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Dance performance analysis paper essay
Analysis of dance
Dance reflection/analysis
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Introduction:
Dancing is one of the most creative art forms that many people enjoy watching. We live in a world full of diversity. This is one of the most beautiful things. It is the fact that we do not see the same thing everywhere we turn. Every dance around the world has a unique story to tell through its music, movements, and lyrics. One can find similarities amongst different dances. Today I will be describing and analyzing three different dance forms using the Feldman Model. These dance forms are Bhangra from India, Doundoumba from West Africa, and Chinese Fan Dance from China.
Identification and Description:
The Bhangra dance style visually seemed to be a celebratory dance. Throughout the dance, performers maintained joyful expressions. The music consisted of drum beats and male and female vocals. Similarly, the music for the Doundoumba dance style had continuous drum beats. On the contrary, there were no vocals, just music. The male dancers exhibited tough expressions. Visually, the Chinese fan dance was tranquil. It was different from Bhangra and Doundoumba. The music was composed using string instruments. Female vocals were incorporated with the music.
Costumes worn by Bhangra dancers were bright blue for the guys and hot pink for the girls. Guys had on a headpiece that looked like a fan. A scarf was draped over the girls’ hair. The Doundoumba costumes for the men were minimal, as they had no shirts on. They wore what looked like a small float around their upper arm. Costumes for both Bhangra and Doundoumba were flowy. Chinese Fan dancers had on a tight blouse with loose pants. Their outfit was white and blue in color. Bhangra and Doundoumba dancers performed barefoot, while Chinese Fan dancers wore socks. The s...
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...ers succeeded in all three of the different dance styles. I felt the expressions, stage set-up, and movements all worked together to achieve a certain theme. All three dances affected me because of the way I interpreted them. I thought all of them displayed meaningful life lessons. My kinesthetic response to Bhangra and Doundoumba dance styles was tapping my feet while watching the clip. During the Chinese Fan Dance I focused intently on the performers and had no physical reaction because of the calmer music. For me personally, a dance shorter than ten minutes can keep my attention. The Chinese Fan and Bhangra dance were about the same length. I think it was worth watching the clips for all three of these dances. I would definitely recommend them to my family and friends who take interest in watching dance performances. They all distinctively have beautiful aspects.
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
After watching the videos most made me feel same as in our book Bill T. Jones says, “Make something beautiful…Make something that comes honestly from you. Dare to fail.” That is exactly ho I felt after watching most of the videos. They were full of emotions and contact. The movements were very touchy feely and emotional with a story to tell; especially, the one called “What is contact improvisation?” I did reminded me of some of the previous choreographies we watched. I most of the videos there was a lots of ballet movements except the “Rennie Harris Puremovement │ Jacob 's Pillow Dance Festival 2009," which I actually enjoyed the most. I also did see some jazz, and musical, but not tap. If I look at previous video from Bob Fosse and his “Sweet Charity”, I don’t really see any connection between the videos we have see in this chapter.
Bangarra Dance Theatre’s phenomenon entitled Mathinna entails the awe-inspiring, yet historically enlightening journey of an Aboriginal girl who was taken from her home and forced to conform to the westernised norms of the 1800’s. In an era plagued by racism and prejudice, Mathinna emanates the themes of colonialism, and cultural intolerance. Following the viewing of this scintillating production it is undeniably clear that the architect of Mathinna, Stephen Page, has deliberately intended to shed light on the immoral practice of forcibly removing Indigenous children as well as address the issue of social and cultural erosion to emotionally move those of modern audiences. This essay serves to further elaborate on the cultural undertones of
The concept that belly dance is a constantly evolving dance might surprise most people, as the static Orientalist image of the belly dancer is the one that pervades American popular culture. I and other scholars attempt to remove belly dance from the ridged framework of Orientalism and the harem fantasy. By the following how belly dance arrived in America, and how images of belly dancers and harems became part of the visual culture of the West I have attempted to demonstrate that there are aspects of power and a different reading of images of belly dance is possible. Through continued scholarly inquiry and research I look forward to the emergence of a new image of belly dance, one that represents the power and beauty of this dance, an image that is respectful of the many cultures that it represents.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Chinese Dancing Bendigo style is an exceptional story that emphasises on cultural perspectives and how it affects certain individuals. In doing so, it has shaped my understanding of how life is for a half Asian, primary school boy living in Australia. Some messages found through the story are how it has a didactic aspect to it in regards of teaching us not to be judgmental due to the fact that the bi-cultural individual may be facing problems of self-acceptance in many aspects such as appearance. In addition to this, the story portrays the differences between the cultures found within the story showing me how different two cultures can truly be. Finally, in the end of the story, we see the persona accepting himself through culture showing me
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
Different Dance Styles by Doris Humphrey and Maud Allen that Presented New Dances that Displayed Innovative Movements.
Ramsay, B. (2000). Dance theory, sociology, and aesthetics. Dance Research Journal, 32(1), 125-131. Retrieved from http://www.jstor.org/stable/1478286
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.
Like many Indian arts, Indian dance also has its root in religion. Without the religious and cultural background of India, the growth and beauty of Indian dance is not possible. In ‘Natya Shastra’, there is a small story about the origin of Indian dance. According to Hindu mythology, dance first existed in heaven. There was always a constant conflict between the Asuras and the Devas for wealth and power. The Devas were tired of the Asuras’ greediness and jealousy.
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and
The dances and movements of todays is influenced by the evolution of dance. Likewise, culture has played a significant role in dance. There are various reasons to dance, and dance is incorporated in numerous functions. For years, people have dance at weddings, religious ceremonies, professional, clubs, and just for fun. On the other hand, the dance forms have changed over time. Some of the same techniques and styles are common in today’s dancing, but still many changes. Each generation introduces something new to the industry of dance. Dance is an art that continues to grow. One of the great aspects of dance is taking a style of dance and adding your own personal flavor. In other words, dance is not a cut and dry art form. We will discuss hip hop, and Baltimore club dance. Seen at the hush party
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By