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Rape culture in subcontinent essay
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During the 18th century, an artistic movement developed called “ The Castas Paintings” which described and categorized in an artistic manner the racial combination of people and its outcomes in the New World (Latin America). The Spaniard’s socio-racial ideas spread and influenced North America where Ford’s western film “The Searchers”, represented people’s attitudes against other races at that time. The film mainly depicts Ethan’s obsession with the kidnapped niece Debbie, as again embodying the obsession and control of the woman’s body as a ground zero for interracial sex. The mentality played by the film’s characters can easily be related and compared with the society in the New Spain. The Castas chart can describe Debbie’s role in the film as well as explaining Ethan’s attitude and desire to kill his niece after it was clear that she had become an Indian. John Ford’s film, “The Searchers”, chronicles a man’s obsessive quest of an Indian tribe who murdered his sister’s family and kidnapped his little niece. The Searchers was not different from other western films …show more content…
The immigration of the European white women was not as much as men during colonization in the new world. The few women that immigrated held a high social status and did not mix with non-whites. In consequence, the scarcity of white women, contrasted with the availability of indigenous women. This is how the Castas Chart took place to describe all possible combinations of races and outcomes without including the white woman. The society during colonization reinforced their ideals of white supremacy by the concept of superiority expressed in Spanish as “Limpieza de Sangre”. White women were not allowed to marry or to sexually encounter with a non-white man. This is the reason why the Castas chart did not include nor represent the white woman in their
In the eighteenth Century, Colonial European and Mexican artists were fascinated with the emergence of racial blending within the Spaniard bloodline. Works of art began displaying pieces that portrayed three major groups that inhabited the colony— Indians, Spaniards, Africans and other ethnicities. This new genre of painting was known as Casta painting and portrayed colonial representations of racial intermarriage and their offspring. Traditionally Casta paintings were a pictorial genre that was often commissioned by Spaniards as souvenirs upon their arrival from New Spain (Mexico). And yet, why would such works have so much fascination despite its suggestive theme? It is clear that Casta paintings display interracial groups and couples, but they seem to have a deeper function when it comes to analyzing these works. These paintings demonstrate that casta paintings were created to display racial hierarchies within the era. They depict the domestic life of interracial marriages and systematically categorized through a complete series of individual paintings. It is clear that the fascination of these works reflected the categorizing of new bloodline that have been emerging and displays these characters in a manner that demonstrates the social stereotypes of these people by linking them with their domestic activities and the items that surround them as well. Despite the numerous racial stereotypes that are illustrated in these works, casta paintings construct racial identities through visual representations.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
10. Richmond, Douglas. “The Legacy of African Slavery in Colonial Mexico, 1519-1810.” Journal of Popular Culture 35, no. 2 (2001): 1-17.
Martínez, Elizabeth Sutherland. 1998. De Colores Means all of us: Latina Views for a Multi-Colored Century. U.S.: South End Press.
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
A more modern outlook on the film recognizes the film's flaws but gives it, it’s credit as the last fully realized work of one of the most important directors in American cinema history. Ford understood that an audience's recollections of older, less complex Westerns would add a layer of expressiveness to the viewing experience. The black-and-white structure helps him achieve this. Ford’s decision to shoot the film in black and white in 1962 produced a dark, anachronistic look, while the unconcealed soundstage effects of the film’s opening scene reinforced Ford’s vision of a wilderness, interiored Western frontier. Just as Ford intended, many of the flashback scenes are masked in darkness, whereas the frame tale is immersed in light. This con...
“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Native Americans are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starring John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece.
The American film industry’s early attempts at the narrative Western were limited and in the early years were produced mainly in the east. During this early time in the film industry the...
