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Influences of classical music
Expression of emotion through music
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Adagio for Strings was composed by Samuel Barber in 1936 is played in String orchestra from the second movement of his String Quartet, Op. 11. Samuel Barber was talented, and he composed his first piece when he was seven years old he also sang opera and played the piano. Adagio for Strings has been played in multiple movies and shows such as The Elephant Man, The Hunters (1996), Seinfeld and in How I Met Your Mother episode “Jenkins” (TheIronCupcake). Adagio for Strings is one of the saddest pieces written and has been named “The semi-official music of mourning” because it was played in state funerals of Franklin Delano Roosevelt and John F. Kennedy (HISTORY). Barber influenced the modern classical music with his work especially Adagio for …show more content…
He would never entirely act naturally around others, so he pulled back or was guarded, aside from in his music which became an outlet to release his sadness. I felt that this piece is coming from his gratitude for life which he put so much emotion into. Even though we don’t know what inspired Adagio for Strings it is beautiful, and it evoked a deep level of sadness that anyone listening to it can connect to from losing a special person, loneliness etc. The melody incites exceptionally solid, emotional, and yet passionate reactions. The first time I listened to Adagio for Strings I wanted to observe the movements the string choirs were making because the melody mesmerized me. The piece begins with the violists and there are different levels of contour conveyed throughout the songs. The violins and the violas take turns and the main note, for instance, includes only a couple of violin players. The range of the song begins slow and it gradually increases the intensity of the notes to a phenomenal climax and the piece ends with the violists playing in a slow rhythm like how it began. The tonality of this piece was
It is also the piece that had enough of an effect to make the evil man go away, in the film, Fantasia. My strongest reaction to this piece, is the warm and chilled feeling I get hearing it. The idea of developing “chilled” bones from music is amazing. I arrived at this certain place, by truly diving into the song. I really listened to it, and could hear the seriousness in the singer’s voice. I could hear and understand the passion that the musicians felt when they pressed the piano’s keyboards. The singing, along with the instruments complimenting, is astonishing. I caught myself listening to this piece during the interview, and I could imagine even an evil monster falling in love with this tune enough to turn good. I felt the drama and power in the singing, and the seriousness in the playing of the
Ottorino Respighi (1879-1936) is a well-known Italian composer, pianist, conductor, and music educator. His music was influenced by the brighter colors of Rimsky‐Korsakov and Strauss, and his symphonic poems are notable for their brilliant and luscious scoring. During his study in Russia, he learned orchestration from Rimsky-Korsakov, who significantly influenced Respighi’s orchestration. As a twentieth-century composer, Respighi’s tonal compositions seem to be out of fashion compared with other composers in the same stage, such as Schoenberg, Stravinsky, Bartok, Webern, etc. He was seldom attracted by the more self-consciously innovative musical trends of the time; however, he energized the traditional tonal music to develop to the various ways. For example, he is the first composer who uses the prerecorded tape in live performance in his symphonic poem Pines of Rome. Additionally, the instrumentation of works places them in the forefront of music of popular concerts, and has no doubt done much to raise the standard of orchestration and orchestras in Italy. In Fountains of Rome, Respighi finds new ways to portray his subject matter musically, which results in an innovative work in the genre of the symphonic poem.
George Gershwin was arguably the greatest influence on 20th century music. Gershwin’s music was composed of both popular and classical musical genres, but his most popular refrains are extensively known. Gershwin’s work have been used and heard in many movies, plays including Broadway, and fit for television. George Gershwin today remains one of the greatest and most influential musical composers and pianists of all time.
Perry Bradford was an artist, musician, piano player and vaudeville and minstrel entertainer who always showed signs of change the sound of American popular music by persuading Okeh Records to release the first Blues record in 1920. Bradford was certain that there was a business opportunity for African-American music went for African-American shoppers. He experienced serious difficulties the record organizations in New York of this, yet he kept at it and figured out how to get Okeh records offered by the idea in 1920.
