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Literature after the second world war
Southern versus northern culture
Southern versus northern culture
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America’s history has many instances of cultural conflicts. We can see these conflicts in early America with the Native Americans and the colonist. As America grew new immigrants, cultures, and ways of living began to develop which increased the number of social conflicts. In the early 1900’s both F. Scott Fitzgerald and Edith Maud Eaton or pen name Sui Sin Far comment about some of these struggles in their time. Fitzgerald highlights the difference between northern culture and southern cultures in his story “The Ice Palace”, while Far shows the clash between of the Chinese American and the white man in “It’s Wavering Image”. To illustrate these differences both Far and Fitzgerald use a women who is stretched between two different cultures, …show more content…
Fitzgerald’s character Sally Carrol is in love and engaged with a man from the North named Harry. As Sally visits Harry in the North she develops first impressions of the North. The first thing she sees is a “solitary farmhouse” and has “ an instant chill of compassion for the souls hut in there waiting for spring”.(928). Sally also describes the women she meets as being “flaxen” and “listless” and “the essence of spiritless conventionality”(928, 933). Sally’s illustration of her environment shows her dislike for the North, but continues to react positively for the sake of her marriage with Harry. When Harry asks if she enjoys the south she responds by saying “’Where you are is home for me, Harry’” and realizes as she says this that this was “the first time in her life that she was acting a part” (930). Sally tries to make the “the North –her land” because of her love for Harry (928). Her attempt is in vain because her love for Harry cannot eliminate the southern culture within her. This is apparent at the end of the story; when she breaks down in the ice labyrinth and screams to “Take [her] home” she is talking about her home in the South (940). This time of desperation causes her to reveal that she feels her home is in the South. Sally’s love and future was located in the North but this was not enough to overcome her upbringing in Southern …show more content…
The characters in Fitzgerald’s story lack long-term exposure to different cultures, a flaw that leads to the creation of false stereotypes. Mr. Bellamy grew up in Kentucky which “made him a link between” Sally’s “old life and new”(933), implying that the rest of the family grew did not grow up in the South. When Harry sees a man with baggy trousers he immediately assumes that “He must be a Southerner,”(934). Harry believes that many Southerners are “degenerates” and have “gotten lazy and shiftless.”(934,935). He makes generalizations about a whole group of people without ever being with these people for a lengthy period of time. He even shows that his generalization is false when he thought a classmate was “the true type of Southern aristocrat” but found out that he was “just the son of a Northern carpetbagger”(935). Without growing up in the South it is unreasonable for Harry to make any “sweepin’ generalities”(935). Sally also categorizes when she describes most of the Northern men as “canine” and most of the Southerners as “feline”(932). Similar to Harry, Sally lacks any long-term exposure with the Northerners, so she has no backing to label the Northerners. Fitzgerald extends stereotypes based on vicinity to ones according to race through Roger Patton. Patton says that the “Swedes” are “gloomy and melancholy” , the “Spanish” have “black hair and daggers an’ haunting music”, and “the
In Thomas King's short story "Borders," a Blackfoot mother struggles with maintaining her cultural heritage under the pressure of two dominating nations. Storytelling is important, both for the mother and for the dominant White society. Stories are used to maintain and pass on cultural information and customs from one generation to another. Furthermore, stories can be used both positively and negatively. They can trap individuals into certain ways of thinking, but they can also act as catalysts that drive social change within society.
In D. W. Griffith’s The Birth of a Nation the interactions between black and white characters represent Griffith’s view of an appropriate racial construct in America. His ideological construction is white dominance and black subordination. Characters, such as the southern Cameron’s and their house maid, who interact within these boundaries, are portrayed as decent people. Whereas characters who cross the line of racial oppression; such as Austin Stoneman, Gus and Silas Lynch, are portrayed as bad. Both Lynch and Lydia Brown, the mulatto characters, are cast in a very negative light because they confuse the ideological construct the most. The mixing of races puts blacks and whites on a common ground, which, in Griffith’s view, is a big step in the wrong direction. Griffith portrays how the relationship between blacks and whites can be good only if the color line and positions of dominance and subordination are maintained. Through the mulatto characters he illustrates the danger that blurring the color line poses to American society.
Hirata, Lucie Chen. 1979. “Chinese Immigrant Women in Nineteenth-Century California.” In Women of America. Ed. C.R. Berkin and M.B. Norton. Boston, MA: Houghton Mifflin Co.
Wyatt, Jean. "On Not Being La Malinche: Border Negotiations of Gender in Sandra Cisneros's "Never Marry a Mexican" and "Woman Hollering Creek"" Tulsa Studies in Women's Literature. 1 & 2 ed. Vol. 14. [S.l.]: Univ Of Tulsa, 1995. 243-71. Print.
