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How has the music of slaves brought over from africa shaped modern american music
African American influence on American music
The Influence of African Americans on Music
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To start with, American Fanfare was created in the year 2006 and was embraced by a Lieutenant Colonel is a wonderful experiences. It was created by the conductor Jim Stephenson, with the rest of the performers, and they should give themselves a pat on the back for creating a new aura around the concert with such an amazing melody in so many ranges of ascending. Yet, the music was able to lead in the making of rhythms to be in a constant motion between adagio, andante, and allegro. Making the audience feel as if they are on the edge of their seats and feeling the homophonic texture. It adds dynamic qualities to the music by having the brass instrument and the woodwind instrument playing the same piece over and over one another as if challenging …show more content…
The song has an intriguing melody that makes me think of London in Europe, maybe it is just because I watched a movie that takes the setting of London or maybe it was the beat of the percussion and the brass, maybe more other instruments, but it created a nice light and deep feeling within the sound. The opening of the song was greatly influential releasing a great amount of energy to the audience. In the middle of the song, it was going down, but then the energy returned and renewed, propelling the overture to the finish. At the same time, it creates an opening for some kind of curtains onstage to drop down dramatically. Having the string and woodwind to act as the cushion of the song being dark and downhill while the brass and the percussion act as a representation of the beating heart of all living things. In the beginning of the song, it was in allegro but throughout the song, it goes downward with the beat being downbeat but once it hit adagio the song become more upbeat and the tempo become vivace. With the brass, woodwind playing vivace and the percussion breaking up the parts each second. Until near the ending, all instruments hit their big parts that would come as a dramatic timing. This song was a classic and I believe it was in many comedy animations back in the good old …show more content…
Just from the title the melody of the song was very luring almost toxic enough to put me into a deep sleep, but at the same time sending a slight chill down my spine. In the beginning of the song, it was inviting with the beating of the percussion instruments though from where I was sitting it looks like there is two groups taking side of the percussion players fighting it out. Once the string instrument enter into the fray the song becomes a polyphonic texture with an allegro and moderato melody. It was very balanced and almost has a theme of many Egyptian theme music. The percussion instrument takes the lead in this song with the backing of the string building up the big finale of the song. However, in the beginning to the half of the middle it was playing it a smooth moderato pace having a quadruple meter beat. The rhythm is specular because it recoursed from the percussion instrumentalist from beginning to near the end. Creating a nice dramatic expressive quality into the song. In the second half of the song, it alternated between upbeat and downbeat creating an atmosphere of a battle between two opposing forces. The song ended in a big bang sending every single person wide-awake and almost I felt a slight adrenaline before I
The jazz band I observed played a series of six different songs. Although all the songs were categorized as jazz, each song had its own special style and sound to it. The band consisted of three different players. Paul Meyers, the guitarist and composer, Andy Eulau, the bassist, and Dave Rataczak, on drums. The songs performed were entitled “Love for Sale” by Cole Porter, “Once I Loved” by Antonio Carlos Jobim, “Stars” by Paul Meyers, “Blues for Mel” also by Paul Meyers, “Last Night When We Were Young” by Harold Arlen, and “Samba Novo” by Luis Eca.
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
The music accompaniment to this piece comes from one or two pianos which work in almost perfect collaboration with the dance so that neither one overshadows the other. While no other instruments are used, the melody of the piano changes from scene to scene in order to depict Jooss’ emotional responses. During the scenes with the politicians, the air of the piano is light-hearted and almost comedic. The purpose of this was to show the detachment of these men from the war. They are in a safe situation, unexposed to war and death. When the scene changes and we see what’s happening in the lives of citizens, this vaudeville-like tune is transformed into a thunderous and eerie song that haunts the audience. The reason for this change is to reveal Jooss’ feelings about the unnecessary brutality and death that always comes with a war, and how politicians don’t understand the horror of it.
