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Discussion questions symbolism of poetry yeats
Analise yeats's symbolism with reference to the poems you have read
Discussion questions symbolism of poetry yeats
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Poetry often supplies the occasion for self-reflection and meditation. Yeats Among School Children manages to puzzle -yet at the same time- enthuse writers and average disciples alike. Although the stanzas –which contain many allusions, extensions and ciphers- construct a reverie, not a word of Among the School Children lends to neither an awkward nor superfluous reading. During the course of the poem, the speaker ruminates on the complexities of life, the unpredictability of love and the paradox of artistic ability. While in a classroom filled with young students, the speaker realizes that the desired but very elusive unity of being especially in regards to the creator and the creation. Though at first he is dubious about his work, through many allusions and comparison, the speaker analyses the importance of seeing the beauty of the whole simultaneously with its components. As he ages, he realizes that he is a part of whatever he creates. The body is not sacrificed to the soul; the speaker discovers his worth through the entirety of life not just its sectional spheres. The first and second stanza effectively sets up the poem; as an old man wanders amongst children he feels detached from them because of both his experience and age. The opening stanza commences with a description of the speaker’s location, “ I walk through the long school room” (1). It continues in an epic sentence ending with a period just before the second stanza. The speaker walks down the hall of a school with a nun as his guide; symbolically, the school represents the speaker’s life. As he wanders through the rooms and corners of the hall, he also navigates the episodes of his own life. The nun mentions that the children learn to cipher and read “in a modern... ... middle of paper ... ...or the bole” (64). He realizes that existence is much like the chestnut composed of three things; he cannot survive through individual miserable moments alone-life should be viewed and appreciated as a whole. Though his body has been tortured to please his soul, he can still find happiness in life in its entirety. The creator and the creation are in indissoluble unity. In essence, the poem is composed of eight extensive sentences. That Yeats writes the poem in a consistent abababcc (Ottava Rima) rhyme scheme shows how mundane and dreary life has become for the speaker. Through the contrast of the speaker’s life with that of youthful children, Yeats shows the different stages of life. By reflecting life and obsessing over the individual stages, the speaker beings to understand that the importance of appreciating the whole as neither can exist without the other.
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
The poem begins by describing, in the first person, a man distraught with grief. In the midnight hours, caught up in a dark and desolate meditation from which he vainly seeks distraction among his books, he suddenly hears a rapping at the door. His mood, already morbid, is excited into terror. Flinging open the door, he finds only the bitter emptiness he had been trying so hard to shut out moments before. Into this darkness he whispers the name of his beloved Lenore. The terror and wonder that he feels, the daring dreams he entertains, are all expresse...
Many key words jut out, giving us clues to which Yeats is describing. The most significant is “Love” on the tenth line. “Love” is capitalized representing William Yeats himself. Yeats or “Love” fled because he knew it was the best for her. When one loves another unconditionally sacrifices must be made; in this case ending the relationship was the solution. Two other key words are located in the sixth line, “false” and “true”. These words are used to exemplify the love she received from her past relationships. Some men truly loved her while others were artificial with their...
The first half of the poem creates a sense of place. The narrator invites us to go “through certain half-deserted streets” on an evening he has just compared to an unconscious patient (4). To think of an evening as a corpselike event is disturbing, but effective in that the daytime is the time of the living, and the night time is the time of the dead. He is anxious and apprehensive, and evokes a sense of debauchery and shadows. Lines 15-22 compare the night’s fog to the actions of a typical cat, making the reader sense the mystery of a dark, foggy night in a familiar, tangible way. One might suppose that “In the room the women come and go/ Talking of Michelangelo” refers to a room in a brothel, where the seedy women for hire talk about elevated art between Johns (13). The narrator creates a tension in the image of dark deserted streets and shady activities in the dark.
As ?All Things can Tempt Me? continues, Yeats addresses this question of role by describing the way he perceived bards in his youth. He speaks of the poet?s song, saying, "Did not the poet sing it with such airs/ That one believed he had a sword upstairs;" (7-8). Thi...
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
“In this poem, the night represents his destination — the poet’s own inner life, possibly self-knowledge. The poet, then, feels at least partially alienated from himself in much the same way that the night promotes a feeling of alienation from other people” (Kidd 2). Therefore, the reader can assume this rest of the poem is going to be about the narrator getting to know his place in this world while he is on a night stroll. The second line of stanza one states “I have walked out in rain –and back in rain” (Frost 157). His repetition of going in the rain twice emphasizes his miserable condition on this dark, rainy night. Nonetheless, he embraces nature and continues on with his walk past “the furthest city light” which tells the reader that he is now in complete darkness. Stanza two focuses primarily on his relationship with society. The narrator is casually walking in the city at night and sees the “saddest city lane” and
It has been acknowledged by many scholars that Yeats' study of Blake greatly influenced his poetic expression. This gives rise to the widely held assertion that Yeats is indebted to Blake. While I concur with this assertion, I feel that the perhaps greater debt is Blake's.
Through the se of metaphor, imagery, form, and rhyme scheme, John Keats crafts a message in this poem for all to hear, both young and old. To those who dread the aging onslaught of the coming years, he says to remember autumn. To those wishing again for the good old days of childhood, and feeling dissatisfied with their old age, he says to remember autumn. Age brings fruitfulness, stability, leisure, and harmony. It should be embraced for the natural and wonderful part of life that it is.
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
To conclude it has been firmly established that Keats had a profound ability to use literary techniques. Throughout his all his Odes he uses a variety of different devices, bringing forth our senses of taste, sight, smell, hearing and touch, creating an overall unique sensual experience. In reading his poetry I have gained a new found adoration and insight to the world of poetry. Reading deeper into the use of certain words and images has demonstrated that each word is as important as the previous, or next in this establishment of arousing ones senses. The world of sense has truly been evoked throughout Keats masterpieces.
This opposition shows Keats highlighting the delicate correspondence between happiness, death and melancholy having humanistic traits. In order to experience true sorrow, one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions.
Though written only two years after the first version of "The Shadowy Waters", W.B. Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world. Despite this turn in focus towards the world around him, Yeats retains his interest in symbolism, and one aspect of his change in style is internalization of the symbolic scheme that underlies his poetry. Whereas more mythological works like "The Shadowy Waters" betray a spiritual syncretism not unlike that of the Golden Dawn, "Adam's Curse" and its more realistic fellows offer a view of the world in which symbolic systems are submerged, creating an undercurrent of meaning which lends depth to the outward circumstances, but which is itself not immediately accessible to the lay or academic reader. In a metaphorical sense, then, Yeats seems in these later poems to achieve a doubling of audience, an equivocation which addresses the initiate and the lay reader simultaneously.
As the poem can be interpreted in numerous ways, and therefore, its message has a flexibility that enables its readers to mould it’s meaning to befit them. Thus, allowing its messages to be applicable to anyone, regardless of demographic. For example, the poem can also be interpreted by Christians as man’s decaying interest of Christian ideologies and the supposed products of this decay. A view held by plenty of older Christians and a important view for Christian youth to acquire in order to cement their beliefs. Though the message conveyed by Yeats that can be applicable to all contemporary youth, is that depravity and tension arouses conflict. And when we look forward, we feel our anxiety stir at the inevitable - at the international conflict embedded in humanities future. Why will this conflict occur? Because if relations between ‘super-powers’ are withered now, how would it cope though overpopulation, the depletion of resources and other problems ever nation has to overcome? How can we be sure that these super-powers won’t value land, and resources such as oil over their populations in order to maintain their economic and political power? We don’t. This is why a third world war is indeed probable, and why this poem’s core message is still relevant to all