Everyone had to prove they were independent, capable, and willing to integrate into the cultural melting pot with its own identity of hard work, grit, and determination which established and fostered success in American society. But, not everyone who chooses to take the adventure and risk associated with becoming American wishes to share in this identity. Many feel it necessary to shun the American identity and observe it with a level of disdain. Disregarding the reasons themselves or previous generations may have immigrated to America for. In the short story “Mericans”, Sandra Cisneros illustrates this concept through a character in the story. “The awful grandmother knits the names of the dead and the living into one long prayer fringed with the grandchildren born in that barbaric country with its barbaric ways. (Cisneros)”. In the story it is later identified the children in reference were indeed born in the United States. “Awful grandmother” has an incredibly low opinion of the society in which her grandchildren were born. Barbaric, let’s take a look at that word shall we—“without civilizing influences; uncivilized; primitive (barbaric)”. The detriment of that perception seems to be counterproductive to the melting pot concept of the United
During the twentieth century, people of color and women, suffered from various inequalities. W.E.B. Du Bois’ and Charlotte Perkins Gilman (formerly known as Charlotte Perkins Stetson), mention some of the concepts that illustrate the gender and racial divide during this time. In their books, The Soul of Black Folk and The Yellow Wallpaper, Du Bois’ and Gilman illustrate and explain issues of oppression, dismissal, and duality that are relevant to issues of race and gender.
In “My Two Lives”, Jhumpa Lahiri tells of her complicated upbringing in Rhode Island with her Calcutta born-and-raised parents, in which she continually sought a balance between both her Indian and American sides. She explains how she differs from her parents due to immigration, the existent connections to India, and her development as a writer of Indian-American stories. “The Freedom of the Inbetween” written by Sally Dalton-Brown explores the state of limbo, or “being between cultures”, which can make second-generation immigrants feel liberated, or vice versa, trapped within the two (333). This work also discusses how Lahiri writes about her life experiences through her own characters in her books. Charles Hirschman’s “Immigration and the American Century” states that immigrants are shaped by the combination of an adaptation to American...
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The destructive nature of cultural collision is symbolized when Emily’s lover, Rose, kills herself because of “how fuckin’ hard it is to be an Indian in this country” (Highway 97). The suicide of Rose, which happened when Rose “went head-on” into a “big 18-wheeler...like a fly splat against a windshield” shows the brutality of cultural collision (Highway 97). The rape of Zhaboonigan is an indicator of the violence inflicted on Natives (especially Native women), and functions as a metaphor for the “intrusive, destructive impact of one society on another” (Nothof 2). Cultural collision results in a fragmented society, where the subdued struggle with their identity as a result of the violent colonization of the dominant
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
Language is the most obvious determinant of ethnic identity, especially in the United States. Language barriers were particularly apparent in The Woman Warrior, by Maxine Hong Kingston. The main character’s family in this novel was Chinese and represented the first generation of immigrants for this family. Due to the fact that the entire family spoke Chinese, they were forced to find housing in an area where it was possible to carry on a normal life without speaking English. This area turned out to be Chinatown, in San Francisco. Living in a haven geared to one culture would limit the ability of younger generations to expand past the boundaries of Chinese culture and become ‘Americanized’, which served to preserve many aspects of Chinese culture even further, and truly defining the children of Chinatown, an...
Clinton, Catherine. The Other Civil War, American Women in the Nineteenth Century: Hill and Wang, New York 1986
Amy Tan loved her Chinese culture. Her mom made her favorite meal every Christmas Eve dinner. She has grown up in America where it is considered a melting pot, the place of variety cultures. She liked the manners Americans had and the American look so much, that she had a crush on the Ministers’ son, Robert. Those would represent the positive vibes of multiculturalism. The negative part would be the feeling of being accepted by her peers or the shame she had of her culture during this special event. Amy was afraid of what the American’s would think of a Chinese Christmas Eve dinner. Also she wanted it to be more like an American Dinner because she thought that the Chinese food will be disappointing because the Minister’s family would be hoping for an American meal, like turkey and mashed potatoes. She knew her family’s manners were horrendous, so she was embarrassed about that as well. “Dinner threw me deeper into despair. My relatives licked the end of their chopsticks and reached across the table, dipping them into dozen or so plates of food” (Tan 185). This really shows a great struggling image of multiculturalism for Amy Tan had during her
Beginning in the early 1800’s men, their wives and children made the voyage across to America, yet women might as well have been viewed as not a wife but another piece of land, just in a new country considering women’s duties were the same in both the east and the west. In both locations men and women were believed to be apart of “different spheres.” Barbara Welter elaborates on these spheres through her essay “The Cult of True Womanhood: 1820-1860” (1966). Welters describes the male sphere was focused around the world of the work force, ...
Nunez-Harrell, Elizabeth. "The Paradoxes of Belonging: The White West Indian Woman in Fiction." MFS Modern Fiction Studies 31.2 (1985): 281-293.