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Analysis of Picnic at Hanging Rock
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Recommended: Analysis of Picnic at Hanging Rock
Peter Weir’s film is full of mysterious and expressionistic sounds and images that draw on Joan Lindsay’s book to create tension between the apparent refined college and the various forces in the Australian landscape. This tension is not exemplified through the attempt to combine the college and the Australian landscape but rather the difficulty of a traditional European college set up in the Australian bush, completely juxtaposed to the values of the country life. This is presented in both the novel and film with the clashing of the use of time between cultures, and the difficulty for Appleyard College to accept the barren Australian land as well the presentation of the European culture and appearances.
Picnic at Hanging Rock tests the apparent timelessness of Australia against the received concepts of European time, and the durability of the colony objected to natural and historical time. In the film and novel, the Europeans are steeped by their own tradition. They present an infatuation with time; constantly inventing new traditions to keep the chaos of natural time from their door. Mrs Appleyard - the principal of Appleyard College - is fixated with time and the order of things and this is opposed to the Australian bush, which prides itself on its natural movements of time, guided by the sun and heat of the day. However the events at Hanging rock cannot be measured by time. It is as though the girls do not just disappear from the rock, but they also disappear from time itself. The whole excursion of the rock cannot be checked and placed at a certain hour of the day, which is unfathomable to the Europeans. A chain reaction of unravelling occurs at the college not long after. The cracks in the college start to show, and traditi...
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...The ants take over the cake, marching their way through the remains of their picnic, and layers of clothing are taken off. It begins with the removing of the gloves on the journey towards the rock and continues with the ascent of the rock (excluding Edith) where the girls’ posh Victorian dresses are slowly peeled away. It can be drawn that this peeling away of layers can indicate the loosing of control and order the females contained on themselves. This display of unstable European civilisation in the bush increases the tension and differences of the two cultures.
In conclusion, it is a clash of two cultures utterly opposed to each other that creates tension in Picnic at Hanging Rock. The inability of the Europeans to abandon their rigid structure of life separates them from the Australian landscape ending in a hopeless combination of tragedy and unravelling values.
The novel “Nanberry” written by Jackie French, tells the story of early European settlement in Australia. Nanberry, Surgeon White and Rachel Turner are all main characters in the novel but three minor characters who could have been examined in more detail were Maria, Colbee and Mr. Trench. Each of these characters either performs something or states something that is vital to the story line and plot. This essay will also suggest ways that these three characters could have been developed to make “Nanberry” a little bit more thought – provoking.
Today, I will be telling my view on Australian texts. I will be analysing the text “The Exotic Rissole” by Tanveer Ahmed.
... 1960’s were against intellect and to discourage, they resorted to physical abuse or bullying. The aforementioned builds empathy and positions the reader to challenge the views of the 1960’s. Similarly when the Shire President who should be a good guy, is in reality a heavy alcoholic and someone who sexually abuses his own children. Henceforth this displays moral duality, a major theme, and correspondingly includes the 1960’s Australian context of alcoholism. Moral duality is also presented through Ruth Bucktin, the Sargent, Mrs Wishart, the town folk and even Eliza Wishart. A big issue of the 1960’s was the racism that was present. Likewise, Corrigan exhibits racism especially on the Vietnamese, Lu family. It is the time of the Vietnam War, national service, recruiting men to fight in Vietnam, and the fear of communism was very much present throughout Australia.
Without the use of stereotypical behaviours or even language is known universally, the naming of certain places in, but not really known to, Australia in ‘Drifters’ and ‘Reverie of a Swimmer’ convoluted with the overall message of the poems. The story of ‘Drifters’ looks at a family that moves around so much, that they feel as though they don’t belong. By utilising metaphors of planting in a ‘“vegetable-patch”, Dawe is referring to the family making roots, or settling down somewhere, which the audience assumes doesn’t occur, as the “green tomatoes are picked by off the vine”. The idea of feeling secure and settling down can be applied to any country and isn’t a stereotypical Australian behaviour - unless it is, in fact, referring to the continental
Both ‘The Drover’s Wife’ and ‘The Loaded Dog’ depict life as an Australian during the Colonial period. ‘The Drover’s Wife’ depicts the everyday life of a bush woman and her
When the girls concurrently throw their twigs into the hole it is as if they are throwing themselves into each other’s consciousness, making a permanent connection with one another. Each twig represents their independent selves being joined with the other when they are thrown together into the hole to be buried.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
...sed in the first scene; the white family appear more superior over the aboriginal family, music, such as the Celtic music used in early scenes to foreground the idea of white settlement and the reluctantcy to incorporate any values or ways of life that the original inhabitants had. Her powerful dialogue seen in ‘this land is mine’ scene, which significantly empowers to audience to question whether the white settlers have failed to incorporate any of the ways of life and values of the Indigenous people. Finally, Perkins’ fine editing skills allows audiences to physically see the contrasts of the two families and their beliefs, values and ways of life. From the film, audiences can learn, and also forces them to question whether they have failed to learn from the original habitants of the land they live in today.