The White Savior Complex is a trope where an ordinary ethnically European character meets an underprivileged non-European character. Taking pity on the other characters situation, the White Savior ‘selflessly’ volunteers themselves as their tutor, mentor, or caretaker, to help them rise above their predisposition (White Mans Burden, 2004). The White Savior, at their core is the application of colonialized ideals, which casts people of colour as incompetent, and hopeless, until the White Savior comes to rescue them (White Mans Burden, 2004). A common destructive trait of this trope involves white people conquering non-white people, and eliminating their culture under the prefix of 4helping them (White Mans Burden, 2004). The conception of this trope took place in the 18th and 19th century in adventure fictions. During the period of European exploration, the trope has since modernized and has become problematically common (Kings...
Western movies such as Rio Bravo and El Dorado illustrate America’s rugged and picturesque scenery explaining life as it was in the wide open country, at a time when few laws were in place to safeguard the public. These two films tell the story of four men who arrest and
The Spanish culture is rich in history. They demonstrate a sense of family, religion and community in order to maintain their heritage. My paper will review briefly the Spanish culture and evaluate the contrast and similarities between them and African Americans. This flow chart will range with differences and similarities on religion, socialization and there place in the future of our country. This journey allowed me to learn a great deal.
Based on a true story, the movie ‘Lone Survivor’ features four Navy SEALs that set out on a mission to Afghanistan with orders to capture and kill Taliban leader Ahmad Shah. The Navy SEALS are detected by villagers and the mission was compromised. Ultimately, the mission had been discovered and the men found themselves surrounded by dozens of Taliban soldiers. One of the Navy SEAL soldiers managed to dispatch to base and retrieve assistance but the Taliban shoot down the helicopter. During battle, three of the Navy SEAL soldiers were killed leaving one still alive.
The casta paintings were a series of paintings that represent different racial mixtures between the Spaniards and Indians or mestizos, Spaniards and Blacks or mulattos, and Blacks and Indians or zambos. Often, the structure of a casta paintings was that it consisted of a large painting with many individual squares with smaller paintings. The purpose of the casta paintings was to establish a racial hierarchy. For instance, those from wealthier backgrounds were placed on top, and those who were impoverished were placed lower in the painting. Often, the paintings would have depict typical clothing for different social classes, reveal details of architectural space and home life, and present meticulous depictions of everyday objects. Essentially,
In the novel This Earth Of Mankind by Pramoedya Ananta Toer, discrimination against social structure, race, and gender is apparent. The setting is in the Indies, or now called Indonesia. At that time, there are terms for different races in the book, which are “Native” indicating someone who is pure Indonesian, “Indo” a half European and half Indonesian, and “Pure Blood” or “European” when someone is pure European. An Indo and a Pure Blood receives more respect in society than a Native. Furthermore, European or Pure Blood is at the top of this social hierarchy, people who are European or Pure Blood receives the utmost respect in society. Differences in gender is prevalent in this novel, where most women in this book have power in their own homes, but in society is looked down upon. Female characters experiencing these are Annelies, the main character’s love interest, Nyai Ontosoroh, Annelies’ mother who is a concubine, and Magda Peters, the main character’s European teacher. Women in this novel are portrayed differently according to what race, social structure, and gender they are born in, which can be seen through Nyai Ontosoroh, Annelies, and Magda Peters.
In the film, ‘The Killing Fields” all of the real events that took place, of which the film is based off, all make for an accurate representation. It makes for a haunting and woefully effecting film, which has a lot to say. As proven by the terrifying imagery and the bigger than life characters. I do believe that for the most part ‘The Killing Fields’ is a fairly accurate representation of the actual events. In both the film and in real life, it’s referenced that Richard Nixon did in fact order an incursion into Cambodia, which resulted with the unfortunate spark to the flame, in igniting the beginning war. The film also goes as far to reference the American withdrawal and Neak Luong, which also happened to be bombed by the Americans too. In the film it also accurately depicts the environments surrounding the protagonists of the picture, to match the real thing. There were awful water fills, many bodies bombed areas and destroying the homes, from impact. This unhumanly endeavour of the bombing of Cambodia, was referenced in the actual film. This does prove a great deal of accuracy.