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The little mermaid fairy tale analysis
The little mermaid fairy tale analysis
The little mermaid fairy tale analysis
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Most children who grow up in America are familiar with Walt Disney Animation Studios and most importantly the princess films they make. The majority of the films consist of a joyful protagonist (woman) who overcomes an obstacle in their life. The obstacles will vary from princes to princess but in the end of the film the woman will have obtained a “happily ever after” with another person of the opposite gender. These movies that are mostly known for being joyful originate from a once tragic story. Two Disney princess stories that originally had a not so happily ever after for all of their characters are The Little Mermaid and Sleeping Beauty.
One of Disney’s biggest blockbuster movies, The Little Mermaid, earned $211,343,479 after it was released (CITE MERMAID). This movie is known around the world for its protagonist Ariel: a kind young mermaid who is the daughter of the king of the sea, Triton. The version of The Little Mermaid that almost all people are familiar with is the 1989 version that was directed by Ron Clements and John Musker and written by Roger Allers (CITE MERMAID). This film consists of the basic story line as mentioned before; a woman overcomes an obstacle and ends up happily with a man. More specifically the story is about a mermaid who swims to the surface of the ocean out of curiously of the ship above her. She quickly falls in love at first sight with a human prince on deck named Eric. That very ship encounters a bad storm and the little mermaid (Ariel) ends up saving Eric by swimming him back to shore. In that moment on the shore, Ariel becomes infatuated with the idea of becoming human in order for Eric and herself to fall in love. Ariel’s father, Triton, strongly discourages any thoughts about meeting hu...
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...er heart” and was devastated that she was losing her love and would die. Ariel’s broken heart was far more hurtful than her physical pain. After Ariel watched her love be married off and her opportunity to have an immortal soul vanish her six sisters swam before her with their hair being chopped off and holding a knife saying:
We have given our hair to the witch,” said they, “to obtain help for you, that you may not die to-night. She has given us a knife: here it is, see it is very sharp. Before the sun rises you must plunge it into the heart of the prince; when the warm blood falls upon your feet they will grow together again, and form into a fish’s tail, and you will be once more a mermaid, and return to us to live out your three hundred years before you die and change into the salt sea foam. Haste, then; he or you must die before sunrise. (Hans Christian, 2007).
The next morning, as he leaves the castle he breaks a rose of its stem and the Beast appears. Beast is angry with this intruder's thanklessness and tells the man that he will spare the man's life if he returns in a month to give him one of the daughters. The man returns home and tells the whole family of the enchanted castle and the promise made to the Beast. Beauty steps up as the daughter that will give up her freedom for her father. When the month is up, Beauty enters the castle to await her fate.
In “Little Girls or Little Women? The Disney Princess Effect,” Stephanie Hanes covers the sexualization of young girls and women in every aspect of the media that influences children and teens. She explains that girls see media figures, movies, and sports being sexualized, and how this is causing children to associate looking and acting a certain way to being ‘the perfect women’. Hanes believes the hypersexualized media is causing girls to obtain a negative body image and it’s killing their self-esteem. The author proposes what she believes society should do about overcoming this obstacle, and how people can crush the stereotypes about women; to her everyone is responsible and should aid in fixing these problems. She explains that the media
In the 1930s, Disney’s first full length animated movie, Snow White and the Seven Dwarfs, was released. This movie set the pattern for future Disney movie plots, which continues for decades. In the 1940s, Disney released 3 animated movies: Pinocchio, Dumbo, and Bambi. However, these movies did not feature a main female character. In the 1950s, the two main movies that were released were Cinderella and Sleeping Beauty. These movies picked the passive heroine trend back up and had a prince to rescue the princess from her troubles. In the 1960s, Disney brought us 101 Dalmatians, The Sword in the Stone, and The Jungle Book, none of these with a female heroine. The 1970s brought about The Aristocats, Robin Hood, The Rescuers, and The Many Adventures of Winnie the Pooh. The only significant female character is Maid Marian from Robin Hood, who waits for Robin Hood to “sweep her off of her feet.” In the 1980s, The Fox and the Hound, The Black Cauldron, The Great Mouse Detective, Oliver and Company, and The Little Mermaid were released. With The Little Mermaid, Disney got back to the fairytale storyline. The 1990s brought us Beauty and the Beast, Aladdin, The Lion King, The Hunchback of Notre Dame, Hercules, Tarzan, Pocahontas, and Mulan. This is where Disney movies start to evolve with new, women-favoring, storylines. In the 2000s, Disney laid off the fairytales for a while and
