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Analysis essay of his coy mistress
Analysis essay of his coy mistress
Analysis essay of his coy mistress
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Andrew Marvell’s “To His Coy Mistress” is in my opinion an excellent poem about a subject matter we can all understand and most of us can relate to: a love just beyond reach. This is the primary reason I believe it is most suited to be in a college textbook. One of the hardest things to accomplish in a poem written for uninterested college students is making it understandable and enjoyable by the audience, but this poem does it very well. In doing so, however, it also includes several important elements of poetic language that will educate the reader while at the same time keeping him or her interested. The initial paragraph lures the reader into believing that this is a happy lover’s poem written to woo a woman with whom he is in love. The steady string of compliments mesh together very well and leave a warm and happy image of the pair’s relationship. The imagery is wonderful as well, as in this example: “My vegetable love should grow / Vaster than empires, and more slow” (Marvell 11-2). This sentence inspires a mental picture of a sweeping kingdom and all the vastness th...
“To My Dear and Loving Husband” uses varying sentences lengths and types. The whole poem is made up of words eight to nine words in length and has complex and compound sentences. For example, “If ever a man were lov’d by wife, then thee; / If ever wife was happy in a man” (2-3). A sort of pattern is formed with these sentences: short, long, short and at the end, long. The poem is not very complex in sentence choice but has semi-long sentences. Meanwhile, “Huswifery” sentences are quite different in length and structure. The entire poem is impressively made up of only nine sentences, varying from six to nine words in each sentence and consisting mostly of simple and short or complex sentences. An example of this in the poem: he yarn is fine” (9). All in all, “Huswifery” is poem of greater height on the writing scale than “To My Dear and Loving
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
"What say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content; And what obscur'd in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea; and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, maki...
He compares his love to a "vegetable," which means that it would not stray, but would grow "vaster than empires," and would do so more slowly (ll. 11-12). He claims that he would happily spend a hundred years praising her eyes, and gazing at her forehead. When that is over, he would spend two hundred years on each breast, and spend "thirty thousand to the rest" (l. 16). He then crowns this romantic hyperbole with the statement, "[f]or, lady, you deserve this state, /Nor would I love at a lower rate" (ll. 19-20). These statements serve to support one of the major themes of the poem:
Stanzas one and two of the poem are full of imagery. The first stanza sets the scene for the poem “in a kingdom by the sea” (Poe 609) which makes you feel as if the story is going to have a “romantic” (Overview) feel to it. Then Annabel Lee comes into the story with “no other thought than to love and be loved by me” (Poe 609); This sentence is full of imagery in the sense that it makes you feel the immense capacity of love Annabel Lee had for the speaker if that was her only thought. In the second stanza the imagery takes a turn that shifts from loving and inviting to pain; The love between Annabel and the speaker was so strong that
The. Maybe it is a genuine love poem to his mistress, sort of. offer of a way of life. Both concepts, though, underline the point. simplistic romanticism of the poem.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
The poem's diction immerses the reader into the speaker's fantasy-like realm of love shared with his bride. He begins the poem with the first two lines, "It was many and many a year ago, / In a kingdom by the sea," much like the "once upon a time, in a faraway land" of fairytales. The couple lived with no other thought than to love one another and "loved with a love that was more than love" (9).
In the first stanza, the poet seems to be offering a conventional romanticized view of Nature:
Will's beloved is "more lovely and more temperate (18.2)" than a summer's day; "the tenth Muse (38.9);" "'Fair,' 'kind,' and 'true' (105.9);" the sun that shines "with all triumphant splendor (33.10)." We've heard all this before. This idealization of the loved one is perhaps the most common, traditional feature of love poetry. Taken to its logical conclusion, however, idealized love has some surprising implications.
This sonnet is an anti-love poem that ironically shows how the fairness of a lady is contingent upon nature's blessings and her external manifestations. The Spenserian style brings unity to this sonnet, in that it's theme and rhyme is interwoven throughout, but the focus of her "fairness" is divided into an octave and a sestet. The first eight lines praise her physical features (hair, cheeks, smile), while the last six lines praise her internal features (words, spirit, heart). This sonnet intentionally hides the speaker's ridicule behind counterfeit love-language, using phrases like: "fair golden hairs" (line 1), and "rose in her red cheeks" (line 3), and "her eyes the fire of love does spark" (line 4). This traditional love language fills pages of literature and song, and has conventionally been used to praise the attributes of a lover; but this sonnet betrays such language by exhibiting a critique rather than commendation. This sonnet appears to praise the beauty of a lady but ironically ridicules her by declaring that her "fairness" is contingent upon nature, physical features, and displaying a gentle spirit, which hides her pride.
For any educator that is searching for a poem to arouse the interest of students enlisted in upper level literature classes, the poem “In the Orchard” by Muriel Stuart, written in the early twentieth century, conveys the ageless theme of unrequited love. The poem has all the elements of making students understand how far back the feeling of unrequited love has been around. We can understand these elements better through the rhetorical strategies.
He personifies both the daffodils and waves as he compares their beauty to each other. However, the flowers "out-did" the waves with their happiness, since waves do not bring as much joy as the yellow flowers. This comparison makes the daffodils seem even more beautiful and happy. Furthermore, the speaker uses more joyful connotations to describe the daffodils. The use of the word “jocund” instead of cheerful implies the complexity of the beauty of the flower. Both the comparison and the connotation reinforce the theme of happiness. Moreover, the speaker uses the repetition of the word “gaze”. By repeating the word, he indicates that he, consistently, looked at the flowers for a long time. Additionally, the speaker metaphorically compares the sight of the daffodils to “wealth”. The word "wealth" in this instance, is not a measure of material prosperity, but rather a measure of a permanent kind of happiness that results from simply the view of the
The formalistic approach to an open text allows the reader to devour the poem or story and break down all the characteristics that make it unique. The reader is able to hear the text rather than read it, and can eventually derive a general understanding or gist of the text. "According to the Handbook of Critical Approaches to Literature "when all the words, phrases, metaphors, images, and symbols are examined in terms of each other and of the whole, any literary text worth our efforts will display its own internal logic" (Geurin 75)." When utilizing the formalistic approach, the reader must search in and out of the lines for point of view, form, imagery, structure, symbolism, style, texture, and so on. Using the general theme of time, it is important to focus on structure, style, and imagery found in Andrew Marvell's poem "To His Coy Mistress".