During the turbulent era of the 1960s, youth excelled boundaries and expectations to adequately improve the world. Throughout this time, many individuals were trying to juggle the conflicts between racism, sexism, and the turning point in the Vietnam War, the Tet Offensive. This battle occurred in 1968, and was a watershed moment in the Vietnam War that ultimately turned many Americans against bloodshed. “The total casualties – dead, wounded, and missing in action – had grown from 2,500 in 1965 and would top 80,000 by the end of 1967” (Willbanks 6). Destruction from the poignant fighting convinced rising numbers of Americans that the expense of United States’ commitment was too immense. The Anti-War movement gained momentum as student
The brass plays an ascending sequence, followed by pizzicato notes played by the strings, and an ascending and descending scale on the harp. Strings and oboe play the rhythmic melody, whilst the trumpet plays fanfares in syncopation. The oboe is then replaced by the flute. There is an ascending scale played by the strings, then the brass section repeats the string and oboe melody with cymbal crashes at cadence points. The orchestra then plays a loud melody with cymbal crashes and drum rolls. There is an interrupted cadence, followed by crescendo with cymbal crashes and a brass ostinato. The piece ends with a perfect cadence.
For this class assignment, we were required to go to some type of music concert and write a four to five page analytical paper on the experience. I chose a concert for someone who was on tour who I already knew and liked his style of music. The person who was heading the tour was a performer who goes by the name SoMo. He performs his own original songs as well as doing covers of other people’s music, which he posts to his channel on youtube. His style or genre of music is R&B. The concert that I went to was at the Georgia Theatre in Athens Georgia on April 19th. The concert consisted of three singer acts two of the singers were what could possibly be considered “the opening acts” and the third person was SoMo
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.
He would never entirely act naturally around others, so he pulled back or was guarded, aside from in his music which became an outlet to release his sadness. I felt that this piece is coming from his gratitude for life which he put so much emotion into. Even though we don’t know what inspired Adagio for Strings it is beautiful, and it evoked a deep level of sadness that anyone listening to it can connect to from losing a special person, loneliness etc. The melody incites exceptionally solid, emotional, and yet passionate reactions. The first time I listened to Adagio for Strings I wanted to observe the movements the string choirs were making because the melody mesmerized me. The piece begins with the violists and there are different levels of contour conveyed throughout the songs. The violins and the violas take turns and the main note, for instance, includes only a couple of violin players. The range of the song begins slow and it gradually increases the intensity of the notes to a phenomenal climax and the piece ends with the violists playing in a slow rhythm like how it began. The tonality of this piece was
For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see student composers.
It is as though each part of the orchestra was in their own dance and joining other pieces of the orchestra to create the music as a whole. Each part of the orchestra competing to be center stage fleeting back and forth combining their pieces of music together to make this large unravel deep message. Yet, as always the timpani is what kept everything in line, and with the help of the bass supporting the timpani, the timpani was able to keep the rhythm for the rest of the orchestra to understand the stages of Spring. The bass would be the supporting piece to the timpani through the performance. This shows the true mind of Stravinsky. The music is as though it is a heart. Each vale beating to their own piece coming together like the bass beating as one. I honestly believe his is the heart of all Stravinsky's
What musical elements did these musical performers Brian McKnight, Donna Summer, and Chaka Khan used in the concert? By examining the musical concert, it is clear that performers used different musical elements and techniques. Although the musical performers Brian McKnight, Donna Summer, Chaka Khan used different musical elements at the concert they were quite similar.
The concert featuring the Ole Miss African Drum & Dance Ensemble took place on April 19, 2018 in the Nutt Auditorium (Oxford, MS). The ensemble’s program was entitled “Encourage Somebody”, and featured traditional as well as popular music of West Africa arranged by the drum & dance director, George Dor. The dynamic and visual striking performance was well received from the audience; the musicians and dancers’ attention to detail and passion created a truly incredible experience.
The Concert of Europe The Congress System, which took the form of a series of congresses and diplomatic meetings held between 1818 and 1822, can be regarded as a practical expression of the rather general concept of the Concert of Europe. The Concert of Europe was an attempt to regularize the conflicting ambitions of the Great Powers in the interests of Europe as a whole. As such, its effectiveness was dependant on the willingness of all five Great Powers to show moderation in the pursuit of their individual interests. Without this, it would be impossible to reach a consensus on important issues. Although The Concert’s main aim was to maintain peace, revolts in different areas of Europe such as Spain, Portugal, Belgium and France, made its peace making facilities harder to obtain due to the delicate circumstances.