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Metaphors in sonnet 73
Diction in sonnet 130
Shakespeare's ideas of love
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Sonnet 80 Explication In William Shakespeare’s Sonnet 80, he presents a speaker that reveals his affections and afflictions for a young man about whom Shakespeare often writes. The speaker begins by bringing up a rival poet that he has referred to before in previous sonnets. In the second quatrain, Shakespeare begins his conceit by comparing the speaker and his rival to boats on the young man’s “ocean” (5) of worth. The speaker then acknowledges the possibility that he may be of little worth in the eyes of his beloved when such a comparison is made, or when his words are portrayed side by side with those of a superior poet. Shakespeare presents his turn in line thirteen and ends the sonnet with a concluding couplet which captures the essence …show more content…
In the first line, “your shallowest help will hold me up afloat” (9), the speaker feels as if he is simply sitting on the young man’s surface, and this is enough for him. In a sense, the speaker will take what he can get, but in the next line, “whilst he upon your soundless deep doth ride” (10), he is acknowledging that his adversary is discovering the deep intimacies within the man. Again the speaker alludes to the young man’s worth being unfathomable when he uses the word “soundless” (OED). Also in these two lines, Shakespeare adds a spondee to the end of line 10 that contrasts the iamb at the end of line 9. While the speaker is simply “afloat”, the spondee emphasizes the “ride” of his rival. The connotation allows the reader to imagine the “ride” as an experience of truly getting to know the man for whom they write, which naturally causes jealousy in the speaker. In the following line, “Or, being wracked, I am a worthless boat” (11), the speaker remains consistent with the theme of self-pity. He sees himself as being of no use and his words will have no effect when compared to those of his rival. Who he goes on to describe in the next line, “he of tall building and of goodly pride” (12), as having words that are well constructed and are something to be proud of. According to the Oxford English Dictionary, the words …show more content…
The second to last line, “for if he thrive, and I be cast away” (13), is a beautiful yet foreboding set up for the finale that follows. Moreover, the conceit remains even in this final part of the sonnet with the words “cast away”, much like nets are cast away from ships or words are “cast away” from the mouths of poets. And as the speaker moves to the final line, he succeeds in being seen as a hopeless lover by the reader. Line 14, “the worst was this: my love was my decay” captures the complete essence of every emotion the speaker is enduring throughout the sonnet. The use of a caesura by Shakespeare, allows the weight of the portrayed emotion to settle in the heart and mind of the reader. Regardless of the nagging frustration that his rivaling poet and his superior works cause, the speaker refuses to be silenced. Furthermore, it is not the battle with his opponent that ruins the speaker; yet, it is the love that he feels that causes him the most pain and will surly result in his ultimate decay or utter destruction
In “Sonnet,” Billy Collins satirizes the classical sonnet’s volume to illustrate love in only “.fourteen lines.” (1). Collins’s poem subsists as a “Sonnet,” though there exists many differences in it, countering the customarily conventional structure of a sonnet. Like Collins’s “Sonnet,” Shakespeare’s “Sonnet 130” also faces incongruities with the classic sonnet form as he satirizes the concept of ideal beauty that was largely a convention of writings and art during the Elizabethan era. Although these poems venture through different techniques to appear individually different from the classic sonnet, the theme of love makes the poems analogous.
“Sonnet Eighteen” was one of the first of the Sonnets to become very well known. It “sets a fearful problem in turning it into prose”, because it is so straight forward and easy to comprehend (Rowse 39). Throughout this poem, the reader will acknowledge that Shakespeare “finds the human beauty “more lovely” and more lasting than nature’s” (Kastan 10). In the Sonnet, Shakespeare is comparing a woman to a summer’s day. He uses imagery to differentiate the harshness of summer and beauty of the woman. The audience can see the speaker’s perspective of youth and beauty throughout the lines in the
Shakespeare’s Sonnet #23 is addressed to the lovely young man, called WH. The speaker is trying to convey his complex feeling towards his lover. He is tongue-tied in the young man’s company and he is trying to explain this awkwardness and express his complex emotions in this sonnet. It is, the speaker says, due to the hugeness of his love, that makes it too heavy to carry. For the author this sonnet is a silent representation of his inner voice. To show the complexity of the situation, he compares poet’s role as a lover to an actor’s timidity onstage. He asks WH to read these silent lines and explains that love will give him the insight to read between lines. The sonnet consists of 14 lines, which are splitted into octave and a sestet, and has typical for Shakespeare’s sonnets rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, g-g. He uses first two quatrains to establish a problem and then resolves it in a third quatrain, summarizing solution in the following couplet.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
When he writes "And yet, by heaven, I think my love as rare as any she, belied with false compare." (lines 13-14) in the final couplet, one responds with an enlightened appreciation, making them understand Shakespeare's message that true love consists of something deeper than physical beauty. Shakespeare expresses his ideas in a wonderful fashion. Not only does he express himself through direct interpretation of his sonnet, but also through the levels at which he styled and produced it. One cannot help but appreciate his message of true love over lust, along with his creative criticism of Petrarchan sonnets.