The suburban house, as the film’s setting and sphere of action, is extraordinary partly because it is ‘next-door’ to an airport. The odd layout of this backyard is underlined because their suburb meets the kind of architectural cast-offs often found at the margins of big cities. This mix of the humble backyard with the international vectors of travel, tourism and international trade plays out in the film’s narrative which connects the domestic and the distant. The Castle displays many locations and landscapes easily identified as being unique of Australia- The ‘Aussy’ barbeque and patio setup, greyhound racetrack and poolroom, just to name a few. The neighbours of the Kerrigan’s are a symbol representing the multicultural diversi...
Reynolds, H. (1990). With The White People: The crucial role of Aborigines in the exploration and development of Australia. Australia: Penguin Books
Specific elements of the storyline that display the theme racism include: the display of animalistic treatment, enforced religious practices, and historical comparisons. The film reveals the overarching government belief that the white race is smarter and purer, to the inferior, uncivilized and misguided, darker-skinned, Aboriginals. This belief is demonstrated throughout the film and signifies the government’s attitudes toward the half-caste race as: uncivilized animals that need a trainer to discipline them. For example, the film shows the girls being transported like livestock to th...
In conclusion, William Golding uses a complex combination of diction, devices, sentence structure and theme to inspire the atmosphere of danger in the passage in the novel Lord of the Flies. Various hints are given throughout the writing that suggest that Castle Rock may not be all that it seems to be: a safe place that could use the tide to protect them from predators. All of these components of the passage work together efficiently to not only create this atmosphere, but to create a deeper understanding of the section, encouraging the reader to read between the lines.
Tim Wintons short story, “Neighbours” questions Australia's social discourse by exploring the transition of individuals into a new phase of life. Winton challenges society’s ignorance and cultural stereotypes by displaying a provocative new experience which has the ability to manipulate and change individuals perspectives. Society’s ignorance can be seen through the conflicting hyperbole, “good neighbours were seldom seen and never heard”, exploring the couples incomprehension of different cultures and lifestyles. The negative connotations surrounding the adverb “seldom seen” and “never heard” distort society's underlying values of love, respect and trust, consequently positioning the reader to consider the impact of new experiences in developing one's personal perspective. Moreover, Winton explores society's challenging and spurring transition into a new phase of life via the use of the emotive noun “murdering” in “their neighbours were not murdering each other, merely talking”. The noun, “murdering” juxtaposed with the positive imagery of “talking” posits the audience to society's dignity in the stereotypical context of Australia. Winton challenges the audience to question their moral truths and how a new experience can enlighten individuals to consider different cultures and perspectives. Composers manipulate the reader's perspectives through showing the transition into a new phase of life and how this has the ability to develop and individuals knowledge and
Although imagery and symbolism does little to help prepare an expected ending in “The Flowers” by Alice Walker, setting is the singular element that clearly reasons out an ending that correlates with the predominant theme of how innocence disappears as a result of facing a grim realism from the cruel world. Despite the joyous atmosphere of an apparently beautiful world of abundant corn and cotton, death and hatred lies on in the woods just beyond the sharecropper cabin. Myop’s flowers are laid down as she blooms into maturity in the face of her fallen kinsman, and the life of summer dies along with her innocence. Grim realism has never been so cruel to the innocent children.
I am plunged into Golding's imagined island world from the first sentence. He uses lush description to build a setting that will contrast and reflect the boys' primitive descent. The word "scar" describes the natural feature of the land, conjuring images of redness and blood from the first paragraph. The beautiful, yet often odd, descriptions help serve as a contrast between humans and nature. The use of words like "scar" and "blood" foreshadows the future interaction between the boys and nature - the pigs, the hunt, the storm. At the same time, the beauty and the order of the natural surroundings contrast with the decline of society developed throughout the book. Integral to this setting is the fair-haired boy climbing the rocks, Ralph. When Ralph meets Piggy, we notice the obvious differences between the two - the attractive and the fat, the daydreamer and the thinker. There is a moment when Piggy looks up at Ralph and sees the shadows on his face reversed. This reverse of shadows seems to signify the missed initial connection between Piggy an...