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History of African Music
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Recommended: History of African Music
African American music could not possibly be explained in six pages however the emotion behind their vocal and instrumental originalities can. African American music has more emotion and deeply rooted ancestry than most if not all music in history. Their music has rich culture and the pain, sorrow, or joy can be heard in their music. Music has created entertainment, jobs, and history for people throughout the ages. African American music has a history unlike any other that sets it apart from the rest of the world’s music. This paper with describe a brief history of the American Americans and show why emotion is a crucial part of their music. African music obviously began in Africa where music was strongly rooted to everyday life among the African natives. The rich texture of their music and descriptive chants gave way to oral tradition in a nontraditional sense. In the days of little to no written language, oral tradition was a must for the African history to survive. In their music a story, or ballad, would take place to describe something such as a struggle between a hunter and a beast. These songs were easy for everyone to learn and chant to the next generation. Oral tradition may have been the sole root as to why Africans would sing the way they did, however, there were many other deeply rooted aspects of their music culture. For one, music was a way of praising their God or Gods. A ballad may be describing a struggle between gods, or how grateful they were to their rain god for this year’s harvest. “Why?” may elude to some confusing unanswered questions, but the Africans had many centuries to change and morph their music to give its’ defined features that are so much different from today’s music. Besides the African’s voc... ... middle of paper ... ...centuries. From Africa to America, blacks gave feeling and meaning to music that America would be otherwise missing a key component without. Today American music cannot be pronounced as one style of music, rather a great mixture of music. All of these culturally rooted styles of music can historically pinpoint African American influence from one, two, or more genres of musical history. The history of African American music could not be explained better than Charlie “Bird” Parker stated it “Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.” African Americans had their own experiences, expectancies, lifestyles, and perspectives that gave them the powerful emotion and improvisation unlike any artists before them.
Musicians during the Harlem Renaissance created a style and movement that simply took Americans by storm. Musicians such as Duke Ellington and Louis Armstrong have inspired others all over the country. The Renaissance itself was not only an observation of life for African Americans, but it also showed Americans that they have a place in society. All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of new life for musicians and African Americans.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
I have definitely learned a lot about the Evolution of Music in this class. I found it to be very intriguing. So when I was faced with the chore of deciding what I would do my report on, I chose to use the book Black Music in America by James Haskins. This book gave a detailed account of not only the music genres but it’s performers. American music is made up of music from many different types of ethnic backgrounds. What gives this book a plus is that it highlights aspects American music, and its performers. The people and events that really caught my attention were the concert singers, Minstrelsies, Jubilee songs, and brass bands. Born as a slave, a girl by the name of Elizabeth Greenfield moved to Philadelphia. She moved there with her Mistress and her parents. Luckily while in Philadelphia they were set free. At the age of forty-two she moved to buffalo New York in order to embark on new opportunities as a singer. When she reached New York opportunity came knocking. She began a career of concert singing. With a range of three and one quarter octaves you would think that opportunity kept knocking, but it didn’t. Therefore she moved to Europe where she would get the attention and credit that she deserved. While in Europe Elizabeth was shown great appreciation for her talent. Even Queen Victoria demanded that she performed for her at the Buckingham Palace. She gained newfound popularity in the states, because of her new accomplishments. As we know, it wasn’t easy for blacks to make a living in the U.S. That forced blacks to either perform in Europe or the northern states of the U.S. Some blacks even had to resort to performing in Minstrelsies. Minstrelsies...
As the United States entered the 1920's it was not as unified as one might think. Not one, but two societies existed. The Black society, whose ancestors had been oppressed throughout the ages, and the White society, the oppressors of these men and women. After emancipation the Whites no longer needed the Blacks, but were forced to live with them. The Blacks despised the Whites, but even so they became more like them in every way. Even though these two races had grown so similar over the past century and a half, they were still greatly diversified. One aspect of this great diversity was the difference in music trends. The White society was still in love with the European classical music. The Blacks on the other hand had created something all their own. Jazz, Blues, and Ragtime originated in New Orleans in the 19th century, but by the 1920's it had become famous throughout America. The Whites tried to suppress the Blacks with new laws, but the power of this strengthened race was too great. The Negro music of the 20th century had a huge affect ...
Blues is a popular music style even today. It is popular because of its characteristic style that later developed other styles and subsets of the primitive blues style and its ability to appeal to a larger audience; therefore, placing the music style into the light of mainstream society. Amiri Baraka, in his work Blues People, says that the blues is a product of the “Negro’s American Experience.” In addition, he adds that the blues “developed as a response to the Negro’s adaption to and adoption of America; it was also a music that arose due to Negro’s peculiar position in this country.” It would be difficult to argue that the blues are not a product of the African American experience. While there are instances where white American individuals
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!
Being that African Americans were if not just getting their foot in the door as being looked at as human and beginning to be accepted in U.S. society at that time. Executives in the recording industry encouraged white artists attempt to replicate the sound of popular black musicians for profit. This resulted in music like rock-n-roll that is largely associated with whites and the African American pioneers who laid down the foundation for the music are forgotten or better yet not even heard of. Cultural appropriation is still remains a concern even
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Music nurtured the African American tradition and their struggle towards equality in the same century.... ... middle of paper ... ... Greensboro, N.C.: Morgan Reynolds Pub. Carter, D. (2009).
As it mentioned above, the title itself, draws attention to the world-renowned music created by African Americans in the 1920s’ as well as to the book’s jazz-like narrative structure and themes. Jazz is the best-known artistic creation of Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
Small, Christopher. Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH: U of New England, 1998. Print
Every West African village had its own professional musicians and singers who would perform for the community. Musicians were idolized in their villages. They normally sat with the king or chief because of their elevated status.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.