Analysis of Dover Beach and The Buried Life by Matthew Arnold
Matthew Arnold is one of the many famous and prolific writers from the nineteenth century. Two of his best known works are entitled Dover Beach and The Buried Life. Although the exact date of composition is unknown, clearly they were both written in the early 1850s. The two poems have in common various characteristics, such as the theme and style. The feelings of the speakers of the poem also resemble each other significantly. The poems are concerned with the thoughts and feelings of humans living in an uncertain world. Even though Arnold wrote Dover Beach and The Buried Life around the same time, the poems also contrast. They differ specifically in mood.
Dover Beach is a poem of sadness that deals with the loss of human faith in conventional ideas and institutions. The setting of the poem is the eastern coast of England near the coast of France. Arnold begins the first stanza by describing the beautiful nature of Dover Beach: The sea is calm tonight./ The tide is full, the moon lies fair. Upon the straits; on the French coast the light/ Gleams and is gone; the cliffs of England stand,/ Glimmering and vast, out in the tranquil bay./ Come to the window, sweet is the night-air! He establishes the peacefulness of the setting, yet the very stillness of the stanza summons a mood of reflective sadness, which is quite common in Arnolds works (Allott 280). The movement of the waves is a slow rhythm for they Begin, and cease, and then again begin,/ With tremulous cadence slow. The rhythm of the sea, along with the grating roar&#...
... middle of paper ...
...nions about the world he lived in. Through his poetry readers will gather a general sense of Arnolds opinion of society and the world during the nineteenth century. Arnolds poems Dover Beach and The Buried Life provide a brief insight into the canon and thought of Matthew Arnold. These works symbolize the belief of a reality higher than our own. In Arnolds poetry are encompassed beautiful images of nature, feelings of dismay, and a world of confusion.
Works Cited
Allott, Kenneth. The Poems of Matthew Arnold. New York: Longman Group Limited, 1979.
Collini, Stefan. Arnold. New York: Oxford University Press, 1988.
Jump, J.D. Matthew Arnold. London: Longmans, Green and Co., 1965.
Roe, Frederick William. Essays and Poems of Arnold. New York: Harcourt, Brace and Company, 1928.
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
One of the ways Fahrenheit 451 can be related to Arnold’s Dover Beach is by connecting the absense of true love in both of them. Throughout the book, Montag slowly realizes that he does not truly love his wife Mildred. In the beginning, Montag believes that he truly loves Mildred. However, as the book goes on, he meets Clarisse, and begins to change his way of thought. He slowly begins to wake up from the dream world that he is living in. As he begins to know Clarisse, he slowly realizes that Mildred does not share the same deep passion for life that he does. At the beginning of the Sieve and the Sand, Montag frantically reads books to gain more knowledge. Mildred complains and kicks the books around, showing that her and her husband are growing apart. At the end of the book, Montag is talking to Granger, and says "... Even if she dies, I realized a moment ago, I don't think I'll feel sad (155)". This shows that Montag does not care for his wife as much as he thought he did before. In the poem, Arnold states "…a land of dreams ...hath really neither joy, nor love, nor light". The world in Arnold’s poem is a land of dreaming. While people are dreaming of true love and joy, there is none in the real world that you live in once you wake up from the dream. Once the “confused alarms of struggle and flight” wake you up, you realize that the world is really void of love and happiness. The world in Arnold's poem is a world parallel to that of Bradbury's: Both are worlds that do not contain love or light, as much as people in them would like to believe otherwise.
Good morning/afternoon ladies and gentlemen and welcome to the State Library of Queensland’s poetry celebration. It is my absolute pleasure to speak to you today.
