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Love theme in romantic poetry
Romantic essay love poems
Romantic essay love poems
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As an audience member of playwright Edmond Rostand’s renowned production of Cyrano de Bergerac, one comes to adore the heroic, witty, affectionate, poetic, and honorable French soldier, Cyrano; however his unique qualities are overshadowed, literally, by his rather gargantuan nose. It is through discussions and insults concerning this physical attribute that the audience discovers he is in fact in love with the woman he has held close to his heart for many friendly years, his cousin Roxane. Completely unbeknownst to Roxane, Cyrano’s love and admiration for her is not simply on a relative scale as she perceives it to be, but rather the much more drastic level of physical, emotional, and intellectual attraction. As the play’s focal point is the life of Cyrano, the audience effectuates in the idea that he, being the sincere and devout man he is, is deserving of Roxane’s love. However, the true question is: is she worthy of him even though her afflictive unattainability and major faults?
From Act One, the audience is able to clearly understand that Cyrano is a very well-spoken individual who fights for what he desires. In most any case, this statement is nothing but utterly true; however, when dealing with his cousin, it proves to be a falsity and is, by no means, accurate. In any other situation, a general response from him is:
CYRANO. What-still there?
(Turns back his cuffs deliberately.)
Very good-then I enter-Left-with knife-
To carve this large Italian sausage. (Act One)
His responses are, of course, very metaphorical, well-spoken, and thought out as shown throughout the play. However, when speaking of or with Roxane, he loses his ability to formulate artistic and conceptual responses such as:
CYRANO. I…The shop of R...
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...a woman through his words, he knows not true love and since he knows not the love of Roxane, she is unworthy of his love.
Throughout the play, Cyrano de Bergerac, there is a constant theme of internal versus external beauty and the importance it plays in the simplest to the most complex relationships. In the case of Cyrano, his nose affected his relationship with Roxane for she makes him feel unworthy of her love by jumping to the conclusion that those who exhibit unbearable masks are unacceptable and the ill witted are not hidden by faces of gold. The impact that her rash decisions, oblivity, and manner have on the protagonist make her unworthy because one should always feel comfortable and open with the ones they adore. And in the case of Cyrano de Bergerac he did not feel that the mask he bears could be overlooked in her eyes and the love he has could be met.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
First and foremost is the appeal to emotions. All of the other facets of romanticism can be related to the emotional appeal in Cyrano de Bergerac. Because strong emotional appeal is perhaps the most important method used by the author to create identity with the reader, especially in romantic works, the actions which elicit the emotional responses must, then, show a great deal about the character. The character's motives and philosophies can be determined through his actions. Because Cyrano de Bergerac was written in the romantic style, certain intellectual and emotional principles exist throughout the play, which will now be observed in depth.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
Life as humans is anything but perfect. In the book “Cyrano de Bergerac,” Edmond Rostand conveys the aspects of the human condition through Cyrano’s honor and cowardly behavior. As the play progresses, Cyrano experiences the upbringings and downfalls of being human. Since the beginning of the play, the author suggests that Cyrano is a humble man. Cyrano accepts responsibility for ruining the play, and offers all of his money to the actors to keep them from having to take a loss on the night's theatre performance. The author soon reveals that Cyrano has no money when he is asked to dine and responds with, “I have no money,” which suggests that he is generous. Another one of his many gifts is his wit and unique ability to articulate words. Cyrano, a true musketeer, prizes his honor above all else. It is evident that he is admired when Le Bret says, “The most delightful man under the sun!” Later when Valvert insults him, Cyrano does what honor dictates, and kills Valvert while composing a ballade, also demonstrating his skill with a sword. Lastly, in Act Two Scene Three, Cyrano cannot bear to see his good friend Ragueneau be dishonored by his wife, and he
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
In The play Cyrano de Bergerac, the main character, Cyrano, is a noble idealist who fights against the harsh reality of ordinary life, and creates his own world. On the outside he is a strong man with a hard shell, but inside he is a melancholy poet yearning for love. He feels that the world bases love too much on appearance. He believes that no one will ever love him because of his grotesquely long nose. For this reason Cyrano cuts himself off of true reality and creates a world where love exists without appearance.
Control of ones tongue, or wit, and the ability to use it well is an incredibly necessary trait of an honorable individual. The cowardice of Count de Guiche demonstrates that the lack of bravery, on or off the battlefield, leaves a man without honor or respect. And finally, unconditional and extravagant love must be practiced by those men of honor, as shown by Cyrano’s love of Roxane. True honor cannot be won, nor can be bought, honor is something that can only be given by those who see these traits within a
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
Cyrano De Bergerac has had an enormous, revolting nose ever since birth. Cyrano is an idealist who fights against the harsh reality of ordinary life. He feels that love is based too much by looks and appearance and thinks that no one will ever love him because of his appearance. Because of this, Cyrano alienates himself from society and lives in a world where love exists without appearance. Throughout the book, Rostand uses the motifs platonic love and beauty to highlight the idea that idealism requires nobility, integrity, courage, and self-sacrifice.
...ce, possesses admirable traits and characteristics, and has a tragic downfall. He’s strong and intelligent, however with a weakness over his sense of pride. His nose and how seriously he takes himself, makes him a tragic hero. He cannot believe that anybody is able to see beyond his physical characteristics. Cyrano de Bergerac does what he pleases and most actually says whatever is on his mind. He speaks through prideful actions, always thinking of how to make himself stand out or to look intelligent. He never backs down from a fight or a confrontation, and this is often where his pride will continuously persuade his sense. Cyrano only grows in pride, and his temper grows shorter, through the play so the characters don't even say the word 'nose' anywhere near him. Cyrano was a good tragic hero that the audience loves who sadly has tragic flaws that cause his demise.
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
This description is not of lustrous beauty, but of the true love he felt for her. This statement and