The song has an intriguing melody that makes me think of London in Europe, maybe it is just because I watched a movie that takes the setting of London or maybe it was the beat of the percussion and the brass, maybe more other instruments, but it created a nice light and deep feeling within the sound. The opening of the song was greatly influential releasing a great amount of energy to the audience. In the middle of the song, it was going down, but then the energy returned and renewed, propelling the overture to the finish. At the same time, it creates an opening for some kind of curtains onstage to drop down dramatically. Having the string and woodwind to act as the cushion of the song being dark and downhill while the brass and the percussion act as a representation of the beating heart of all living things. In the beginning of the song, it was in allegro but throughout the song, it goes downward with the beat being downbeat but once it hit adagio the song become more upbeat and the tempo become vivace. With the brass, woodwind playing vivace and the percussion breaking up the parts each second. Until near the ending, all instruments hit their big parts that would come as a dramatic timing. This song was a classic and I believe it was in many comedy animations back in the good old
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
Music is timeless. Its evolution constitutes part of history and through its creation history is created, as well. Music can be used to trace tendencies all around the world for each period since it has been one of the ways through which the humans have been able to express themselves. Music has also served as the tool to identify certain periods of time, that way, each generation is influenced by the iconic musical styles that prevailed during the previous one. However, the so known classical music, which is comprised by the work of great composers like Bach, Mozart, Beethoven, or Brahms starting from the 11th century to the present day and includes the Classical period and several other, has influenced appreciably the production of popular music nowadays. The song “Karma” by Alicia Keys is a vivid example of this musical custom. In this song, the artist merges samples of Johannes Brahms’s Violin Concerto, Op. 77 to conform a mix of two very different musical styles.
George Frideric Handel was born musically inclined. As a child he was deprived of musical instruments because his father wanted him to pursue the law profession. However, George was allowed to take music lessons from a local organist, by the name of Friedrich Wilhelm Zachau, after Handel had impressed the Duke when he played the organ at the chapel. In his following years, Handel would travel to many places, accepting many different musical occupations. As Handel traveled, he was introduced to many of his musical influences. He wrote operas, oratorios, anthems, secular cantatas, and also wrote scarred music. Throughout his life, Handel would become famous for his compositions, particularly for his English Oratorios, however the most popular ones today include: “Messiah”, “The Water Music”, and “Royal Fireworks.”
The melody is consistent with the song. The string instruments are prominent whereas the timpani and oboe just go along with the melody. Esta es una pieza sencilla binaria; claramente no hay devolución del material melódico apertura en la segunda parte del movimiento.
The piece opens with an allegro, minor melody with cymbal crashes and timpani rolls. There is a short pause then a major trill. Harp glissandos then accompany a legato oboe melody, which is repeated with a pizzicato string bass. The melody is then repeated by the whole orchestra. There is a crescendo with the tim...
She plays the Il Matto in front of the nuns, before her and Zampanò to go sleep, and after Zampanò leaves her. By playing the song diegetically through her trumpet, Fellini is cueing the audience that she learned what The Fool told her. The diegetic aspect of the sound emphasizes this message because it shows how the song has become a part of her, and it forces the other characters to interact with in, and relish in its beauty. The only character who doesn’t enjoy it is Zampanò.
Premiering in 1931, Still’s Symphony No. 1 was the first African-American composed symphony. The tone poem expresses the African-American experience from slavery to triumph. The first movement, Moderato assai (“Longing”), is in A-flat and features a classic blues twelve-bar pattern. The second movement, Adagio (“Sorrow”) in F major, sounds more spiritual, but continues the blues theme. The third movement, Animato (“Humor”) in A-flat, has two themes and two variations. In this scherzo movement we hear similarities to “I’ve Got Rhythm”. The final movement, Lento con risoluzione (“Aspiration”) in F minor, creates the idea of African-American triumph and pride by utilizing the entire orchestra, which includes, horns, woodwinds, strings, and percussions.
The Renaissance was a time characterized by a curiosity about human experience and the world around Renaissance thinkers. A main focus of the Renaissance was ancient Rome and Greece, which people studied in order to get a better understanding of their world. Artists and writers were able to express the ideals of the Renaissance by using an element of realism in their work that people of the time could easily relate to and understand.
Wolfgang Amadeus Mozart is often referred to as the greatest musical genius of all time in Western musical tradition. His creative method was extraordinary: his writings show that he almost always wrote a complete composition mentally before finally writing it on paper. Mozart created 600 works in his short life of 35 years. His works included 16 operas, 41 symphonies, 27 piano concerti, and 5 violin concerti, 25 string quartets, and 19 masses.
In keeping their vocal chords in between the minor and major scale, creating a subdued harmony, it is easily distinguished how the first part of the composition, we can hear the violins’ gradually keep their tempo in a relaxed but yet happy momentum. From 00:00 till 4:31 We can identify what the strong bass being played right after the violinist end their notes, I fee like this was included in the composition to help the bass player to solidify the violinists ends and its sound my profound it at the endings only. The second part of the music composition is played in A-Major, in this part of the section the composition takes a more harmonic but longer interval with an upbeat turn. Here the momentum picks up in certain phrases, making the listeners get excited. When I was listening to this part, I was able to disguising the anticipation of the coronation. It felt as though, I was physically witnessing the coronation of James II occur. The way the musical composition is played is highly soothing and remarkable because at the start of the second section, the composition starts of with a melody that has a long tempo which ends to start up gradual