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Characterization in Emily Bronte's "Wuthering Heights
Characterization in Emily Bronte's "Wuthering Heights
Sketch the character of heathcliff in wuthering heights
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The story begins from the point of view of an outsider, who temporarily resides in Yorkshire Moor, Northern England in 1801. The actual event concerns itself with two families who live in Thrushcross Grange and Wuthering Heights, each four miles apart, in 1778. Thrushcross Grange is two miles within Thrushcross Park. Gimmerton is the nearest town that provides residence for minor characters. Penistone Crags is a desolate, but beautiful rocky landscape that is a mile and a half away from the Heights that becomes a symbol of freedom, youth, and carefreeness; this is especially true for Catherine Linton. The moor generally experiences harsh winters and mild and cool summers. The weather in the moor often reflects the mood of the protagonists, …show more content…
The novel begins with the point of view of Mr. Lockwood, a new tenant who resides at Thrushcross Grange. Then the story shifts to Ellen, Nelly, Dean’s perspective from twenty-three years ago. Ms. Dean recollects the past and Mr. Lockwood chronicles the tale. Unfortunately, Ms. Dean supplies a substantial amount of unreliable or distorted information. Some are hearsay and gossip from nosy servants and workers, who tend to enhance the original tale by adding more drama than necessary. Lockwood’s perspective serves as first impression of the current characters. His fresh eye is crucial for readers, as it not only lessen the bias, but also measures Heathcliff’s character development. Readers can engage with the past and use knowledge from the future to understand Heathcliff’s personality and shortcomings. The additional perspective can also reveal facets of other characters’ personalities that Ms. Dean failed to …show more content…
Dean is a bold, traditional, and frugal housekeeper who originally worked at the Heights to look after Hindley and Catherine Earnshaw. She, like many others, discriminates against Heathcliff because of his appearance and background. In her first encounter with Heathcliff, she refers to him as ‘stupid little thing’ (46). Although Ms. Dean attempts to accept and understand, there is undoubtedly bias. The diction she employs to describe facial features, mostly hair, eyes, and skin color, suggests her prejudice. Since she highly regards aristocracy, she does not understand Heathcliff’s struggles and Catherine’s discomfort at the Grange. Considering Ms. Dean’s background and traditional mindset, she undermines the severity of some situations. After Catherine Earnshaw 's death, the housekeeper’s primary concern is the unfortunate gender of the only Linton heir. “A great addition, in my eyes, was his being left without an heir. I bemoaned that, as I gazed on the feeble orphans; and I mentally abused old Linton for (what was only natural partiality) the securing his estate to his own daughter instead of his son’s” (204). This statement showcases the sexism principles of the time, as well as Dean’s past economic struggles. Additionally, because she took lightly of Catherine’s threat and mental illness, Ms. Dean unintentionally worsened Catherine’s condition and the couple’s relationship. Edgar and Catherine was unable to resolve their issues and clear the misconceptions that Ms.
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
Hindley’s obstructive actions, imposed on Heathcliff’s life, expand an internal anger that arouses as Heathcliff’s time at Wuthering Heights draws to a close. The negligent and condemnatory conditions advanced by Hindley transform Heathcliff’s futuristic outcome and supply him with motives to carry out vengeance on multiple personalities involved in the plot. Heathcliff’s troubled social environment renders it difficult to determine the ethical legitimacy behind his decisions, contributing to the moral ambiguity of his
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
Heathcliff is received with hatred by his new siblings, Hindley and Catherine. The treatment given to him by the Earnshaw children is caused by his adoptive status and his past as a beggar in Liverpool. His past puts him in a class that is beneath Wuthering Heights and the Earnshaws’. Nelly, the housekeeper, gives Heathcliff advice in regards to his class; "Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!" (Bronte, 82). If Heathcliff were to imagine a better past where he was in a higher class than that of what he is – a lonely beggar who has found a place to stay through Mr. Earnshaw- it would improve his self-esteem and he would be able to act as through he was of a higher status. His class status is thus of the utmost importance in that it decides the way he will be treated in his new home.
