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The life of sacagawea
Essay about sacagawea
A paper about sacagawea
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In “ What Sacagawea Means to Me” Alexie argues that America has many contradictions, including himself and Sacagawea. Sherman Alexie begins his essay by using a theme park ride to describe Sacagawea’s journey. Alexie does this to appeal to the reader, theme parks are something that was popular at the time and readers would likely be able to relate to the experience of being at one. Theme parks are seen as places that anyone is welcome to attend, and Alexie expresses this when he says, “For the low price of admission, every American, regardless of race, religion, gender, and age, will climb through the portal and into Sacagawea Shoshone Indian brain” (Alexie 2). Alexie describing theme parks as such inclusive places has a sense of irony because
America, at the time of colonization and Sacagawea’s journey, was not accepting or tolerant of distinct or unfamiliar people. Theme parks are also seen as places of leisure and amusement, both of which Sacagawea’s journey was anything but. Alexie describes her journey by saying, “The two captains will lead the adventure, fighting rivers, animals, weather, and diseases for thousands of miles, you will march right beside them. But you, the aboriginal multitasker, will also breast-feed.” (Alexie 5-6). In this paragraph Sacagawea’s hardships are emphasized from being enslaved, sold, and wed as a child, to traveling a tribulus journey while nursing and caring for an infant. By using a theme park to depict her journey, Alexie may be getting at the fact that Americans would only be able to experience or imagine this type of hardship through a ride because of the privilege they hold, which is greater than that of Native Americans. Alexie creates irony through emphasizing an important moment in American history, Sacagawea’s journey, more famously known for Captains Lewis and Clark, and amusement parks, a staple of pop culture entertainment as a means to appeal to the reader. Although, Alexie risks isolating and drawing away readers through his commentary because of his critiques of American culture and its relations to colonization. By relating Sacagawea, a representation of Native American culture, and a Western pastime, Alexie reflects his commentary of contradictions in American society.
Larson’s use of imagery causes the reader to picture the beautiful landscape of the fairgrounds before the fair becomes, which might make the reader wish they were apart of this scenery. Larson emphasizes people will see things they “have never seen before”. Like a “broad body of water extending into the horizon” (55) , making the reader feel as if
Sherman Alexie is an author that uses his experiences in life living on the reservation as tool to create his stories. Alexie describes the misery, alcoholism and poverty that shaped the lives of Native Americans living on reservations. Alexie writing emulates hatred and sadness but leaves readers with a sense of understanding, and compassion for characters who are portrayed in apparently hopeless circumstances. Alexie’s creations incorporate characters who struggle to survive a constant battle of their spirit, mind and body by White American society that they live in and their own sense of powerlessness and self-hatred of themselves. Through Alexie’s life he strives to be the
In this essay, McFarland discusses Native American poetry and Sherman Alexie’s works. He provides an overview of Alexie’s writing in both his poems and short stories. A brief analysis of Alexie’s use of humor is also included.
Sherman Alexie is very well known for his takes on Native Americans in modern American society. His books and stories most often are inside thoughts of situations that are occurring or have already occurred. Two of his shorter stories highlight two very different situations but in a sense connect with another. “Flight Plan” and “Breaking and Entering,” although confronting Native American characters, reveal to the reader the important information about American life in general. “Flight Plan” is a story that involves an encounter between a Native American business man and an Ethiopian taxi driver. This story takes place in a taxi cab, revealing personal information to allow the reader a generalization of how people of color are too judgmental, not just one group in particular. “Breaking and Entering” is a short story telling the recollection of events an American Indian editor faces before, during, and after a breaking and entering while he was home and the death he inflicted on a young Black male. Sherman Alexie uses his collection of stories to describe how Americans as a whole judge according to what race/ethnical background the judged is assumed to belong to and that those judgments are based on unreliable stereotypes. Sherman Alexie reveals to the reader in “Flight Patter” and “Breaking and Entering” that the American society tends to judge the individual according to the groups of inclusion that the individual is assumed to belong to.
A basic of Disney theme parks is the Main Street USA zone. This section features highly in all of the parks, usually coming right after the entrance. Key services like Guest Relations are located in this section, inside the "City Hall" (HK Disney Source, 2014). There are a number of elements to the Main Street, USA exhibit, and these will be discussed along with the history of Main Street USA in this paper. In particular, how the different elements of Main Street USA work together are covered. The concept has proven to be long-lasting, even across cultures, because of its magical portrayal of idealized American life, which draws heavily on Walt Disney's own childhood experiences.