This sonnet mocks this woman by pretending to praise her, all the while proving that her fairness is contingent upon certain external manifestations. The fact that the beloved has a "gentle sprite" does not matter much because she is prideful. The subtle language of the sonnet hides the speaker's ridicule, just as her smile hides her pride. The author uses economic, oceanic, and nautical imagery to show how her fairness is merely revealed through temporal circumstances, and never makes mention that she is "fair" alone. The ridiculing nature of this sonnet is greatly revealed through the repeated term "Fair, when," and through the central phrase: that her "cloud of pride, which oft doth dark" (line 7).
has the gentle heart of a woman but is not inconsistent as is the way
During the course of Edmund Spencer’s Amoretti, the “Petrarchan beloved certainly underwent a transformation” (Lever 98); the speaker depicts the beloved as merciless and is not content with being an “unrequited lover” (Roche 1) as present in a Petrarchan sonnet. Throughout Sonnet 37 and Sonnet 54, the speaker provides insight into the beloved not seen within the Petrarchan sonnets; though the speaker does present his uncontrollable love for the beloved, he does so through his dissatisfaction with his position and lack of control. In Sonnet 37, the speaker describes the beloved as an enchantress who artfully captures the lover in her “golden snare” (Spencer, 6) and attempts to warn men of the beloved’s nature. Sonnet 54, the speaker is anguished by the beloved’s ignorance towards his pain and finally denies her humanity. Spencer allows the speaker to display the adversarial nature of his relationship with the beloved through the speaker’s negative description of the beloved, the presentation of hope of escaping from this love, and his discontent with his powerlessness. Spencer presents a power struggle and inverted gender roles between the lover and the beloved causing ultimate frustration for the speaker during his fight for control.
Shakespeare use of similes here suggests that the speaker views the world as cruel, so cruel that even the worms that crawl through its soil are foul. It also articulates that the speaker is afraid that his reader will be mocked for mourning their relationship. “Lest the wise world should look into your moan.” (Stephen Greenblatt, David and Lewalski) Because the world is a "vile" place, the poet is afraid of the cynics that might laugh, and judge his shortcomings inflicting more sorrow on the reader, whom he fears will be traumatize by
You can finish that sentence in your head can’t you? Whether you are a strong poetry enthusiast or not, you still probably know this famous poem. Sonnet 18 by William Shakespeare is one of the most well-known poems of all time. Time and time again this piece of art has influenced contemporary pieces. Some examples of this would be; the song “Sonnet 18” by Pink Floyd, a novel titled The Darling Buds of May by H E Bates, and a famous essay “Rough Winds Do Shake” written by Maeve Landman. Now this doesn’t not include the endless, countless list of times when Sonnet 18 has been quoted throughout history, especially in today’s media such as Star Trek, Doctor Who, and many others. It is doubtless to say that Sonnet 18 by william shakespeare is one of the most famous and well-known poems, and for good reason. This poem truly is a beautiful piece of work. William Shakespeare utilizes many things to help enhance the reading experience. Sonnet 18 by William Shakespeare draws the reader in through the use of several poetic techniques including rhyme and rhythm, personification, and metaphor.
Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature:
...ays him. He tricks himself into believing that he and his friend are such kindred spirits that they are truly one in mind, body and spirit, when in fact, they are not. The final line of the sonnet begins with an initial spondee, "Sweet flattery" (14) in which Shakespeare himself is admitting how sweet delusion really is, and ends in a terminal spondee, "me alone" (14) showing that the young man and Shakespeare were really never more than acquaintances that loved the same woman.] Through a figment of his imagination, he developed a mythical relationship with the young man when in fact, the only really loving relationship he had was with his own pretentious subconscious.
Shakespeare's sonnets are a romantic and charming series of poems. His use of rhyme and passionate, eloquent language serve to illuminate his strong feelings. These techniques were probably the most fluent way for such a writer as him to express the immeasurable love that he obviously felt for his mysterious lady. Examining the numerous ways Shakespeare found to describe it, the reader believes that this love was undoubtedly lasting and authentic. He often made heart-felt comments about his emotions that could also suit lovers in the present day. Because of this, and the fact that people read them yet, Shakespeare's sonnets are timeless and universal, just like the concept of love itself.
In Shakespeare’s sonnet 130, the speaker ponders the beauty, or the lack thereof, of his lover. Throughout the sonnet, the speaker presents his lover as an unattractive mistress with displeasing features, but in fact, the speaker is ridiculing, through the use of vivid imagery, the conventions of love poems and the way woman are portrayed through the use of false comparisons. In the end, the speaker argues that his mistress may not be perfect, but in his eyes, her beauty is equal to any woman who is abundantly admired and put through the untrue comparison.