Disney empowers both male leads, in Sleeping Beauty Prince Philip is already in Aurora’s dreams so the narration is telling us that Aurora is also giving much importance to him. This empowerment of the male is reinforced in The Little Mermaid where the prince is “waiting” for Ariel to adapt to the human life. Because Ariel is in love with Eric, she wants and admires him so much that the prince becomes almost the primary subject of the film and the main goal and final object. In the movies, the songs are really different: Disney chose an old song for Sleeping Beauty from the musician Tchaikovsky of the 19th century which conveys a classical representation of love where the soundtrack establishes a formal separation between the prince and the princess. However, the songs in The Little Mermaid are created just for the movie, they are lively sounds and easy and funny lyrics that children may memorize very quickly, and this is what makes The Little Mermaid to be a current feature film still in 2015 while the song of Sleeping Beauty remains just an old melody that needs to be recreated if we want to keep the myth
We’ve all seen the Disney movies and have fallen in love with the idea of being a princess, and having you true love carry me off into the sunset. “And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.” (129). Orenstein explains here that the word “princess” simply tells these girls that they will never experience pain. Have you ever seen a Disney princess experience pain? Only over their true love of course, which they always get in the end, telling girls they will get what they want. This sends a negative message to little girls that they have to have true love and they always should get what they want. But in reality, disappointment is everywhere we go and there's no pain without
...aves Princess Jasmine multiple times and falling in love at first sight. They also live happily ever-after together, just as every other Disney prince and princess in every other Disney movie. Parents should be aware of the subliminal messages that their children view in the Disney movies they are watching, and grow up to believe that is how life goes. The children that are growing up watching Disney movies with such strong gender stereotypes are learning things they may factor into their own futures, and think that acting the way of the Disney roles is the only way for them to live their life in a happy manner. The way Disney animated films assign gender roles to their characters effect young children’s views of right and wrong in society. It is wrong, and they should not be exposed to such material growing up because it is harmful to their future expectations.
In the past all of Disney’s Princess movies tend to follow a similar plot line. It was always the same formula, the princess falls in love with the first man she meets and relies on him for comfort and guidance as they go off to live happily ever after. This formula has worked commercially and financially for Disney with movies like, Snow White and The Seven Dwarfs (1937), Cinderella (1950), Sleeping Beauty (1959), The Little Mermaid (1989), Aladdin (1992), and Pocahontas (1995). While these movies have turned Disney a huge profit they have never given young girls a strong, independent role model to look up to. These films, while entertaining and visually appealing, have taught young girls nothing but to find the person that they will spend the rest of their life with as soon as possible. Not one of the princess movies allows the princess to be anything more than something of a housewife. These women did not pursue any type of dream or career, they just fell in love with the first man they saw. Now while the Disney princess movies of the past have only been about finding love and riding off into the sunset, there was a Disney release last year that broke the cycle. Frozen, released in November of 2013, was a box office hit grossing over $400 million domestically and $700 million internationally. It did not focus on finding love for the main female character. Instead it built two strong female lead characters while focusing on the importance of sisterhood.
Trites, Roberta. "Disney's Sub / Version of Andersen's The Little Mermaid." Journal of Popular Film and Television 18.4 (1991): 145-52. Print.
