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Social classes of victorian england
Social classes of victorian england
Views of women in the Victorian era
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The novel is telling a real experience of Moll Flanders about her entire life in 18th century in London and in America. She spends her whole life to become a gentlewoman by getting wealthy and trying to achieve a high social status. On the path she was pursuing those; she has to give up so many things; including love, self-respect, religion, and peace of mind, and all the decisions that she had made were just in order to satisfied her vanity and pride. Moll began her life in the low class. She was abandoned by her born mother, a transported felon in Newgate Prison. Her mother left her when she was only a baby, and in English society during that time of period, there was little chance for such a girl like Moll to escape this class. But Moll …show more content…
However, all stories are started off with Moll’s “greed”. When she was fourteen years old, the kind nurse gets sick and died, and Moll starts living with a gentle woman and her family. The elder brother in the family used all the tricks and seduced her into become his secret lover. “’I’ll take care of you……here’s an earnest for you,’ and with that he pulls out a silk purse with a hundred guineas in it, and gave it to me; ‘and I’ll give you such another,’……so that I could not say a word, and he easily perceived it; so putting the purse into my bosom, I made no more resistance to him, but let him do just what he pleased, and as often as he pleased.”(Defoe 29). Unfortunately the older brother didn’t marry her, and Moll ended up with married his younger brother, which Moll doesn’t love at all. The husband died five years later after they got married. They have two kids and both of them were taken off by Moll’s husband’s parents. About giving her babies away, Moll seems feel happy about it, she feels like she finally drops the burden off, and she is free now. When I was reading the stories, I am picturing it if I was Moll, I would not get married if I don’t love that guy. But why Moll keep marrying those guys that she is not that interested in? Now those innocent children are put in misery, they are going to grow up without their mother’s …show more content…
“It was past the flourishing time with me, when I might expect to be courted for a mistress, that agreeable part had declined some time, and the ruins only appeared of what had been and that which was worse than all was this, that I was the most dejected, disconsolate creature alive……I was left perfectly friendless and helpless. In this distress I had no assistant, no friend to comfort or advise me” (Defoe 172). We can’t blame Moll for stealing because she is not voluntary. It was the society, hierarchy don’t give her a chance to let her survive in this horrible situation. As Moll herself said: “Give me not poverty, lest I steal.” (Defoe
Indisputably, Mary Wollstonecraft was one of the most influential figures of Enlightenment, also considered the ‘first feminist’. It is certain that her works and writing has influenced the lives of many women and altered the outlook of some societies on women, evolving rights of women a great deal from what they used to be in her time. It is clear that Wollstonecraft’s arguments and writing will remain applicable and relevant to societies for many years to come, as although there has been progression, there has not been a complete resolution. Once women receive so easily the freedom, rights and opportunities that men inherently possess, may we be able to say that Wollstonecraft has succeeded in vindicating the rights of women entirely.
Women spend years raising young boys, just to have them receive a better education than they posse, this is not an unfair testament to the society that Wollstonecraft lives in. Women simply have no standing in the society no matter what they do or accomplish, they are always considered subordinates to men. According to their society, men will always have the upper hand when it comes to the more useless member of society,
In the 1800’s, women lived under men’s rules and ideologies and were forced to conform to the social “norms” of the time. To women, these rules seemed normal as they were used to them. In the story, Jane is put in a nursery because she is said to be sick and
Murstein, Bernard I.. Love, sex, and marriage through the ages. New York: Springer Pub. Co., 1974. Print.
Peterson, M. Jeanne. “Gentlewomen at Work.” Family, Love, and Work in the Lives of Victorian Gentlewomen. Indianapolis : Indiana University Press, 1989. 132-161.
“Love and Marriage.” Life in Elizabethan England. Elizabethan.org, 25 March 2008. Web. 3 March 2014.
