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How does wole soyinka depict racial discrimination in telephone conversation
Telephone conversation by wole soyinka short meaning
Telephone conversation by wole soyinka short meaning
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Social Issue on Racism “The Telephone Conversation”
Wole Soyinka is a name that is larger than life in the literary world. His masterclass comes to the fore in the poem Telephone conversation (Soyinka 52). The poem has subtitles, irony, and an underlying theme, which is racism. A dark reality that he skillfully reveals and shows is utterly ridiculous. The poem introduces a West African persona to the audience. The poem tells the story of the man who makes a phone call to a potential landlady, as he is in need of a place to stay. However, it quickly boils down to the matter of his skin color. Any relevant details, such as the price of the apartment or amenities available, are left untouched. Telephone conversation paints a sorry picture of
The landlady in the poem is pivotal in this context. The speaker suggests that she is well off and comes from a good background. She is polite by default, but the man can still sense her strain to remain civil, when a deeper stronger desire resonates within her. The desire temporarily escapes like steam, when her “light impersonality” (Soyinka 22) transitions to “hard on the mouthpiece” (Soyinka 26). The poem, albeit ironically, continually describes the landlady in glowing terms. It is her final action (to deny lease) and her crude questions that reveal her shallow and racist self. The West African man thinks she is considerate enough to vary her tonal emphasis to keep it civil, but her civility wears thin under the weight of her racism. As the reader, one gets the impression that she has a sense of decorum. If she was dealing with a white person, she would be well-mannered, but she is talking to an African. The thought itself leads to “silenced transmission of pressurized good-breeding” (Soyinka
It deals with the dark issue of social racism in a comical light. The man displays an impressive grasp of English vocabulary that serves the purpose of showing the absurd nature of judging a man’s character by his skin (Obuke 261). The poem also shows that discrimination is not exclusive of a specific region or country. Socialization produces the side effect of human beings who do not judge a book by its cover, but have no qualms judging a man by the color of his skin. Such emotions as anger, disgust, and humiliation have been cleverly camouflaged by the use of irony and sarcasm. Telephone conversation is a timeless piece of art, because it talks about issues that plague our society to this day. Social racism is not restricted to color, it has moved on to religion, culture, and sexual
The poem told the story of a man who is inhibited by language, and has never quite had the ability to articulate his thoughts and feeling through words. It is said that his family members have tried
The stories that the author told were very insightful to what life was like for an African American living in the south during this time period. First the author pointed out how differently blacks and whites lived. She stated “They owned the whole damn town. The majority of whites had it made in the shade. Living on easy street, they inhabited grand houses ranging from turn-of-the-century clapboards to historics”(pg 35). The blacks in the town didn’t live in these grand homes, they worked in them. Even in today’s time I can drive around, and look at the differences between the living conditions in the areas that are dominated by whites, and the areas that are dominated by blacks. Racial inequalities are still very prevalent In today’s society.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
In this poem, there is a young woman and her loving mother discussing their heritage through their matrilineal side. The poem itself begins with what she will inherit from each family member starting with her mother. After discussing what she will inherit from each of her family members, the final lines of the poem reflect back to her mother in which she gave her advice on constantly moving and never having a home to call hers. For example, the woman describes how her father will give her “his brown eyes” (Line 7) and how her mother advised her to eat raw deer (Line 40). Perhaps the reader is suggesting that she is the only survivor of a tragedy and it is her heritage that keeps her going to keep safe. In the first two lines of the poem, she explains how the young woman will be taking the lines of her mother’s (Lines 1-2). This demonstrates further that she is physically worried about her features and emotionally worried about taking on the lineage of her heritage. Later, she remembered the years of when her mother baked the most wonderful food and did not want to forget the “smell of baking bread [that warmed] fined hairs in my nostrils” (Lines 3-4). Perhaps the young woman implies that she is restrained through her heritage to effectively move forward and become who she would like to be. When reading this poem, Native American heritage is an apparent theme through the lifestyle examples, the fact lineage is passed through woman, and problems Native Americans had faced while trying to be conquested by Americans. Overall, this poem portrays a confined, young woman trying to overcome her current obstacles in life by accepting her heritage and pursuing through her
He refers to all the immigration groups in a judgmental way. He complains about the intelligence levels of the Italians, how dirty and deceitful the Jews are, and even the immaculate cleanliness of the Chinamen. Although he does possess quite a bit of bigotry that boarders on the line of prejudice when it comes to African Americans he recognizes that they are suffering from racism and he sympathizes with th...
New York: Oxford University Press, 2011. 164. 181. Print. The.
In the next few chapters she discusses how they were brought up to fear white people. The children in her family were always told that black people who resembled white people would live better in the world. Through her childhood she would learn that some of the benefits or being light in skin would be given to her.
