Laughter American High School Performing Art’s production of “The Liar”, directed by Troy River, is a pleasure to watch. Adapted by David Ives, the play was originally written by Pierre Corneille in the seventeenth century. Written in verse, “The Liar” is the epitome of humor and clarity, invoking laughter with every act. The story is centered around Dorante (Tim Horvath), a wealthy gentleman who arrives in Paris in 1643 and hires a servant named Clinton (Brandon Campos). Soon after, he begins to spin tales of daring military feats meant to impress the ladies, particularly Clarice (Corrine Tu) and her friend Lurece (Jasmine Meyer). When his father, Geroente (Trevor Broberg) seemingly …show more content…
For example, in Act 1 Scene 2, Clarice is accused by her fiancé Alcippe (Arthur Ramirez) of spending the night with another lover. When she denies, Alcippe tests her by asking her to repeat the term, “pomegranate”, and then questions how she can say the term without turning “into a curd of quivering pasty shame”. Corrine Tu does a masterful job of acting profoundly confused at Alcippe’s accusations and bizarre request. She is able to convincingly express confusion and then anger throughout the scene. Arthur Ramirez, on the other hand, expertly plays the role of an enraged lover, speaking with vexation and a touch of sadness. His anger at Clarice uttering “pomegranate”, as well as Clarice’s own perplexed expressions, causes laughter to break out from the audience. In addition, in Act 1 Scene 6, Dorante and Clinton meet with Clarice at midnight. As Dorante tries to impress Clarice with his romantic rhymes, Clinton attempts to complete them, enraging Dorante. Brandon Campos beautifully plays his part, interrupting Tim Horvath and the correct moment and having the perfect expressions that show that he hopes to complete each phrase correctly. Tim Horvath does a great job looking utterly annoyed with Brandon . Their chemistry and timing is perfect in the scene, and their seamless delivery is much appreciated by the audience. By playing the parts perfectly with natural ease, the actors and
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
In The Liars ' Club, Mary Karr recounts her dysfunctional childhood and the various struggles she and her family endured. Although both of Mary’s parents were suffered from severe alcoholism, Mary’s mother was also incredibly abusive as a result of mental illness. Growing up, Mary frequently witnessed violent episodes, fits and delusions that eventually landed her mother in a mental institution. Inevitably intensified by the alcoholism, her parents fought all the time, resulting in physical violence and constant threats of divorce. In just a few of her mother’s episodes, she tried to drive their car off of a bridge, starts fires and almost stabs her children with
As an audience member of playwright Edmond Rostand’s renowned production of Cyrano de Bergerac, one comes to adore the heroic, witty, affectionate, poetic, and honorable French soldier, Cyrano; however his unique qualities are overshadowed, literally, by his rather gargantuan nose. It is through discussions and insults concerning this physical attribute that the audience discovers he is in fact in love with the woman he has held close to his heart for many friendly years, his cousin Roxane. Completely unbeknownst to Roxane, Cyrano’s love and admiration for her is not simply on a relative scale as she perceives it to be, but rather the much more drastic level of physical, emotional, and intellectual attraction. As the play’s focal point is the life of Cyrano, the audience effectuates in the idea that he, being the sincere and devout man he is, is deserving of Roxane’s love. However, the true question is: is she worthy of him even though her afflictive unattainability and major faults?
Throughout Edmond Rostand’s classic play, Cyrano de Bergerac, the title character, Cyrano, is a passionate writer whose complex and rich personal qualities are the foundation of his peerless eloquence. Cyrano’s unrivaled sense of humor is a defense against those who humiliate him for his outlandish appearance. For example, during the “nose” speech, Cyrano challenges Valvert with twenty stunningly varied and complex alternative suggestions, one more stinging than the next, to replace Valvert’s banal attempt at insult. Cyrano's retaliation against Valvert's feeble attempt at embarrassment backfires as Cyrano destroys his opponent with a tirade of ingenious examples of how better to insult "the nose": “It’s a rock, a peak, a cape! No, more than a cape: a peninsula!” (41). In addition to Cyrano’s wit, his language is deeply thought-out and rich with poetic imagination. Cyrano amplifies upon a single word by using concrete words to spin a simple concept into a memorable poetic experience. Cyrano illustrates the value of Christian’s need for a kiss from Roxane: “After all, what is a kiss? A vow made at closer range, a more precise promise, a confession that contains its own proof, a seal placed on a pact that has already been signed; it’s a secret told to the mouth rather than to the ear, a fleeting moment filled with the hush of eternity…” (126). Furthermore, it is in compensation for Cyrano’s great suffering that his verbal style is so sensitive and brilliant. He will always love in vain:
The way he carries himself and his voice inflections really make the viewer feel like they are in the time period and can envision themselves in the scene of the play. The actor himself really seemed to believe in the play. The way he stormed out of the Ballyhoo scene, it was obvious that he was passionate about the play and really bought into the role. At other times, he spoke to everyone like a true gentleman. The kissing scene was a soft spot in the play, and he did a great job of the whole kiss and the speaking leading up to it. In addition, the actor did a great job of using a different voice in the play. Eastern European Jews were known for speaking differently that German Jews, and his voice was unique and correct for the time
Incomplete An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’ In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play. These instances are as follows: Don Pedro wooing hero for Claudio, Don Pedro wooing hero for himself, Claudio pretending to be Benedick to find out information from Don John and Borachio, Don John and Borachio both know that Claudio is not Benedick but trick Claudio into thinking that they believe that Claudio is in fact Benedick, Benedick pretending to be somebody else whilst talking to Beatrice, Beatrice pretending to believe that she is in fact talking to Benedick, Beatrice having romantic feelings for Benedick, Benedick having romantic feelings for Beatrice, Beatrice not having romantic feelings for Benedick, Benedick not having romantic feelings for Beatrice, Hero is unfaithful with Borachio, Hero is dead, and Antonio having another daughter.
