Analysis of In the Air Tonight by Phil Collins
"In The Air Tonight" is a strophic composition produced by Phil Collins. The aria consists of an electronic drum set an electric guitar and a prophet to add an additional fullness to the song. The exposition of the monody is at an adagio tempo. The electronic drum kit repeats a drum pattern with 12 drum hits in each loop, while accenting on every third beat {eg.1-2-1-2-1-2-1-22-1-2 | 11-2-1-2-1-2-1-22-1-2}. In the middle of the first loop the electric guitar roars a triple stopping that drags on for fifteen seconds, and is quickly followed by the sound of a nymph sounding guitar riff in the background accompanied by the prophet. The prophet presents the main melody of the song. A series of warm instruments accompany the drum pattern followed by the sound of Phil Collins's tenor voice reverbed a tad to add an eerieness to the song. He first announces in a slightly whispered, muffled voice:
I can feel it in the air tonight, Oh Lord
I've been waiting for this moment, for all my life, Oh, Lord
Can you feel it coming in the air tonight, Oh Lord
Oh Lord
Afterwards the same guitar roars in for half the time it did before as Mr. Collins proceeds to go into the first verse of the song. After the first verse he returns back to the chorus this time with additional vocals that lags behind his every word and ends with the guitar roar once again that comes predictably at the same time. The first words to his second verse starts with the singer's voice tweaked up a bit with the reverb machine. The prophet and a host of warm instruments continuously ascends with every whole note for a total of four measures in a harmonious fashion, but returns back to the tonic key after the fourth keystroke. In closure of the last verse the song increases from a (p) piano to an (mp) mezzo forte. An intense eleven strikes on a live drum set introduces the climax of the song, which then cancels out the sound of the electronic drum set, yet introduces the sound of a brass instrument that appears every two or three measures.
The story “The Old Man Isn’t There Anymore” by Kellie Schmitt is about a lady who lives in China that tries to make friends with the people in her apartment. She does this by sending sympathy flowers to the family of the old man that passed away. She then later attends the funeral of the old man. In the end Schmitt creates a funny twist. Schmitt created an intriguing story about a person’s experience in China.
Global warming is a major ecological concern today. It is being caused by man’s ever
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They sound soft and gentle as they are singing in a major key and harmony with each other. This creates a positive, calm and peaceful atmosphere for the audience. Gradually a sound appears in the background of the song. It is a man reading the news but it’s very quiet and drowned out by the silent night melody. His voice is in monotone and has no emotion in it.
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
Rise Against 's "Audience Of One" uses repetition and similes to compare George W. Bush to a child who is playing with toys, making it seem like being president is just a game to him. They refer to Bush as a child playing to demonstrate how he handled certain situations when it came to war, gas prices, hurricane Katrina, and illegal immigration.
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The song has an intriguing melody that makes me think of London in Europe, maybe it is just because I watched a movie that takes the setting of London or maybe it was the beat of the percussion and the brass, maybe more other instruments, but it created a nice light and deep feeling within the sound. The opening of the song was greatly influential releasing a great amount of energy to the audience. In the middle of the song, it was going down, but then the energy returned and renewed, propelling the overture to the finish. At the same time, it creates an opening for some kind of curtains onstage to drop down dramatically. Having the string and woodwind to act as the cushion of the song being dark and downhill while the brass and the percussion act as a representation of the beating heart of all living things. In the beginning of the song, it was in allegro but throughout the song, it goes downward with the beat being downbeat but once it hit adagio the song become more upbeat and the tempo become vivace. With the brass, woodwind playing vivace and the percussion breaking up the parts each second. Until near the ending, all instruments hit their big parts that would come as a dramatic timing. This song was a classic and I believe it was in many comedy animations back in the good old
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The second stanza of the track is probably the most important. It begins once again by asking you to imagine. This time, Le...
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way