Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The metaphysical poetry 17 century
Metaphysical poems
Writing metaphysical poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The metaphysical poetry 17 century
Good morning fellow poetry enthusiasts of the Tablelands Poetry Society and a warm welcome to today’s poetry seminar “Poetry Matters.” My name is Laura Davidson and the focus of my poetry analysis today is “The Sun Rising” by one of the most celebrated poets of the metaphysical era, John Donne. "The Sun Rising" is an enchanting and captivating read where Donne declares to the sun and to the entire world that his lover is the centre of the universe. In my seminar today, I invite you to reflect on my reading and analysis of The Good Morrow, and in particular focus on the skilful ways in which Donne shares his frustration with the sun for ending the night he had just spent his beloved.
John Donne was born in 1572 in London. His family were Roman Catholic when practicing this religion was illegal in England at the time. He was quite a promiscuous man shared his love amongst many women but I it suggested that “The Sun Rising” is written about his true beloved, Anne More. The themes of love and dissatisfaction run through this poem. Love in "The Sun Rising" is immediate and romantic. It’s the kind of love that makes the speaker feel like they can pick a fight with the sun, which is what Donne did after all. John Donne is dissatisfied with the sun for ending the night spent with his beloved. He doesn’t wish to re-join the world.
Like many of us in the morning, Donne starts off angry at the sun while lying in bed with his beloved. He calls the rising sun a “busy old fool,” and asks why it is bothering them through windows and curtains, “Busy old fool, unruly sun; why dost thou thus; through windows, and through curtains, call on us?” In lines 4 to 10 he describes how love is not subject to season or to time, he says, and he scolds the sun...
... middle of paper ...
...exempt. Their intense love breaks free of that chain. (Shmoop, 2014) Most of the imagery is in the second stanza, Donne argues that for all their strength of the sun’s light beams, they can be put out if he simply closes his eyes. Obviously, this isn’t literal because shutting your eyes does not make the sun disappear, it is still there. Donne creates an excellent poem with his smart and purposeful use of poetic techniques.
John Donne effectively evokes the discourse of love through the use of subject matter, theme and poetic devices such as imagery, symbolism and structure. “The Sun Rising” is a good example of a metaphysical poem in terms of its development and successfully expresses Donne’s love for his beloved and the frustration he feels towards the sun. I hope this seminar has enlightened all you poetry enthusiasts over John Donne’s talent as a metaphysical.
When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
The sun has been an endless source of inspiration, both physical and spiritual, throughout the ages. For its light, warmth, and the essential role it has played in the maintenance of the fragile balance of life on earth, the sun has been honored and celebrated in most of the world's religions. While the regeneration of light is constant, the relative length of time between the rising and setting of the sun is affected by the changing of the seasons. Hippocrates postulated centuries ago that these changing patterns of light and dark might cause mood changes (9). Seasonal downward mood changes of late fall and winter have been the subject of many sorrowful turn-of-the-century poems of lost love and empty souls. For some, however, “the relationship between darkness and despair is more than metaphoric (6).
654, line 1&2). The sunlight motion suggesting a “balance of upward and downward, rising and falling” (Harris, J. 2004), resplendent in nature and indirectly influences the reader spiritually and emotionally. Jane Kenyon’s Let Evening Come (1990), uses sunlight to project an image of a slow moving late afternoon sun, which will soon slip into the darkness of night. The light through the “chinks in the barn” (Kenyon, 1990, pg. 654, line 2), gives me the sense of an aging body and soul fading into the darkness.
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
John Donne, a member of metaphysical school in the Seventeenth century, exhibited his brilliant talent in poetry. In "The Flea," he showed the passion to his mistress via persuasive attitude. The tone might straightforwardly create playfulness or sinfulness; yet, the poem contains none of either. What impress readers most is situation and device. The situation between the speaker and the audience is persuasion, love or marriage. As to device, the notable parts are diction and rhetoric skills. Furthermore, unique characteristics of this poem are also an important element of his persuasive tone.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
In the second stanza Donne furthers his comparison for a peaceful separation. "So let us melt, and make no noise" (line 5). The word "melt" implies a change in the physical state of love. The physical bond that he and his wife have will dissolve quietly like the soul of a dying man from his body. "N...
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
The first stanza shows a wide range of fantastical language with the intention of drawing the reader slowly and steadily into the hazy, dreamlike setting. Along with the words like ?fantasy?, ?fables? and ?dreams? come affectionate phrases that effectively show us that the poem is meant to be addressed to a lover, ?Dear love? being the most obvious example. Later on in the poem, the language shifts from drowsy and steady to more intense and complicated, yet less passionate and more doubtful. Donne?s choice in the last stanza to utilize fiery words like ?torches? and phrases ?light and put out? and ?thou cam?st to kindle? depict a sense of overwhelming passion, as uncontrollable as fire. Donne doubts that he can control his lover to continue loving him as fervently as in his dream, which is why his dream lover is ?an angel? while his lover in reality is compared to fire.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
Donne develops this idea through the symbolism of the flea and the twisted imagery of the Trinity. He uses slant rhyme to depict the man’s slanted argument and stretched logic, which highlights the man’s crooked idea of what physical love is. Donne’s use of slant rhyme and hyperbole mock other poems that praise women with flowery language in an attempt to charm them into bed. In contrast, the speaker here uses crude arguments meant to woo this woman to sex with him. Renaissance carpe diem poems speak about enjoying physical love within one’s short-lived youth.
He compares his relationship with his love as “stiff twin compasses” and other similar comparisons to describe their unity (Dunne 26). Like a compass, they always seem to be working cohesively as one unit. It could have the same theme as “The Passionate Shephard to His Love” by Christopher Marlowe, the theme of love conquering all. They both seem to have an idealistic view to the relationship as well, as the shephard in Marlowe’s poem insists that his love “will all the pleasures prove” if she were to go with him (Marlowe 2). Both poems aim for a perfect life with their love, and Donne’s poem manages to come up with a more realistic option out of the
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
Donne’s approach to the topic plays an important role in the result in which the poem ended. Instead of being utterly romantic and persuading his lover in a kind and tender way, he is straightforward and not afraid to ask of her what he wants. To a certain extent the metaphor of a flea can be deemed as logical in the sense that if a flea bit them both their blood would have already been shared. In this poem Donne breaks the barriers of Petrarchan poetry when using metaphysical wit and conceit to portray his feelings making metaphysical poetry much more interesting and challenging.