In the poem “My red face hurts” by Duncan Mercredi, the author has conveyed his message through describing the tragic events that are faced by many discriminated races to exemplify that people cannot face human equality because it reveals the horror of the injustices they commit. Mercredi has portrayed his message because he wants to emphasize the racial hatred and inequality various different races are experiencing. To begin with, one of the main subjects that the author has expressed in his emotion-filled poem is racial discrimination, how people torture many races and treat them like animals only because of their color. Mercredi stated “my red face hurts as I watch my brother die before me white bullets riddle my body and I hide my face
He makes connections between himself and an African woman carrying a vase on her head when he performs a similar action, “My only option was to carry mattress on my head, like an African woman gracefully walking with a vase of water balanced on her head…” This isn’t the only time he makes a reference to African culture: he points out the difficult to pronounce African name of one of the neighbor’s sons and goes on to identify him by said description. When he is shunned, he draws a parallel to American explorers on foreign land, emphasising how much of an outsider he feels himself to be, as quoted above. He even calls himself “pale”, as if his light skin is a negative, unsightly
In “Citizens: An American Lyric” by Claudia Rankine the audience is placed in a world where racism strongly affects the daily American cultural and social life. In this world we are put as the eyewitnesses and victims, the bystanders and the participants of racial encounters that happen in our daily lives and in the media, yet we have managed to ignore them for the mere fact that we are accustomed to them. Some of these encounters may be accidental slips, things that we didn’t intend to say and that we didn’t mean yet they’ve managed to make it to the surface. On the other hand we have the encounters that are intentionally offensive, things said that are
Each of the main characters are very different. First off is Aibileen. She is a quite women who never disobeys orders from her white woman even if she doesn’t want to do it. “ ‘So you’ll use that one out in the garage now, you understand?’ I don’t look at her. I’m not trying to make no trouble, but she done made her point.”- (Page 34) Miss Leefolt built a “special” bathroom for her to use so that she won’t use the white bathrooms. The reason that the author was to show that Aibileen did what she needed to do to keep her white women happy. Aibileen also is polite to people that she needs to be polite to. Even in her own home she is nice to Skeeter. “ ‘Anything…you’d like to add…about that?’ ‘No ma'am’ ‘Aibileen, you don’t have to call me ‘ma'am’ not here’ ”- (Page 169) Minny on the other hand is the exact opposite. She doesn’t care about what other people think. If it’s a white women that’s tipping her off and she doesn’t work for her then she’ll tell her off. “ ‘What makes you think colored people need ...
The author distinguishes white people as privileged and respectful compare to mulattos and blacks. In the racial society, white people have the right to get any high-class position in job or live any places. In the story, all white characters are noble such as Judge Straight lawyer, Doctor Green, business-man George, and former slaveholder Mrs. Tryon. Moreover, the author also states the racial distinction of whites on mulattos. For example, when Dr. Green talks to Tryon, “‘The niggers,’…, ‘are getting mighty trifling since they’ve been freed. Before the war, that boy would have been around there and back before you could say Jack Robinson; now, the lazy rascal takes his time just like a white man.’ ” (73) Additionally, in the old society, most white people often disdained and looked down on mulattos. Even though there were some whites respected colored people friendly, there were no way for colored people to stand parallel with whites’ high class positions. The story has demonstrations that Judge Straight accepted John as his assistant, Mrs. Tryon honor interviewed Rena, and George finally changed and decided to marry Rena; however, the discrimination is inevitable. For example, when Mrs. Tryon heard Rena was colored, she was disappointed. “The lady, who had been studying her as closely as good manners would permit, sighed regretfully.” (161) There, Mrs. Tryon might have a good plan for Rena, but the racial society would not accept; since Rena was a mulatto, Mrs. Tryon could not do anything to help Rena in white social life. The racial circumstance does not only apply on mulattos, but it also expresses the suffering of black people.
He portrays the racist tendency of people to assume black men are potentially violent and dangerous. He describes about a white woman’s reaction when she and him were walking on same street but on the opposite sides during the night. He says that women seemed to be worried, she felt uneasy and she thought that he was ‘menacingly close’. He even shares his experience on how he was taken as a burglar, mistaken as a killer and forced out of a jewelers store while doing assignment for a local paper. The reason behind being kicked out of the jeweler store and women running away was because he was a black man. During that period black men were stereotyped as rapist, murderer, and gang members. These names upon a person’s personality can hinder ones feelings and can also affect ones confidence level. Thus stereotyping can cause a person to miss opportunities and the person might face difficulties in building relationships with specific types of people. (Brent
These repeated words show the reader that the narrator identifying himself as a “colored” man is sincerely shameful and desires to abandon his colored race. In addition, the word choice of debating, shame, forsake, and inferiority in the context conveys a feeling of negative categorization to the reader while the narrator is talking about the African American race. This projects the narrator’s idea, which is carried throughout the novel, that being a “colored” man in society is looked down upon and shameful. In the beginning of the novel when the narrator is conversing with his mother for his true identity, there is a sense of shame as the narrator says, “ She must have felt that I was examining her, for she hid her face in my hair…” (8). Also when the narrators mother talks about his white father, a positive sense of categorization is delivered as the mother says, “ No, I am not white you- your father is one of the greatest men in the country- the best blood of the south is in you” (8). These two quotes early in the novel connect to the narrator’s general idea that being an African American in society is categorized as shameful and negative while being white is classified as the “best” and “great.” This idea is relevant to the social issue of racial
By writing long lines then opposing them with short phrases, the writing is able to convey an adverse view, which is generally applied to black culture, onto the local more privileged community. She again employs plural point of view to demonstrate how, as a collective minority, “we often think of uptown”(5), referring to white society. The silent nights then described in line six refer to the apparent blandness of white culture when compared to the lively nature of the inner city. The long lines of 6 and 7 are then disrupted by line 8 in a very abrupt and jarring manner: “and the houses straight as” (7) “dead men” (8). This wording not only plays on the uniformity of White Culture, but addresses social divisions both past and present. The comparison of the white houses to dead men is a comparison of the insipid area that is uptown to the lively nature of the inner city and black life. A passed and darker meaning also rests on the shoulders of these dead men, as the houses that these wealthy whites inhabit have been built on the backs of African American’s since the countries origins. By applying these new and controversial images to both cultures, Clifton challenges societal conventions among both races in attempt to shift views concerning how black life is portrayed versus its