In Shakespeare’s Macbeth, a selfish Scottish thane becomes over-ambitious and commits several murders in order to gain and stay in power. After the murders, Macbeth evades suspicion by hiding his guilt and intentions, therefore deceiving others into thinking that he is innocent. Other characters including Lady Macbeth, the witches and the Scottish thanes also use their appearances to hide the truth and deceive others. With these examples, Shakespeare shows that appearances can be deceiving.
In Susan Glaspell’s play Trifles Mr. Wright’s murder is never solved because the two women in the story unite against of the arrogance of men to hide evidence that would prove Mrs. Wright as the murderer. The play Trifles is about the death of farmer Mr. Wright and how the town sheriff and attorney try to find evidence that his wife Mrs. Wright killed him. As the play progresses the men’s wives who had come along were discovering important pieces of evidence that prove the men’s theory but chose to hide from them to illustrate the point that their ideas should have been valued and not something to be trifled. The very irony of the play comes from its title trifles and is defined as something that isn’t very important or has no relevance to the situation that it is presented to. In this play the irony of the title comes from the fact that the men find the women’s opinions on the case trifling even though the women solve the crime which ends up being the downfall of the men as they would have been able to prosecute Mrs. Wright if they had listened which made the women’s opinions not trifling. Glaspell was born in an age where women were still considered the property of men and they had no real value in society in the eyes of men except for procreation and motherhood. This attitude towards women was what inspired Glaspell to write the play Trifles and to illustrate the point that women’s attitudes should be just as valued as men’s and to let women have a sense of fulfillment in life and break the shackles that were holding them only as obedient housewives. Trifles was also inspired by a real murder trial that Glaspell had been covering when she was a reporter in the year 1900. Glaspell is a major symbol of the feminist movement of l...
Written in 1962-3, Play depicts three characters, a man (M), and two women (W1 and W2) trapped in urns with only their heads showing. These characters each present their own version of a love triangle, which once occurred between them. It becomes clear during the play that the characters, once tortured by each other, are now tortured by their situation. A spotlight acts as a "unique inquisitor," compelling each to speak when it shines on them, and to stop when it goes out. As this assault continues, the characters become increasingly maddened by the light, and increasingly desperate to make it stop. The play repeats itself, providing the audience with a sense that these characters have been saying the same words for an eternity, and will continue to do so until the light decides they can stop. Beckett demonstrates how "A style of living, theatrically communicable, is used to express a state of mind."
The book We Were Liars by E Lockhart is about an extremely prestigious family called the Sinclairs. The Sinclair family consists of the grandfather, the grandmother, their three daughters, Carrie, Bess, and Penny, and their grandchildren, Johnny, Will, Mirren, Liberty, Taft, Bonnie, and Cadence. Every summer, the family goes to their summer island, off the coast of Massachusetts. Of the grandchildren, the ones that hang out the most are Johnny, Mirren, and Cadence. On summer eight, Gat, a friend of Johnny, began coming to the island. After Gat’s arrival, Johnny, Mirren, Cadence, and Gat were known as the Four Liars. After many summers later, Gat and Cadence strike up a romance between each other in summer
Now, the first thing that I have to do is show what I mean by “honest liar,” because Poitier is clearly dishonest in the ordinary sense of the word. But his dishonesty creates, in the real world, the sort of circumstances that he is lying about. A quotation from the play is particularly apt here: “I believe that the imagination is the passport we create to take us into the real world. I believe the imagination is another
Everyman is English morality play written by an anonymous author in late fifteenth century. The play’s represent the values that Everyman holds on to by its characterization. The spiritual life of Everyman was neglected by him, but he is quickly repents of his sins as the play develops. After realizing Everyman is summoned by Death, he doesn’t want to die and die alone for that matter. Everyman soon realizes that when he is seeking for a companion to go on a journey that he wants to go but there is no one available. He soon comes to terms that everyone will soon abandon him who accompanied him on earth. The play is in allegorical characters that represents variety of concepts such as (Knowledge, Good Deeds etc.)
Gonzalo in particular suffers from their harsh sense of humour and a sense of hum Sebastian: ‘Look, he’s winding up the watch. wit; by and by it. will strike -’ At the same time as adding to the comedy, Antonio in particular is. adding to the dark side of the play as they often discuss murder.
Actors form their illusions to entertain. They want the audience to be taken to a new time and place where they can enjoy themselves. Liars, on the other hand, lie for personal gain. They try to gain something, prevent themselves from losing something, or maybe just wish to spare another person’s feelings. Whatever the purpose, instead of trying to entertain and let the audience have fun, liars try to cover the eyes of their “audience” so that they are unable to see the whole