In “What Sacagawea Means to Me,” Alexie’s tone was satirical. He constantly makes dark but humorous remarks about the way Sacagawea’s treatment during her life. Alexie writes about a Sacagawea theme park where one would be put through the things Sacagawea went through in 15 minutes, which mocks Sacagawea by comparing her life to a western attraction. He writes that
that Disney displays certain aspects of “social vulnerability which need to be raised to a level of
In conclusion, Sherman Alexie created a story to demonstrate the stereotypes people have created for Native Americans. The author is able to do this by creating characters that present both the negative and positive stereotypes that have been given to Native Americans. Alexie has a Native American background. By writing a short story that depicts the life of an Indian, the reader also gets a glimpse of the stereotypes encountered by Alexie. From this short story readers are able to learn the importance of having an identity while also seeing how stereotypes are used by many people. In the end of the story, both Victor and Thomas are able to have an understanding of each other as the can finally relate with each other through Victor's father.
Sherman Alexie’s character’s often struggle to release themselves from the stereotypes that have been forced upon them. The narrators of these stories all become the Indian that the white man wants them to be in order to tell their stories. This can leave the readers with a sense of discomfort, which is exactly what Alexie wants to do. He wants the reader to feel uncomfortable with these stereotypes so that they know there is something wrong with attaching a group of people to certain standards like that their all alcoholics, live on reservations, and spiritual. He pushes this feeling of discomfort onto his readers to make them aware of social injustice and immorality towards Native Americans and much of this discomfort is projected through the use of dark humor, cultural assimilation, and ceremony.
People, places, songs, and even simple items such as a stuffed animal, a pillow, or a blanket can foster a person’s memory and take them back to a memory they hold dearly in their hearts. Often, such items of remembrance are used to bring back a person to their carefree and blissful childhood years. For many Americans, the Central Park Carousel in New York brings back memories of the entertainment of growing up in New York, and the wonderful memories of birthdays, family gatherings, and more. This historic carousel remains a timeless memory for those who enjoyed its delightful music, gleaming horses, and cheery atmosphere-never failing to bring a smile to ones face. A classic landmark in Central Park, the Central Park carousel has intregrated itself into the hearts of Americans. In his classic American novel, The Catcher in the Rye, J.D. Salinger puts such memories into writing through the relationship between Holden and Phoebe, and uses the carousel as a primary symbol in the novel, enhancing the overall theme.
Since 1840 the Hawaiian Islands have been an escape to a tropical paradise for millions of tourists. People all over the world encounter alluring, romanticized pictures of Hawai'i's lush, tropical vegetation, exotic animals, beautiful beaches, crystal clear water, and fantastical women. This is the Hawai'i tourists know. This is the Hawai’i they visit. However, this Hawai'i is a state of mind, a corporate-produced image existing on the surface. More precisely, it is an aftermath of relentless colonization of the islands' native inhabitants by the United States. These native Hawaiians experience a completely different Hawai'i from the paradise tourists enjoy. No one makes this as clear as Haunani-Kay Trask, a native Hawaiian author. In her book, From a Native Daughter: Colonialism and Sovereignty in Hawai'i and through her poetry in Light in the Crevice Never Seen, Trask provides an intimate account of the tourist industry's impact on native Hawaiian culture. She presents a negative perspective of the violence, pollution, commercial development, and cultural exploitation produced by the tourist industry. Trask unveils the cruel reality of suffering and struggling through a native Hawaiian discourse. Most of the world is unaware of this.
In part fictional and part autobiographical novel “A Small Place” published in 1988, Jamaica Kincaid offers a commentary on how the tenets of white superiority and ignorance seem to emerge naturally from white tourists. She establishes this by using the nameless “you” depicted in the story to elucidate the thoughts they have when visiting such formerly colonized islands. This inner mentality of the white tourists reveals how tourism is still a form of oppression for the natives of such formerly colonized tourists as it continues to exploit them. I will be focusing primarily on page 10 of the text to illustrate this.
Reyes, Angelita. Memory, Narrative, and Identity: New Essays in Ethnic American Literatures. Carnival as an Archaeological Site for Memory. Boston: Northeastern University Press, 1994, 179-197.
With all the heavy topics Alexie discusses in his works it's important that he incorporates humor to keep the book from being too weighed down by the tragedy of Native American history. Satirical portrayals are used frequently in his poetry to help bring attention to the ridiculous stereotypes of American Indians, that are frequently broadcasted in the media. Lastly Alexie uses analogies to make comparisons between the stereotypes of new and old Native Americans. Sherman Alexie uses humor to work as a
That is to say, Hong Kong Disneyland offers a uniquely western experience within the confines of Asia. The perception of Hong Kong Disneyland as a global brand can vary depending on the social groups that each consumer identifies as. Mainland Chinese visitors that are unaccustomed to western culture and modernity can feel as though they’ve stepped into a separate western sanctuary where they can fully experience another way of life. The more modern and westernised Hong Kong Chinese visiting the park are able to enjoy their visit in a relaxing