From being isolated in the moors of England, with only the two houses-Wuthering Heights and Thrushcross Grange. And those are placed 4 miles apart from each other. Having grown up at Wuthering Heights, Catherine, Hindley, and Heathcliff all suffer from a lack of love and structure. Wuthering Heights is a very bleak and dark place, that isn’t too happy. None of them found happiness until they fled from that dreary place that they call home. Heathcliff is grumpy and mean, and wants to inflict that on everyone else around him. Hurt people, hurt people. As opposed to Thrushcross Grange, which is more structured. Edgar and Isabella are more compassionate people, because of the love that they received from their parents. It also leaves them vulnerable to Catherine and Heathcliff’s aggressive nature, as well as a ploy in Heathcliff’s plan. Knowing this, Catherine is only stuck with two options-marry Heathcliff or Edgar. Based on the decision she made (good or bad, depending on the person) it started a spiral of events that currently effects Linton, Hareton, and Cathy. The same thing is to be said about Cathy. Cathy is still in the same environment. Though she is growing up at Thrushcross Grange, and be raised by her father and Nelly. Hareton is growing up at Wuthering Heights, under the wrath of Heathcliff, which is not pleasant. He is becoming mean and malicious, something Heathcliff wants. Then you have Linton who grew up
First, Wuthering Heights is a contribution to the theme of the novel because it sets the mood for the scenes taken place inside the house. The house is first introduced to the reader during a storm. The house stands alone and the land around it is described as dreary and foreboding, which creates a mood of isolation. “On the bleak Yorkshire moors” describes the Yorkshire moors physical appearance. The estate has little vegetation and is more weathered, which moors are, as they are jutting, bare rocks towards the ocean. Wuthering Heights is an old stone house with gothic architecture and bleak interior. The people that live in Wuthering Heights are bitter and act violent. The characters of the story act wild when they are at Wuthering Heights, compared to other places in the novel. The setting of the house enforces the actions of the Earnshaws’, and Heathcliff. The name of the estate even sets a theme of gloom in the novel. Lockwood says Wuthering is, “a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather” (12).
Nelly Dean’s position as a longtime servant for both Wuthering Heights and Thrushcross Grange allow her easy access to the personal lives of these two dysfunctional families. Nelly was brought to Wuthering Heights by her mother, who was a nursemaid for Hindley Earnshaw. She grew up around the E...
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The famous saying that from a true love to a great hatred is only a
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
In Wuthering Heights by Emily Bronte, the Earnshaws, a middle class family, live at the estate, Wuthering Heights. When Mr. Earnshaw takes a trip to Liverpool, he returns with an orphan whom he christens “Heathcliff”. During their formative years, Catherine, Mr. Earnshaw’s daughter, plays with Heathcliff on the moors and becomes close with him. As a result, they form a special bond and Heathcliff and Catherine fall in love, unlike Hindley, Mr. Earnshaw’s son, who does not get along with Heathcliff. While Heathcliff benefits from his relationships, his connections are disadvantaged in terms of status, reputation, financial stability, and happiness.
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
Gerard Genette focuses on the narration of the novel by analysing focalisation, the narrative mode, the use of intrusive authors and the way time is handled in a text. Each of these contributes to a readers understanding and appreciation of a text. Focalisation is one of the key features in Narratology effectively facilitates readers to comprehend the text. Bronte adopts the literary technique dual narration in Wuthering Heights; this is when two characters narrate. The two characters that narrate, via internal focalisation in the novel, are Lockwood and Nelly. Internal focalisation is when a narrator has ‘witnessed...learned about, or even participated in the events they tell.’ (Barry, 2009, pp. 225-226) This is imperative to understanding literature; an example of this in the novel is when Nelly says ‘a ...