In the story, Louisa runs away the day before her sister’s wedding. After running away from home, Louisa takes the train to Crain. When she gets there, she buys a tan raincoat and drops off the old jacket. She then takes the train to Chandler. When she gets there, she buys a suitcase and other items, such as some stockings and a small clock. She now needs to find a place to get herself settled. She finds a place to live, at Mrs. Peacock’s house, and gets a job at the stationery store. One day, Louisa sees Paul at the train station. Paul desires Louisa to come back, and Louisa agrees. When she arrives at her house, her family can not recognize her and thinks that she is an impostor. Louisa...
The housekeeper greats her with condescension by suggesting that “my lady is very good-natured; for she knows that people come with their books as a genteel sort of begging, and she generally pays them handsomely for their trouble” (Robinson 230). Martha is not taken seriously and is offered money for her suffering instead of for her artistic ability.
Astell, Mary. "A Reflections Upon Marriage." The Broadview Anthology of British Literature: The Restoration And The Eighteen Century. Joseph Black [et all]. Peterborough, Ontario: Broadview Press, 2006. Print. Pages 297-301.
To force me to give my fortune, I was imprisoned-yes: in a private madhouse…” (Maria 131-32). These lines from Mary Wollstonecraft’s (1759-1797) unfinished novella Maria, or the Wrongs of Woman substantiates the private operation of the madhouse where the protagonist Maria is confined. The importance of private ownership is that this places the madhouse outside the discourse of law. It is illegitimate yet it is legitimized as it is a symbol of male-dominated state oppression. Parallel to this Bastille becomes the direct symbol of the same repression which is used by Wollstonecraft to depict the predicament of dissenting revolutionary women in the late Eighteenth- century England. The language which she is using is evidently from the French Revolution as we know the symbolic importance of the dreaded tower of Bastille where political ‘criminals’ were imprisoned. So, Wollstonecraft’s objective is to politicize the genre of novel as the other Jacobin women writers- novel, for them, is a vehicle of political propaganda.
Women had a tough time in the mid 1800’s; in Britain in Particular. They had hardly any rights, could only work certain jobs, and could not vote. Women should have had more right, or just as equal rights as men had. Men were sexist against women; they did not think women could achieve the standards men were held to. It mostly occurred in the lower class, but the lower class and upper class were victims al well. These women were not the wealthiest, but they also were not the poorest, they fell somewhere in between, or average.
The content that has already been praised, is presented very well. Defoe organizes the information into letters to all tradesman of England. The writing is a collection of letters to English tradesman, each addressing a different issue. Defoe makes it clear that the information is based on opinion, so there are no false leads. For example, "It its the judgment of some experienced tradesman that no man ought to go form one business to another... I, myself will not enter that dispute here. I know some very encouraging..." Defoe also provides examples by making a story using a script format.
Since the very day of her birth, Mathidle has constantly chased after the affluent existence as she fantasizes that women like her friend, Madam Forestier, relish. Through her husband’s invitation to the minister’s gala, she adorns herself in a fine dress and a priceless diamond necklace, and transforms her into a beautiful envied person far from her usual impoverished disposition. However, after she loses the necklace, replaces it, and repays the debts, she finds pleasure within her “new” life as a lower class woman, which is who she was destined to
In actuality, she was defiant, and ate macaroons secretly when her husband had forbidden her to do so. She was quite wise and resourceful. While her husband was gravely ill she forged her father’s signature and borrowed money without her father or husband’s permission to do so and then boastfully related the story of doing so to her friend, Mrs. Linde. She was proud of the sacrifices she made for her husband, but her perceptions of what her husband truly thought of her would become clear. She had realized that the childlike and submissive role she was playing for her husband was no longer a role she wanted to play. She defied the normal roles of the nineteenth century and chose to find her true self, leaving her husband and children
We are free to judge whether or not we would take the bundle that so often becomes Moll's pursuit in the future. It is at that instant that we can decide whether Moll was free to do so or controlled by something unavoidable, such as fate. If Moll was acting on freewill it is arguable that she would not repeat the same crime in the future, in fact she would most likely avoid any such acts that resulted in the terrible feelings she experienced during and after the first offense. For she says herself, "It is impossible to express the horror of my soul all the while I did it".