“Patroling Barnegat,” is a poem about Barnegat Bay, New Jersey. This poem fits with Whitman's life because Whitman lived in New Jersey during the last years of his life. The technique of this poem is special because every line rhymes. The rhyming of every line makes the poem flow very nicely. Whitman beautifully describes the waves on the bay. He describes how the sand on the beach flows and moves on the shore. For example in the first line of stanza two, he says, “Slush and sand of the beach tireless till daylight wedding.” This description of the sand really helps you visualize it. This is how Walt Whitman’s poem “Patroling Barnegat” fits with his life and has an interesting
Why did Ray Bradbury choose the poem “Dover Beach” by Matthew Arnold? Ray Bradbury chose the poem “Dover Beach” by Matthew Arnold, because at the time when Guy Montag reads it, he is questioning his faith similarly to Matthew Arnold. Also, the poem “Dover Beach” expresses Fahrenheit 451 Guy Montag’s sadness and unhappiness with the world. Lastly, this poem represents the loss of love, and hopelessness that Montag feels.
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
In “Dover Beach”, the speaker describes how beautiful his life was before his ideals were shattered. It is set during the Industrial Revolution, where religion was challenged by the introduction of Darwin’s theory of evolution. The speaker feels powerless against these changes, as shown in the line “Swept with confused alarms o...
Throughout Grave’s poem, “Warning to Children,” a recurring theme can be observed – that life is full of diversity. This diversity is represented in the poem with the usage of colour, “…blocks of slate enclosing dappled red and green, enclosing tawny yellow nets, enclosing white and black acres of dominoes, where a neat brown paper parcel…” This thematic material is repeated several times throughout the poem, and creates an image of a never-ending cycle of colourful, wondrous things. The theme and the image that goes with it creates an allusion of the life that everyone wishes that they have – one that is forever full of different things to see and do. In this sense, this poem reflects upon part of Santayana’s quote: “The subject matter of art is life.”
Poets such as Bryant have forever been trying to write their thoughts and feelings down on paper. They write their words like a painter lays their brush to a canvas. They express ideas that not only exemplify the beauty of life and nature, but also the darkest side of one’s life; death. This notion of death is what most people see as a sad ending to a life filled with beauty, though William Cullen Bryant does not see death in that way. In his poem “Thanatopsis” he offers an optimistic outlook on death. He views it as nothing more than the moment you become one with nature and venture through its beauty for all eternity. It is truly a work of art. This is shown by the use of his effective writing skills he uses skills such as, alliteration, similes and personification that make the poem come alive, just as a painter strives to make his art come alive. Also, this poem is art due to the deep thinking required to grasp its concept of death, you cannot read it just once you must read in between the lines and analyze what the poet is saying.
The first line in this poem is only taken up by one word, ‘morning’ this may represent a peaceful approach to the day. I came to this conclusion because the poet tells us in the third line ‘sound of the blue surf’ this indicates that the sound of the sea is harmonious and it is the first image that is put into the island mans brain. The word ‘morning’ on its own can make us think that someone is actually saying morning as in good morning. ‘blue surf’ could also mean relaxation however the word ‘blue’ could mean sadness. This choice of wording makes us the readers think that the blue surf is a relaxing thing but it is sad that the island man Is away from it or that the island man Is missing his homeland.
In this poem, Frost includes his fear of the ocean and exaggerates its destructive power. As Judith Saunders stated that “The first thirteen lines have depicted an ocean storm of unusual force, and through personification the poet attributes to this storm a malign purposefulness” (1). Frost provided human characteristics on the storm to help prove his point that the ocean has bad intentions and its only purpose is to hurt him. Frost does not describe the waves as a result of unfavorable weather; he explains them as having a malignant intention to destroy the world. This poem revolves around the forces of nature and could be included in the long list of nature themed poems by Robert Frost.
Matthew Arnold begins his poem by describing a calm, beautiful scene. Dover Beach is lying "fair" in the moonlight. It is high tide and he sees the coast of France and "the cliffs of England... / Gleaming and vast, out in the tranquil bay." All seems lovely and quiet. According to Baum's research on the date and circumstances of the poem, Arnold is probably speaking to his new bride (86) as he says, "Come to the window, sweet is the night-air." But gradually the reader senses a shifting of mood and tone. Now he describes the "line of spray... / Where the sea meets" the land as "moon-blanched." And the tide, tossing pebbles as it comes, is a "grating roar" with a "tremulous cadence slow" that "bring[s] / The eternal note of sadness in." This melancholy mood grows deeper as he thinks of man's long span of history-- "The turbid ebb and flow / of human misery."