In fact, the movies do not even have to show the mermaids as evil creatures to incorporate details or ideas from Scottish Folklore, as shown by the famous Disney movie, The Little Mermaid. In this tale, Ariel has an amazing voice that she is loved for and is a major part of the plot (Johanningmeier scene 2). Ariel’s voice is a major part of her character as a mermaid. When she becomes human, she loses her voice entirely, associating the amazing voice with being a mermaid. This emphasizes the trait from Scottish Folklore of mermaids being creatures that possess unnaturally beautiful voices. King Triton is originally spoken of because of his powers over the sea (Johanningmeier scene 1). The fishermen claim that as a merperson, he has the ability to control the ocean and its waves. It is no wonder, with many of Scotland’s folk tales describing mermaids having various magical powers. Even with the entirety of the movie showing the goodness and beauty of mermaids, the writer of The Little Mermaid still managed to sneak in a reference to a darker side of the sea dwelling creatures. When the fishermen sing about mermaids, they include the lyrics “...Look out, lad, a mermaid be waitin' for you, In mysterious fathoms below,” (Johanningmeier scene 1). This paints mermaids as creatures that are waiting to enchant and drown the men on board. Even in a children’s movie with nice mermaids, Scotland’s
of the Cinderella story are psychologically harmful to women.” (p648). The fact that Cinderella is a limited character may give the girl an impression that she should be happy with what she has and not have any or aspirations in her life. That is, until her Prince comes to rescue her. Since these comments were made, the Cinderella story has been modified and changed. In order to see how gender roles have changed in fairy tales from the old to the new, let’s compare the classic version of Cinderella by Charles Perrault to a recent version which is a movie that was released in 1998 called “Ever After”which was directed by Andy Tennant.
In both Hans Christian Andersons “The Little Mermaid,” and Disney’s version of the story, the main character— a young and beautiful mermaid— waits anxiously for her fifteenth birthday to venture from her father’s underwater castle to the world above the water. As the story carries on the mermaids priorities change; her modest and selfless nature is revealed towards the end in Andersen’s version. However, Disney’s version encompasses a rather shallow ending and plot throughout. The theme found in comparing the two versions reveal that Andersen’s substance trumps Disney’s entertainment factor in fairy tales.
The text I will be deconstructing is the Walt Disney Feature Animation film The Little Mermaid released in 1989. The film was directed by Ron Clements and produced by John Musker. The Little Mermaid (1989) is the story of a young mermaid who gives up her voice in order to become human and find her one true love Prince Eric. I find the film to be incredibly significant, not only in its portrayal of feminine roles, the human body, and the willingness to sacrifice for true love, but in the film's vast audience and popularity. I will be using the feminist framework, as described in Critical Media Studies: An Introduction by Ott and Mack (2010), to deconstruct The Little Mermaid (1989).
Neikirk, Alice. ""...Happily Ever After" (or What Fairytales Teach Girls About Being Women)." Web. 8 Dec. 2013.
The commonly used saying, “they lived happily ever after,” originates from early fairy tales. Fairy tales are stories that feature fanciful characters that convey a moral to teach children lessons and values that they will keep for the rest of their lives. The original story of “Cinderella” by the Grimm Brothers and the later Disney version Cinderella (1950) are both descriptions of a legendary fairy tale of a kind and gentle girl who overcomes the rancor of her stepmother and stepsisters and ultimately finds a happy ending. Although both stories have the same plot, the overall messages that they deliver are different.
No matter how much we try and do everything right, some things just are not meant to be and the mermaid was not meant for the prince (Ingwersen). Love can make people go crazy and they will do anything to receive that same love and passion back from them (Cravens). In this story, the little mermaid is madly in love with the prince and she does everything and anything to gain love back from him. “Stick out your little tongue, and let me cut it off in payment, and you shall have the potion." "Let it happen," whispered the little mermaid” (Andersen).